Perfect, Beautiful Music for Free From Erased Tapes [2014 in Review]

Erased Tapes was an endlessly inspiring label in 2014. With a singular, understated focus on quality and music orbiting the keyboard, the acoustic, and minimal post-classical introspection, they were a calming counterpart to the year’s steroid-pumped festival commercialism. And first and foremost, they were about records — not fancy design accessories, not “throw everything at a wall and see what sticks” experiments in distribution. (There’s a place for that, yes, but a record label about records was nonetheless refreshing.) And Nils Frahm was a consistent star amidst all of this, a favorite live performer cutting across genres, wrangling keys electronic …

Paula Temple. Photo: Julia Gunther.

A Pounding Free Download, A New Label, and Lots of Other Reasons to Love Paula Temple

For me, one of the best things about 2014 was, simply, Paula Temple. The artist, on R&S Records, consistently demonstrates that you can combine a dedication to heavy, left-field but traditional techno with an expansive appetite for experimentation. And then there are her signature, over-the-top-in-a-good way bass detonations. Her DJ sets were each highlights – check out the Goûte Mes Mix below, heavily featuring her regular collaborations Dadub, Eomac, and Lakker (the latter whom I got to join Friday in Amsterdam, lovely lads). And then there was her audiovisual show with Jem the Misfit, a shining beacon at this year’s …


SoundCloud Partners with Warner; What Does That Mean?

Since the summer (or earlier), you’ve been hearing that online streaming service SoundCloud would partner with big content makers. But noticeably absent was any official announcement of a label. Well, a huge chunk of that picture just came together. SoundCloud and Warner Music Group today announced that they had inked a new partnership. The WMG announcement is huge – the global music conglomerate is just shy of 42% of worldwide market share. They’re the major among majors, the biggest US label, and the biggest publisher. Oddly, many in the press jumped the gun on this announcement, claiming Warner had made …

Life is short. We're going to die. Listen to good music. (CC-BY-SA) David Dennis.

For Allhallowtide, Here Are Hours of Brilliant Underground Music to Make You Feel Undead

Happy Hallowe’en, and the entry in the northern hemisphere into short days and long, dark nights – perfect for getting lost in music listening and music making. That means it’s time to start queueing sounds to pass the time, and as it happens the CDM inbox has a selection just arriving. These are mixes unafraid of shadows and adventurous sound, and — well, the best is to let you listen. Leave the cheesy horror Theremin to someone else, and let’s enjoy something that is truly and deliciously evil in music. Lower Order Ethics, aka Szilvia Lednitzky, can send chills up …


After 100 Releases, A Label You May Not Know, But Should [Thoughtless Interview]

Noah Pred didn’t just run his own label. He has run a label that has traced a lot of the finest music of the past years, making its way from Toronto to Berlin. And he did it while juggling his own career as a techno producers’ producer, a DJ’s DJ. At 100 releases, he’s got plenty to say about what that musical journey has meant – and not just the easy bits. I pressed Noah to reflect on what he really thinks of the flow of the music industry’s power and resources to the top, and the conflicts that can …


Techno Sounds Like It Could Kill You: Neil Landstrumm, Syntax Error Interview, Music

There is a mysterious and wonderful appeal to the dangerous power of music. Music can come from the harmonious sound of the spheres, yes. It can sound like a sunny summer picnic. Or – it can sound like it’s trying to kill you. Not every genre goes there, but speaking for Germany’s label Snork Enterprises, Neil Landstrumm and Syntax Error refer to that murderous quality of techno. Today’s words and sounds therefore come from Snork. The interview at top I felt had to be published on CDM just for this quote from Syntax Error, aka label boss Christian Schachta. But …


Crazy Video: Giant Robot Cassette Kills Giant Robot iPod Classic

The iPod Classic is dead, sure. Now it’s really dead. And the cassette player outlasts its shiny Apple hipster-fashion-accessory counterpart with the non-removable battery – by kicking its sorry ass with a giant mecha fist punch to the face. Hold on… if it seems we may be losing our grip on reality, that’s just because we’re entering the wild world of cassette label / music collective Chrome Brulée. The retro-electro artists, comprising Tony Johnson, Michael Shredlove, Alex Mayhem, Kid Supreme, Aximus & Club Cannibal, make music that’s intentionally backwards-looking, and then release it on cassettes. And then they make crazy …

Susanne Ciani is a beacon of inspiration - not simply a pioneer to visit in the archives, but working on fresh, new collaborations, a light for 2014, too.

Watch These Amazing Suzanne Ciani Videos – then Let Neotantrik Launch You Into Dreamland

The electronic music calendar makes the shift of seasons readily apparent. It’s not unlike the movies. Gone is summer blockbuster season, sequels and comic book movies, Ibiza and confetti cannons, big-budget special effects. Now, as in the cinemas, it’s date night dinner and a movie, trip-out night, delicious chin scratching, voyages to other worlds. And it’s not that we love this time because it’s smarter and summer is dumber: it’s because this is the season where the festival calendar can bring us deeper pleasures, richer sensations, and more powerful feelings, the shallow popcorn diversions out of the way. There’s indeed …


Dark Shadows: Listen to Stroboscopic Artefacts’ Lucy Mix and Reflect on Music and Society

Here, in the season so many associate with sun and sand, the gothic factories of dark techno continue to clang away. So, yes, the results may not be cheery. But the music defining this new generation of adventurous techno is uniquely focused on timbre. It is a soundscape set against the groove, not only about tweaking just the right high hat, but forging some terrain of sonic design, taking the listener on a journey to actually find something new. It makes landfall on undiscovered countries, rather than simply assembling an expected framework for the dancefloor. It also carries with it …


Google Now On The Record With Anti-Indie Negotiating Tactics

As Beats, Spotify, and others earn praise from indies, Google is looking like music’s biggest new villain. According to independent labels, Google is ignoring their collective negotiating groups, offering poor terms in comparison to what they offer majors, and then threatening to block artists and labels from YouTube if they don’t accept those disadvantaged license deals on the company’s new service. And a Google executive today all but publicly confirmed the threats to the press. You might expect that Google would want to burnish its image in light of an upcoming paid streaming service (think Google clone of Spotify, possibly), …