m4l_2

Ableton Delivers Max for Live Improvements and Guidelines, Responds to Feedback; Full Details

Max for Live, in action: a graphical programming environment inside Ableton Live. Photo (CC-BY-ND) akihiko.japan Max for Live, now into its second year, is a tool with an ambitious goal: take the custom music software creation, visual-patch-programming powers of Max/MSP, and put them inside live performance and production host Ableton Live. It’s not the only tool that allows you to hack your own instruments and effects, or customize how your music tool works – several hosts now offer scripting and patching options. But it’s both unique in its depth and breadth, and paired with the tool most popular with musicians …

READ MORE →

As Apple Pulls GPL-Licensed VLC, The Developers’ Version of Events, What it Means for Free Video

Why did Apple remove the free VLC video player from its iOS store? One developer close to the story who asked not to be named answered that question, simply, “No f**king idea.” And that perhaps sums up the mess, misunderstandings, and resentment now surrounding a mobile port of the video app. The word “open” these days seems to mean whatever people want it to mean. But a dust-up over the distribution of free and open source video player VLC is far from abstract. By determining whether or not people are able to use a popular video tool on their iPads, …

READ MORE →

As Apple Pulls GPL-Licensed VLC, The Developers' Version of Events, What it Means for Free Video

Why did Apple remove the free VLC video player from its iOS store? One developer close to the story who asked not to be named answered that question, simply, “No f**king idea.” And that perhaps sums up the mess, misunderstandings, and resentment now surrounding a mobile port of the video app. The word “open” these days seems to mean whatever people want it to mean. But a dust-up over the distribution of free and open source video player VLC is far from abstract. By determining whether or not people are able to use a popular video tool on their iPads, …

READ MORE →

Creative Commons, CBC, and Music for Commercial Use: Addendum

The Canadian Broadcasting Centre, viewed from above. Photo (CC-BY-SA) Benson Kua. To me, a license is a tool: it’s a means to an end. But that means that the tool ought to be doing the job you chose for it. After news broke that the Canadian public broadcaster CBC was moving away from Creative Commons, we launched on CDM into a somewhat informal (and occasionally heated) discussion of CC licensing and specifically the non-commercial restriction most musicians attach to their music. Here’s a summary of what I can conclude from those conversations. Abuse of non-commercial CC material is rampant. Very …

READ MORE →

CBC Dumps Creative Commons; Non-Commercial Licensing to Blame?

I’m able to use this particular image as CDM is itself under a Share Alike license. Photo (CC-BY-SA) Andy Melton. I have no problem with copyrighting music. So I’ll be blunt: my ongoing impression of Creative Commons licensing is that you should either choose a license that allows for commercial use, or opt for traditional copyright and licensing. The popular “non-commercial” restriction is problematic. It does too little to prevent exploitation, and too much to prevent exactly the kind of use that’s the reason you’d choose CC in the first place. That’s not an effective compromise; it’s more like a …

READ MORE →

Summit Touts Open Source Hardware, Q+A with Co-Creators; Music Hardware?

Summit co-chairs Ayah Bdeir (left) and Alicia Gibb (right) are hoping to galvanize a community around open source hardware, from NASA to Arduino. And that could have an impact on music and audio – if creators of gear for musicians get onboard, that is. Open source software has proven itself in technological, economic, and cultural terms – it’s simply a matter of reality. This site runs atop free software nginx, WordPress, MySQL, and (Red Hat Enterprise) Linux; in music, we have Csound, SuperCollider, Pd, Ardour, JACK, Processing, and so on. Csound has even appeared on karaoke machines. These tools run …

READ MORE →

Free SoundCloud Sampling with Creative Commons Search, Player; Q+A

Creative Commons button. Photo (CC-BY-SA) Andy Melton. Finding samples and remix-able music — or advertising the availability of tracks you want to release for that purpose — has just gotten a lot easier. As part of a raft of improvements to the SoundCloud service – including some nice non-CC enhancements to search and tag browsing – the service has boosted integration with free licenses. You can now search for CC content, and the license is visible directly in the player, going beyond what even services like Flickr and Vimeo have done. You can add SoundCloud to CC-focused sites like ccMixter …

READ MORE →

iPhone Devs Get MIDI Keyboards, MIDI I/O, But With Some Strings Attached

Mobile devices are here, they’re powerful — get used to them. Now, could they just connect to the rest of your noisemakers and studio rigs? That’s the potential of new iOS SDKs for MIDI I/O and keyboard docking. But aside from some restrictions imposed by hardware support on iOS, what many developers are publicly wondering is whether a different path entirely will be most productive. Hot on the heels of Line 6’s SDK for their MIDI Mobilizer, a MIDI input and output connector for iOS devices, Akai is courting developers for its own music accessory. The SynthStation 25 is a …

READ MORE →

CDM and Creative Commons “Non-Commercial” Images

(CC) Giulio Zannol. Sampling and online reuse are enormously common in our culture today. But if you really believe in making some of that culture freely accessible, it follows you must also make free licenses explicit. Simply taking something because it’s there isn’t fair to the person who created the content, whose rights should come first, and it doesn’t help advance the cause of free content. If we want content to be more freely accessible, we need to give first priority to those materials explicitly licensed for free use. All of that is to say, we need to obey the …

READ MORE →