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Mobile beat rig: MeeBlip, Elastic Drums, BeatStep Pro

Jamming: the idea is to make music by connecting directly to gestures so you make something spontaneous. And if music technology is jam session friendly, this finally means you can do it together – not just alone.

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303

Sync that 303: One little box does MIDI to DIN sync

Put some actual “computer-controlled” in the 303. The folks at British maker Kenton have a way of churning out little boxes that do things people need. MIDI Thru, check. Connecting those USB gizmos that lack MIDI, check. Plugging MIDI to your modular, roger. So, to that, add a single box that translates MIDI to DIN Sync (sync24) – and back again. DIN Sync, as developed by Roland, is suddenly news again because of a rekindled interest in vintage gear. If you want to synchronize a TR-808 or a TB-303, DIN Sync is what you need. The Kenton D-SYNC isn’t the …

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What if we used stereo minijack cables for MIDI?

“It was acceptable in the 80s…” The standard MIDI DIN cable – that’s the big honkin’ connector you use on most of your MIDI gear – has become the bane of music hardware makers. The problem is, as gear has gotten smaller, the standard DIN connector hasn’t. And that’s a big problem, literally. To add a MIDI port to a device, you need to not only have enough clearance for the connector itself, but the whole around the port and the physical assembly that contains it. Speaking as a hardware maker, that takes up space you can’t even see from …

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Even if this KORG volca mixer is fake, you’ll want it anyway

Let’s be honest: it’s a bit of a mystery why KORG has’t already shipped a mixer. KORG volca series customers seem to snap up every single volca model the Japanese maker can cook up. That leaves them with a bunch of toys with stereo minijacks and no way to mix them together other than buying compact mixers by the likes of Behringer and Mackie. So, what we’re looking at here is either an actual leaked image of an upcoming KORG volca mix, or someone’s mock-up of what they wish that would be. Either way, same result: yeah, you probably kind …

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Octave One by Marie Staggat-23

Octave One Are Back, Improvising Grooves with Machines

If anyone can make cookie-cutter techno, then improvisation is the route back to heart and soul. And there are few people as good at making dense, bass-heavy improvised dance music as Detroit’s Octave One. I mean, yes, it’s a little weird that any of us would get overly eloquent or snobby writing about dance music. I would hope your test is the same as my test – does piping a track make you start doing an embarrassing little jig at your desk? (Boy, am I glad my office is on street level and equipped with giant, aquarium-style windows.) Octave One …

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meeblipstep

How to Sequence on a Budget with the Arturia BeatStep and MeeBlip anode

It’s no step backward. Standalone hardware is now smaller, lighter, more affordable, more capable, and easier to use than before. So why not help focus on a live gig or creating musical ideas by getting away from the computer now and then? This video from Meta Micro Labs shows how easy it is to plug in and get going – even if you’ve never worked this way before. And it stars the MeeBlip anode, our own humble monosynth (co-produced with CDM), featuring our gritty bass sound with analog filter. The timing is right, as we’ve just put anode on sale …

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recuejam

The Joy of Little Boxes, and Lovely Music by Recue x Jolea

From small boxes, big sound, and enormous fun… Something has happened in the evolution of electronic music production. What was once so often a slow process has become a jam, what was carefully orchestrated on screens finds itself embodied in gear. And small and affordable “toys” can often deliver the greatest “switch-on-and-play” satisfaction. Helsinki’s Recue and Jolea first found their way to their album by playing live, so it’s fitting we start with a live set from them. Their fusion is beat-driven, left-field pop – settling into moody, experimental grooves with effortless hooks over top. It’s melancholy surfaces with sparkling …

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The Snap-Together Studio: What littleBits Can Do Now

For all the power you might imagine of various tools, sometimes it’s combining simple devices that yields the greatest results. Our friend Chris Stack is no stranger to deep synths and powerful modulars. But he’s been doing inspiring things with the littleBits line of snap-together modules made with KORG – particularly now that they’re paired with modules for MIDI and CV. You might have seen some of these videos on (cough) other sites, while I was getting behind in my workload, but Chris has kept making more in the interim. He writes: “I was able to hook LittleBits into my …

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This is the Latest Music Gear, in Pictures: Musikmesse Photo Essay

Some people have to go to trade shows that cover nothing but various types of floor tiles. We’re fortunate that we get to go to one about musical instruments. Benjamin Weiss, seasoned German journalist and now product designer, as well, lets us see through his eyes at the show. I have to say, to anyone who has been to California’s NAMM show but not Musikmesse, the entire feeling is different. Space is spread out and oddly quiet; meetings include leisurely meals of Bratwurst and beer in the sunshine. Whereas the nerdiest sound technologies at NAMM are often relegated to hidden …

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Now littleBits Modules Play with MIDI, USB, CV: Videos

littleBits’ Synth Kit began as a lot of fun. Snap together small bare boards connected by custom magnets, and you can create basic synthesizers, or mix and match more exotic littleBits modules light light sensors. No soldering or cable connections are required. But while you could use various littleBits components, your options were comparatively limited as far as connecting to other gear. That changes today with the release of new modules for MIDI, USB, and analog Control Voltage (CV), ranging $35-40 each. There are three modules, each made in collaboration with KORG: You can also buy a US$139.95 “Synth Pro …

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