John Cage.

Two hours of video covers over a century of history of sound art

And hello, spring semester. Here’s an exhaustive (and fascinating) lecture on the history of sound art – by a philosopher. Philosopher Christoph Cox traces the history of sound art from the invention of audio recording in the late 19th century to the genre-bending compositions of John Cage to the explosion of sound installation in the 1960s. Cox surveys a range of sonic practices, revealing how they resemble and resist approaches in the visual arts. The film comes to us from the Barnes Foundation, the superb arts institution in Philadelphia.

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circuit

A bit of what you should know about event power and electrical safety

Ted Pallas contacted us and wanted to create a short primer on power, in response to the terrible fire at Ghost Ship in Oakland, CA. Any fire anywhere is a reminder that knowledge of electricity, how it works and how it impacts safety, is essential to any of us organizing or playing electronic music live. This won’t provide everything you need to know, by a longshot, but it’s a good step toward knowing a bit more, and I hope we continue taking those steps together in future. The rub of electronic music and visual media is that both performance and …

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One new board turns into a complete sound and light lab

This board could be the first time you learn about wiring simple circuits. It could transform into a weirdo light-powered instrument. It could be a place you hold a workshop. It could even become an advanced studio for creative circuits. It’s powerful if you know what you’re doing. It’s still cool if you don’t. The OMSynth miniLab realizes a dream hardware inventor and artist Pete Edwards had been brewing for years. He tested that dream in iteration after iteration in workshops, usually involving bags of circuits and breadboards (the latter allowing for solder-free connections). And it moved with him to …

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Andrew Quinn / Nikolay Popov AV performance.

How one community was mapping the future of visuals this summer

There’s a shift on in the worldwide community of visualists, of the growing field of people using electronic visuals as a medium for performance, art, and inquiry. As these media become more mature and more international, there’s a renewed sense of closeness among practitioners. While big media festivals focus on novelty and show, these maker-to-maker events emphasize something else: craft. This summer seemed a particularly historic moment for not one but two tools – each of them built by small teams who make art themselves. We already covered the Berlin gathering for Isadora, the visual performance tool that has rich …

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C-drík 20160607

Digging the Asian and African undergrounds with C-drík Kirdec

It’s time to get beyond the geographic bubble – without resorting to narrow expectations of “world music” – and really appreciate the wide-open world of music making in which we now live. To take us there, CDM’s Zuzana Friday talks to Cedrik Fermont, who is evangelical when it comes to breaking apart old stereotypes and digging deep into the underground. -Ed.

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Funklet teaches you your favorite grooves in your browser

You can learn a lot from a drummer. The best grooves of all time are meticulously constructed – and understanding them means understanding a lot about rhythm and form. So these are objects worth study. What your Web browser can do is make that study easier – even if you’ve never touched a drum kit. That comes at the right time, too. Thanks to the power of the computer and electronic music hardware, we’ve all of us become composers or expanded our compositional horizons. We may not imagine that we’re composing drum parts when we mess about with drum machines …

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karplusstrong

Watch a perfect explanation of modular physical modeling

Eventually, even the most impassioned synth lover gets bored of mixing oscillators together. You need a little spice in your sound life. You need Karplus-Strong synthesis. Commonly associated with physical modeling strings, Karplus-Strong can also be thought of as a flexible feedback system of delayed, filtered noise. Okay, that’s a lot more abstract than imagining fake strings, but I say that for a reason – because it’s a system with lots of component parts, you can use it to create a wide palette of sounds. Some might sound like strings. Some might sound more artificial. Some might sound like percussion. …

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reaktor

Reaktor Blocks works with modulars, Maschine, adds drums

Native Instruments keeps adding to Reaktor Blocks, the patch-and-play toolkit they’ve built atop Reaktor. And… it’s turning into kind of an awesome product in its own right. Reaktor Blocks 1.2 adds a bunch of the sort of stuff I think you or I would add to it were we in charge of the product. It’s suddenly got drums. It’s got a new sequencer that you can power with Maschine. It’s connecting via MIDI and CV to outboard gear and analog modular. In short, it’s something you actually want to play with.

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Right in your browser, listen to equalization by band and amount with actual recordings.

Learn audio skills as a game, free, with your ears as guide

You are probably equipped with ears as sharp and precise as the world’s top sound professionals. What you lack, then, is training.

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reichapp

Play with Steve Reich’s techniques in a free iPhone app

Steve Reich’s musical etudes are already a kind of self-contained lesson in rhythm. Inspired by drumming traditions, Reich distills in his music essential principles of rhythmic construction, introducing Western Classical musicians to cyclic forms. That makes them a natural for visual scoring – doubly so something interactive, which is what an iPhone can provide. And so one percussion ensemble has made an app that both reveals Reich’s techniques and opens up a toy you can use to make your own musical experiments. Plus – it’s free.

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