Singing Circuits: Who Needs Synths When a No-Input Mixer Sounds This Gorgeous?

Hypnotic and chant-like, this Christian Carrière composition hums and vibrates with what sounds like a chorus of electronic synthesizers. But that’s not what you’re hearing. It’s actually all a “no-input mixer” – a rig that makes use of controlled feedback rather than any other source of sound. It is, as Montreal-based composer Christian describes it, the sound of the circuits inside the mixer singing. And while you may associate feedback with angry distortion, here it’s beautifully tranquil, the rich tones of the circuitry themselves transformed into oscillators. The patterns and layers are all made with a looper. 35-minute mix:

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The Augmented City: Istanbul’s Data, Made Visible in Glitchy Structures

Augmented Structures v2.0 / Istanbul Design Biennial / October 13th – December 12th, 2012 from Refik Anadol on Vimeo. Our century is marked by a wash of data, flooding out of explosive urbanization. Humans and numbers, it seems, are now densely packed, dynamic, and essential. Yet with that same density, they threaten to become invisible. The challenge of visualists: break the barrier to reveal that unseen world. Call it data mapping. “Augmented Structures” is, first and foremost, rather lovely to look at. It’s a kind of architectural performance, in glitching, flickering contrasts of sound and light. Maybe the scale of …

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The Augmented City: Istanbul's Data, Made Visible in Glitchy Structures

Augmented Structures v2.0 / Istanbul Design Biennial / October 13th – December 12th, 2012 from Refik Anadol on Vimeo. Our century is marked by a wash of data, flooding out of explosive urbanization. Humans and numbers, it seems, are now densely packed, dynamic, and essential. Yet with that same density, they threaten to become invisible. The challenge of visualists: break the barrier to reveal that unseen world. Call it data mapping. “Augmented Structures” is, first and foremost, rather lovely to look at. It’s a kind of architectural performance, in glitching, flickering contrasts of sound and light. Maybe the scale of …

READ MORE →