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With Autist and Rainbow Arabia, pop retro futurism meets the club

Electronic music’s popular future is unquestionably tied up with techno nightclubs – for better and for worse. And that’s perhaps no more true than in Berlin, birthplace of Traktor and Ableton Live, in this nation that birthed major DAWs and modular revivals, then became a beacon for the use of said tools to make dance music. So the question is, where do we go from here? Are clubs about producing effective repetition (literally), or are they also some kind of laboratory for new hybrids of styles? I’m involved in a second time in a Thursday night experiment of sorts at …

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Moog talked to The Haxan Cloak about the visceral quality of sound in air

Isn’t it weird how oddly superficial and fashion oriented talking about music can get? Let’s remember what we’re doing: we’re moving sound particles in air and then seeing what happens to our physical body and mood when they disrupt tiny bits inside our ear. To quote Keanu Reaves: whoa. So it’s refreshing that a recent video Moog shot with The Haxan Cloak isn’t really about Moog synthesizers and isn’t really about The Haxan Cloak. It’s about what happens when you hear really low frequencies. It’s about the feeling of motion you get when you arrange melodies into repeating patterns. It’s …

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Former Beatport CEO and now MetaPop founder, Matthew Adell. He wlll join Native Instruments in LA.

What does it mean that NI bought a startup that monetizes remixes?

Native Instruments announced an acquisition that suggests a new area of intended growth for the company. They’ve acquired MetaPop, a firm that clears and monetizes remixes – and with the company, they also get the former CEO of Beatport. To work out what that might mean, you need to first understand MetaPop. It’s safe to say remix culture isn’t what some predicted it would be. Instead of ushering in a bold new age where music is re-imagined by fans and artists find new opportunities to share ideas and earn money to support their art, we get — uh, takedown notices. …

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JIMMY EDGAR - DREAMZ COME TRUE

Quick listen – love the new Jimmy Edgar ULTRAMAJIC sound

In the dark, damp swamp that is the stream of dance music that press get in their inbox, Jimmy Edgar has consistently been a rainbow-colored lighthouse. Apart from the tropically-hued surrealist work of Pilar Zeta literally making that true, Jimmy has been an aesthetic compass at the helm of his ULTRAMAJIC label. Basically, stuff this label puts out is worth listening. (Ditto their label showcases… there’s a Friday morning I found myself at Panorama Bar when they were turning the lights on. Thursday is the new… oh never mind.) What I like about the latest direction is, you get pared-down …

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On women’s day, imagining a new future in sound

Let’s be clear: there should be no excuse for the press in our sphere, including this outlet, to treat International Women’s Day as a chance simply to talk about women in music. That obligation is year-round and daily, or we simply aren’t doing our jobs. But that’s not the origin of Women’s Day, anyway. The history, rather, is one rooted in organizing for change. (Like so much modern grassroots advocacy, indeed, it comes from the labor movement just after the turn of the last century.) It’s about people working finding fair opportunities for their work. Focusing energies around an annual …

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Watch LA crew TeamSupreme prove the power of a collective

We live in a world dominated by the mythos of the solo artist. And people can easily get down when they discover they can’t compete. But here’s one solution: cooperate, instead. That’s the story of LA’s TeamSupreme, documented in an extensive short put out over the weekend. And it might be better news than any new gear, especially if you yourself has been frustrated by the scene.

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RYAT's production setup.

In LA, looking to what new tech means for music makers

This week, the eyes of the music world will look at what’s new in toys. But how about looking further, to how technology is used? Going deeper to what’s happening in live music and music making is the essence of our new series Practice Space. CDM is excited to host a living-room style gathering of musicians and performance artists in the heart of downtown LA, and we hope you’ll join us – in person and online.

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Celebrate 808 day by building a beat live with Egyptian Lover

Happy 8th of August, everybody – that means it’s 808 day, of course. So, to celebrate, let’s flash back to a 2012 video of Egyptian Lover assembling a beat in his hotel room. The LA rapper/producer was a big part of the early hip hop and electro roots of 808 use. There’s something that still resonates in the beautiful simplicity of this Roland box. I’m struck when I hear it and watch in use that there’s something that seems futuristic – cold, even, but in a Stanley Kubrick 2001 sort of way. Of course, that doesn’t mean you need to …

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Daedelus and Bleep Labs Have Made a Sampler Delay Thing

The latest limited edition sound instrument animal has been born, and it’s a sampler delay … thing. Daedelus, the California producer who first popularized the monome, is teaming up with John-Mike Reed aka Dr. Bleep of Bleep Labs (designed in Austin, Texas and produced in America) to invent the Delaydelus. (Say that ten times fast.) Listen to Alfred’s spacey, trippy voiceover intro in the teaser video below, or stick around for the later videos in order to learn how it actually works. This being an “artist” edition hardware, there are some Daedelus-designed sounds to get you started. After that, you …

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Jetset Futuristic Dance Sounds for Summer with Moderna

It’s a long weekend in America, many bits of Europe, and other parts of the world, and that inflection point has arrived where the Northern Hemisphere looks forward to summer. So, let’s celebrate, turning attentions from dark, moody techno and experimental ambience to some splashes of color – techno plus all its further branches and blossoms. And that means turning again to our friend Moderna, aka Missy Livingston, of Ghostly International.

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