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What if you could touch and feel a score?

What if scores could be touched and felt instead of only read? We’ve just come from a deep, far-ranging discussion with artist Enrique Tomás, a researcher at the Interface Culture Lab in Linz. It’s part of Enrique’s residency with CTM Festival and ENCAC – European network for contemporary av creation, who also support some of our work. And it’s presented as part of another of our MusicMakers hacklabs at CTM Festival. It’s worth sharing some thoughts already. One of his more compelling illustrations of this was his PhD project, tangible scores: Credits: Enrique Tomás – PhD at Interface Culture Lab …

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Tangible Music: The Reactable and Interactive Instrument Design, in Videos

Dig into humanity’s past, and alongside the earliest tools, you’ll find some of the earliest instruments. Designing objects for expression seems to be an essential part of civilization. Martin Kaltenbrunner, a co-designer of the Reactable tangible music interface, is also a professor in Interface Culture at the Linz University of Arts in Austria. There, in the land of Mozart and Haydn, he works with students to explore what interface design is. So, when I got to spend some time with Martin in New York in September, I was interested in more than just the flashy coolness of the Reactable, the …

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