What it means that the MeeBlip synth is open source hardware

The MeeBlip synthesizer project is about to reach five years old. I feel this collaboration with engineer James Grahame has been one of the most important to me and to CDM. We haven’t talked so much about its open source side, though – and it’s time. In five years, we’ve sold thousands of synths – […]

As PRS battles SoundCloud, what does it mean for your own music?

PRS for Music, a UK performing rights organization, at the end of last month sued SoundCloud for copyright infringement on behalf of its members. The action may prove a decisive moment for the Berlin-based streaming service. It represents a collision between SoundCloud’s approach and the organizations involved in administering copyright, and more broadly, between the […]

Native Instruments CEO, SoundCloud CTO talk music’s future direction

With each creation tool, each means of broadcasting audio via the Web, the force of music technological access accelerates. What was once limited to an elite able to make use of studios and labels spreads to more corners of the globe. But what will that democratization mean? Earlier this summer, I got to speak to […]

Grooveshark Streaming Site Dies, Apologizes

I fought the law and the law won. Grooveshark, announcing the April 30th shutdown of their streaming music service: We failed to secure licenses from rights holders for the vast amount of music on the service. That was wrong. We apologize. Without reservation. They go on to concede that hundreds of other services provide the […]

Don Buchla Takes Owners of His Former Synth Company to Court

Several major figures in synthesizer history have lost control of their names over the years. Robert Moog sued in 1998 to get his name back on synths; that court battle, with Don Martin, was won in 2002 and allowed the modern Moog Music to supplant the former Big Briar. While Dave Smith never lost access […]

Robin Thicke Judgment: The Day Copyright Law Died, Again [Opinion]

You may not like the song “Blurred Lines” much. But if you find that tune grating, you may find the inability of US copyright law to differentiate degrees of copying even more painful. Here’s the latest strangeness. When we last joined the American courts finding extreme interpretations of copyright, an appeals court decided to blow […]

The Terrible, Horrible, No Good, Very Bad Google Music Contract?

Google isn’t just being a little bad in their contract negotiations with indie labels. In a leak to Digital Music News, it proves to be the worst contract I or anyone I’ve talked to has ever seen, for anything music-related. It puts the “boiler” in boilerplate. F*&K It: Here’s the Entire YouTube Contract for Indies… […]

Two Pacemaker – Spotify Screenshots That Show For Serious DJing, Downloads Are Here to Stay

Sometimes, images say it all. Pictured below is what happens when you try to use Pacemaker’s Spotify functionality on the iPad without an Internet connection. Tracks simply don’t play at all. Even though Spotify Premium users have offline access to their tracks when listening one at a time, you won’t be able to DJ that […]

Taking On Controversy, with RA Critics Roundtable, from Pressing Play to Running for the Border

Sometimes, it’s worth pushing pause on overheated blog diatribes and angry Facebook threads. Step away from the computer, you can have a real conversation. Resident Advisor, in the latest installment of their regular Critics roundtable, takes on three hot-button issues with a mix of people able to bring some nuance to the chatter. And since […]

Opponents of US SOPA Legislation Gaining Momentum on Blackout Day; Musicians Have a Stake

Photo (CC-BY-NC-SA) Dawn Loh. It’s been called, bluntly, “Internet censorship” by opponents. And now, US legislation that claims to curb piracy faces mounting challenges as that opposition grows, particularly as the White House warns it will block the bills. Today, even as a flood of delightful new music toys become available, it’s worth pausing to […]