Hear this Now: Shapednoise Does a Doom Mix And People are Listening

In the overabundant parade of mixes, you might easily grow weary of the sound-alike monotony of predictably-popular hits inserted back to back in a party-friendly groove. This is not that. The latest from Shapednoise is a mix for FACT that follows in a mold only in that it’s as violently depressing as you’d expect if you’d been following this artist. You know, depressing in a … stimulating way. Shapednoise begins by dropping you out an airlock for a zero-gravity dance of archaic tribal rituals. And from there, things more or less descend into an angry, room-clearing procession of reverbs and …


From Wires: Keith Fullerton Whitman’s Modular Music, Conversation with CDM, 12 Hours of Music

We make music through objects, whether instruments or machines. And so we have this relationship between our ideas and those objects, between our imagination and the imagination of the people who built them. Talking to Keith Fullerton Whitman about his suitcase of modular gear, then, wasn’t just geeking out. It was a chance to understand how he relates his music to those bits of gear, and the community of people who make them. (For another glimpse of that community, see our tour of a booth of a passionate distributor at Musikmesse.) Keith joined us at CTM Festival, Berlin, over the …


Experimental Electronics Listening: Biosphere, Samuel Kerridge, Bill Kouligas + PAN

Humming and hypnotic, moving from dripping-wet ambient surface textures to pulsing thumps like an alien rave in the next room of your spaceship, the sounds of these three artists and their taste in tracks can pleasantly absorb an evening. We have not one but three four separate mixes, enough experimental electronic sonic diversity that you should feel absolutely free to skip my textual ramblings and queue up some music to hear. In fact, I actually hope that you don’t know many of the artists featured, as simply encountering sound is a great pleasure – us journalists with our waterfalls of …