The making of a fanciful album imagining a post-apocalyptic future

What would your future clone think of you now, looking back across an apocalyptic reshaping of humanity? That’s the question posed by the 2005 novel The Possibility of an Island, and it resonates in Franz Kirmann’s new album Elysian Park. This might sound bleak, but it isn’t. Kirmann’s new record paints a science fiction sound portrait in dense textures and hyperreal washes of color. There are stuttering and spectacular rhythms making bold shuffles across the music. It’s headphone stuff for sonic dreaming, relentlessly futuristic and endlessly engaging. It’s a world you’ll want to enter and reenter, an addictive time warp. …


Watch Kate Simko mix Classical and club music with her ensemble

A friend of mine joked recently that someone having “classically trained” in their bio probably mean they’d had three months of piano lessons once. I’m sure that’s true for some people, but the fact is, there’s a growing population that mixes experience in electronic music and the club. And Kate Simko is one of the people pushing that boundary – just as she exemplifies some of the best technique in production generally.

Photo: Lisanne Schulze.

Born in Flamez video reveals your post-human Internet future

We’ve reached the point where your identity, your nationality, your genre, your gender could be … the Internet. We interviewed Born in Flamez recently. But I really appreciate the new video for Electronic Beats, in that it’s not so much an artist feature as a manifesto – and a challenge.

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Digging the Asian and African undergrounds with C-drík Kirdec

It’s time to get beyond the geographic bubble – without resorting to narrow expectations of “world music” – and really appreciate the wide-open world of music making in which we now live. To take us there, CDM’s Zuzana Friday talks to Cedrik Fermont, who is evangelical when it comes to breaking apart old stereotypes and digging deep into the underground. -Ed.


Inside, Limbo game follow-up, music by SØS Gunver Ryberg

For lovers of shadows, dark dimensions spent wandering other states of being, and unrelenting rhythms, Danish composer/musician SØS Gunver Ryberg produces wonderlands. And that makes her music a perfect match for the game weavers of Playdead. Their follow-up to spine-chillingly creepy-good Limbo is this summer’s Inside. It does what’s so hard to do for this kind of title: it loses none of the elegance of the minimal original, while expanding in scope and maturity. And then there’s that score / sound design, made in collaboration with game maker Martin Stig Andersen.

From "Grid Index," Carsten Nicolai catalog, raster-noton.

raster-noton founders on how they found visual inspiration

Few electronic labels or acts have an identity as well defined as raster-noton, and its co-founders Bytone (Olaf Bender) and alva noto (Carsten Nicolai). And I don’t just mean single cycle waveforms or quick bursts of noise, hard-edged projected high contrast geometries or digital aesthetics, though those associations will certainly spring to mind. Even as the label has expanded in its musical scope in recent years, it has retained a sense that aesthetics themselves matter, that its artist roster are capable of painting with sound and exposing the process of using technology. Understanding where that comes from visually is key …

Lee Gamble. Courtesy the artist; photo Fabric London.

Lee Gamble tells us why UIQ is more than just a label

File under artists who inspire us: Lee Gamble is for us the embodiment of thoughtful, adventurous sound making. CDM’s Zuzana Friday talks to him about his latest project, UIQ – one that brings rich discourse and dimension to music. -Ed. You could say that Lee Gamble has a degree in making abstract music – using samples, snippets, and elements of styles ranging from jungle to techno. The master producer ‘sound wizard’ contributed to PAN Records’ discography with a number of releases combining his musical roots and sound phantasmagorias.


Watch a beautiful meditation on the function of music

As co-host of the American public radio show Radiolab, Jad Nicholas Abumrad is usually in the business of giving you sounds on their own. You provide the mental images. But in a stimulating new film from director Mac Premo, thoughts become images as well as sounds. It’s a fitting conversation. Abumrad (a Lebanese-American, as I am) comes from a background in music composition. Premo, apart from being a filmmaker and commercial director, is an artist. Both live in New York. So what we get is a counterpoint of two imaginations running at once: sonic and visual, musical and optical. And …

Photo: Udo Siegfriedt / CTM Festival.

Listen to John Chowning tell how he invented FM synthesis

To this day, it’s a synthesis method capable of producing wonderfully otherworldly sounds. And now as its applications on cell phones and cheap PC audio fade into distant memory, FM synthesis is left as one of the great achievements of musical invention, full stop – let alone being a key milestone of 20th century technology. So perhaps it’s time to revisit its significance.

The Subharchord. Photo Gerhard Steinke.

Meet the Subharchord, subharmonic organ of the DDR

Once upon a time in East Germany, an alternate branch of the evolution of the synthesizer and the organ came into being. And now it has a second chance to capture imaginations. The Subharchord was the DDR-era invention of engineer Enrst Schreiber, first designed in 1958. It was an original production but inspired by Oskar Sala’s so-called Mixtur-Trautonium. State backing came from the unlikely goal of serving as a commercial rival to the Hammond organ, thus bringing revenue to the cash-strapped Communist nation. Unfortunately, practicality and politics intervened. But that’s not to say the Subharchord wasn’t ahead of its time …