This iPad app (touchAble 3) just got a lot more powerful and usable, too. It now follows whatever you're doing with your hardware. So you can actually play, rather than squint at your gear and get confused.

Wish Granted: Ableton Live Control The Way You Wanted It

You want to improvise with Ableton Live. You want to reach out and turn a knob, and know what it’ll do. You want to be able to grab controls that have something to do with clips that are playing. Yeah, so Merry Christmas to us. Permit me being a little excited, as I am immensely grateful to the developers. It’s a rare case where you say “wow, I wish that this –” and then suddenly get what you asked for nearly before finishing the sentence. Just last month, we saw a way to get grids in order using LaunchSync, a …


Get Your Ableton Grids in Order, Free, with Launchsync

In live electronic music, the endless free expanse of the computer screen tends to run up against the limited ability of your brain to tell just which freakin’ track am I on, anyway? In the studio, it can be annoying. Live onstage, it can be train wreck-inducing. Ableton Live’s Session View has for years exacerbated this problem. You can limit your options to eight (or even four) tracks. But that doesn’t always work. You might need more than eight tracks for particular routings of audio or MIDI. And unless you use Device Racks and chains, you’ll also need extra tracks …


24 Knobs, 8 Faders, 16 Buttons, in a Launchpad Form: Launch Control XL

If you’re reading this, and if you care about controllers at all, you’ve probably got one. Now the question is, what are you missing? LaunchControl XL is coming with a whole mess of handy faders and knobs if you’ve got more controls than you can map. In fact, while it would make an utterly horrid marketing statement, I would dub the slogan of this hardware like this: Twist knobs without having to constantly press shift and select keys or give up having some faders. There’s Push, of course, the Ableton-controlling flagship, complete with pressure- and velocity-sensitive grid. There’s AKAI’s former …