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A call for emotion in musical inventions, at Berlin hacklab

Moving beyond stale means of framing questions about musical interface or technological invention, we’ve got a serious case of the feels. For this year’s installment of the MusicMakers Hacklab we host with CTM Festival in Berlin, we look to the role of emotion in music and performance. And that means we’re calling on not just coders or engineers, not just musicians, and performers, but psychologists and neuroscientists and more, too. The MusicMakers Hacklab I was lucky enough to found has now been running with multiple hosts and multiple countries, bringing together artists and makers of all stripes to experiment with …

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Graham Dunning; photo by Julien Kerduff.

This month, a far-reaching convergence of ideas in music

What will the next wave of invention in music technology look like? Will it follow a narrow course of iteration – a new interface, a new synthesis technique? Or will the next leaps come from networks of ideas, from what happens when different disciplines and cultures collide, when music technology turns to the broader matters of how music is made and how it impacts people? I rather believe in the latter. And that could be why Berlin is the place where so often people gather to work out the next big thing. There’s no single music research center, no formal …

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Nodal Music Making Hands-on, as Creative Compositional Worlds Meet Synth Laboratories

What’s a “lab,” anyway? For music, any number of tools – software or hardware – can become gateways to creative musical explorations. Chris Stack joins us again to look at Nodal, Mac/Windows software that generates musical patterns from graphical maps of nodes, alongside hardware explorations. Along the way, Chris has some reflections on composition itself. -Ed. Sometimes life imitates art. Sometimes life imitates avant-garde art. Random events placed together can often form surprising harmonies, causing daily affairs to resemble an aleatoric composition. This concept was brought to mind by the juxtaposition of a pair of recent events. The first was …

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Processing Class in New York, Online: Art From Code, For Non-Coders

I used to be resistant to the idea of coding. It wasn’t just fear that I couldn’t do it, though that was part of it; it was also the sense that I wouldn’t be able to get to the actual art and music making if I got too involved in programming. And, actually, that bit can be true. But a group of pioneers, working on projects like Processing, OpenFrameworks, and other intelligent development frameworks, has been working really hard to make code an elegant an expressive tool rather than a hindrance. Processing has reached widespread popularity because it does this …

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