This is What High-End Audio Can Do Now: New Trio of Thunderbolt Boxes from MOTU

You’d be forgiven for missing it in the blur of press releases and trade show hand-outs – and, let’s face it, most musicians are too focused on music to pay much mind. But slowly, steadily, audio interfaces have been getting a lot better. Talk to the people who make them, and they can tell you […]

MOTU 828x: A Favorite Audio Interface Gets Thunderbolt Treatment

The MOTU 828 series has been a workhorse if ever there was one. Since the very first model, its more-then-ample I/O, mixing, clocking, and design have made it a favorite in a market crowded with lots of fairly-similar audio interfaces. It’s just more versatile and has easier access to controls and metering than some of […]

From Apple, No Lack of Commitment to the Mac, Pros, Creation [WWDC]

Here’s a quick way to sum up the revelations in today’s Apple event: “Oh, so that’s what was keeping them.” It’s certainly true when it comes to OS X and the long-awaited Mac Pro. Critics of Apple and concerned loyal users have worried that the growing success of iOS and consumer platforms would erode support […]

3 Approaches to Accessorizing the Studio: SPL, Softube, UA at Musikmesse

How can hardware make the computer-based studio more productive? Each trade show invariably brings new offerings that seek to answer that problem as vendors hawk their wares. At Frankfurt’s Musikmesse, steps from one another, three well-known names each each offered their own take. It comes at a time when the industry is re-imagining the role […]

The Thunderbolt Age Dawns: UA Ships Thunderbolt on Apollo; More to Come – Where it Makes Sense

Universal Audio is first out of the gate with an audio interface add-on that uses Intel’s Thunderbolt bus, the high-performance, low-latency connectivity option on current iMacs, MacBook Pros and Airs, and Mac minis (though, conspicuously, not the ever-more-outdated Mac Pro). The solution isn’t the most elegant – you need to add in an option card […]

MOTU Track16: Finally, Slim-Line Audio Interface That Doesn’t Sacrifice I/O? [Preview]

Try a little thought experiment. In one column, write down everything you want in an audio interface. You probably come up with things like physical controls, proper meters so you can see levels, and lots of ins and outs (including digital and MIDI). Now, in another column, describe what you want it to look like. […]

Touch, Plus Tactile: In Gaming as in Research, Physical Controls Augment Touchscreens

The gaming industry has made their bet, and it’s that touchscreens go better with tactile controls. Might digital musicians reach the same conclusion? A funny thing has happened on the way to the touch era. The vision of a device like the iPad is minimalist to the extreme: an uninterrupted, impossibly-slim metal slate, as impenetrable […]

Symphony I/O: Next-Gen Apogee High-end I/O, Works with Any Mac DAW Via USB

Looking for all the world like a high-end audiophile stereo radio receiver as much as pro audio equipment, the shiny, new Symphony I/O has arrived from Apogee. It’s a top-of-the-range audio interface designed for low latency, high-quality digital-to-analog conversion, and quality clocking, as well as flexible input and output, coming from a company known in […]

Cakewalk V-Studio 100: Mixer + Recorder + Computer Audio Interface + Controller

Sometimes, audio products come in sexy, exciting packages. But sometimes, they simply solve a set of problems. And the products that fit into the latter category can be as beloved (dare I say sexy), if not more so. Since I first saw a prototype in the fall, I’ve been eagerly awaiting trying out Cakewalk’s V-Studio […]