superbooth - 11

The nerdiest synth meet in the world, plus Tangerine Dream on a boat

Even in the age of the Internet, there’s no substitute for seeing people face to face. It just seems now we want a more concentrated dose – one or two really big international gatherings where we go all-in. And apart from California’s mighty NAMM show, it seems there’s nothing quite like Superbooth. Here’s a preview, some highlights from last year – and don’t worry, if you can’t make it to Berlin, there will be a continuous livestream to the world and coverage we’ll deliver from the various partners covering the event. With just one past edition under its belt, Superbooth …

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Watch a half hour documentary on the sound of Star Wars Rogue One

For lovers of sound design – cinematic or otherwise – Star Wars is always good reason to nerd out. But Rogue One is something different, as the first film to be a standalone or spinoff. On the music side, it meant a new composer who wasn’t John Williams (Michael Giacchino). But perhaps the less known story is that sound, too, got a new direction. Filling the shoes of Ben Burtt is no easy task. There’s probably no Hollywood sound creator better known than Burtt. And as with any Star Wars film, you have the unique challenge of trying to do …

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Photo: Bobby Collins.

Step inside the mystical sound world of Circular Ruins

Circular Ruins’ auditory landscapes are rich and strange, hypnotic rituals of loops and layers. They’re dark, but somehow un-menacing – safely resonating with whatever dangers live there. The artist speaks to us here about process, and zeitgeist, and cassette tapes. And we get to premiere the full release. We have a look round his studio and rig along the way. Circular Ruins happens to be Marijn Degenaar, who also happens to be on the design team at CDM. Oddly, friends and I have each done a double-take there, discovering his music through some other channel only to find out later …

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Photo credit: Aldo Paredes.

The Black Madonna, shesaid.so talk role models, co-conspirators

Kentucky-born artist The Black Madonna this month joined Romanian Andreea Magdalina, founder of all-female network shesaidso.so for GROOVE. The message is as simple as taking women seriously – and what can be done to change things when it doesn’t happen. It’s worth sharing that conversation – and please, listen to its entirety – for a couple of reasons. First, I think we’re obligated to keep sharing this conversation and ones like it so long as it keeps prompting negative and defensive reactions, primarily from men. (Comment threads on social media are not at the moment the most flattering representation of …

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Demian Licht on transmitting knowledge, being a demon of the light

Demian Licht is building a portal – one connecting us to a new future, one scrapping the parts of society holding people back, one linking the world. She’s not just making techno – she’s making a statement about the future with her music and practice, one that resonates with Detroit’s pioneers and the bleeding-edge aspirations of a new generation today. Oh, and there’s some strange physical portal involved, too, one purportedly located at the geographic center of Mexico – uh, maybe. But you might want to watch that spot. So, not only did we want to hear more about Demian …

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Enter the wondrous world of Walter Giers’ electronic sound art

Few people could make circuits into art quite like Walter Giers. He made them into visual objects, into aesthetic and design statements, into loud and even “annoying” performative constructions, into instruments. They aren’t simply utilitarian means to an end, but imaginative medium. Electronic Beats takes a look into Walter Giers’ mind this week in a new film, featuring interviews with family members that reveal some of his way of seeing the world. Off to Schwäbisch Gmünd, we go: The featured works here: 00:20 – Weisser Vulkan (1979) 1:08 – Erotischer Zyklus (1975) 1:14 – Hänge-Kugellautsprecher (1968) 2:14 – PE II …

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Robin Fox talks epic AV performances and rare synthesizer archives

There’s barely a performance medium that Robin Fox hasn’t touched, not a form with which he hasn’t moved us. From laser AV spectacles to exhibitions to work with contemporary dance (including the wonderful Chunky Move), this Australian artist is the kind of multi-faceted mind we adore. And so we sent Anahit Mantarlian for a marathon interview, so we can all geek out accordingly. -Ed. Audiovisual experimentalist Robin Fox has been busy. In 2016, the Australian composer and laser charmer toured Europe, presented his latest show RGB to Atonal Festival, performed at the inaugural MUTEK.JP Tokyo, and opened an organization (alongside …

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Inside Zeno van den Broek’s raw immersive AV architectures

Strap on headphones, and the sixteen minutes of Shift Symm is a brain-tickling assault. Even just within the stereo field, raw textures rumble and dance until you feel the sound’s structures inside your head. I was attracted to Zeno van den Broek’s work partly because that sense of patterning in sound and visual formed a work I thought deserved special integrity as a release. This is to me an encouraging sign that there are new frontiers for archaic, exposed AV minimalism in the post raster-noton age. Shift Symm by Zeno van den Broek Shift Symm therefore saw a digital release …

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Forte festival - Portugal, 2016. Photo by Dina Brudi-Pascal.

Inside Orphx’s terrific live technique, mixing modular and computer

Orphx are simply enchanting – doubly so live. Veteran experimentalists and master virtuosos of live performance, their music is heavy and industrial, but endlessly imaginative and groovy. Onstage, they genuinely improvise – there’s spontaneity and interplay. And that creative energy plays out both in their imposing live schedule and in their prolific studio output. The duo, consisting of a clever matching of skills of Canada’s Rich Oddie and Christina Sealey, had a devastatingly good year in 2016. There was the masterful full-length Pitch Black Mirror. There were remixes and collaborations (like Eschaton, with Ancient Methods). And there were those face-melting …

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Photo: Aoki Takamasa. Courtesy the artist.

raster-noton’s elusive Grischa Lichtenberger on creative sound

Grischa Lichtenberger is working with felt and stencils as well as sound. He’s speaking in hyperlinks, and misusing gear and feeding computers into other computers to form feedback loops. In short, he’s finding a unique and creative materialism in everything he does – and that means we really have to talk to him. So we sent Zuzana Friday to join in a delightfully esoteric conversation with the raster-noton artist. -Ed. Grischa Lichtenberger is a German musician and sound and installation artist, known for his releases on raster-noton. His immersive live performances oscillate between abrasive, aggressive compositions and intricate structures of …

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