This could be the NAMM of modular synths in the Eurorack format. The question is, with vendors big and small crowding into this niche market, what will stand apart? Waldorf’s answer is to draw on the company’s history (hello, wavetables!), and in an announcement this week, to offer up a range of modules that fit into a keyboard. The upshot: an all-in-one solution.
By now, you’ve heard about KORG’s $499 minilogue analog polysynth, and the next question is: how does it sound? I’ve been playing around with it, and I can at least say this: it isn’t boring. I’m wary of sound samples. Most synths are capable of producing some sorts of good sounds, unless there’s literally something wrong with the way they’re engineered. And likewise, the experience of using an instrument goes beyond what an out-of-context sound can describe. But with that in mind, I’ll share some somewhat random excursions here. My guess is that (cough) more respectable synthesists will post the …
It seems the era of the affordable analog monosynth just gave way to the affordable analog polysynth. Leaked last week, KORG’s minilogue is a US$499.99 4-voice polysynth. Before you dive into our sprawling review, here’s everything you need to know in a nutshell. Keep in mind – we’ve had this synth since last week, so we’re not just copying specs here.
Okay, we’ve had pirates and Star Wars and cute houses and such. It’s about time synth lovers got the LEGO set they deserve. Andy Grobengieser is a music pro and LEGO enthusiast out of New York, and he’s got one heck of a Minimoog set designed. (Thanks for telling us about this on Twitter, Andy.) You can even help make it a for-sale set from LEGO – hopefully the first of a whole synth line, if we’re lucky.
Do you want to buy a keyboard with integrated control for your software? Sure! What if it only controls specific Native Instruments software via pre-defined mappings? Uh… hrm. Now, that offering changes. Native Instruments’ KOMPLETE KONTROL S-series keyboards later this month get some updates that will be essential to improving the value equation – a piano-friendly keyboard, third-party plug-in support, and custom control mappings.
If you’ve been wanting to let your freak flag fly with keyboards, this may be some good news. Future Retro have teased a touchplate keyboard on their Facebook channel. It’s dubbed the FR-512, and comes equipped with both MIDI and CV out (with lots of separate patch points) – so fans of digital and modular alike may be pleased. Pitch and mod lie next to the two-octave keyboard. Oh, and it’s a sequencer/arpeggiator, too – check those controls above the keys. (Rest, accent, arpeggiator, etc.)
Roland’s “Boutique” Synths are now here officially, after most of the details of these mini synths leaked out in advance of their launch. And we get a real look at this line of inexpensive, mini synths – three models, with an optional keyboard dock.
We broke the news (okay, uh, I changed the contrast values on the video) of a new line of budget Roland synths last week. Details continue to leak out about those products, and though no one has heard anything yet, the public reaction has been really positive. Now we know more: portable with battery power, optional keyboard, and lots of built-in features.
Roland continues their journey into uncharted waters – following the unexpected entry into categories like DIN sync, control voltage-manipulated analog, and Eurorack modular, the Japanese titan today teases something new it’s calling “Roland Boutique.” The legacy is spelled out in the opening – Jupiter-8, JX-3P, and Juno-106 synth keyboards from the early 80s give way to three backlit boxes with just-visible faders with LEDs on them. And at least we see there’s no eye-blinding green LEDs (cough, AIRA). So, this is pretty obvious: you get one box inspired by each of the earlier ones. Really, it’s the word ’boutique’ that’s …
We are all slaves to the piano. Two or three centuries after the instrument rose to dominance, and well over a half century after it became intertwined with the synthesizer (hello Minimoog!), it’s still something of a challenge to work out some alternative. And I love the piano. One of my great frustrations with some advocates of expressive new interfaces is their disregard for my favorite instrument. But let’s look at it this way: we’ve got beef. Beef is fantastic. We still really ought to have some chicken, some duck, and some vegan options. The formula for solving this in …