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Watch Space Dimension Controller tear up his live set

Jack Hamill, aka Space Dimension Controller, is another of those stand-out live electronic instrumental performers, able to involve lots of improvisation while still maintaining control and composure. No press play sets here – this is all perfectly conducted live performance. Note that that still doesn’t necessarily mean playing absolutely everything – it’s more about this hybrid of controlling elements from a compositional sense, maintaining some balance between what’s pre-composed and what’s made on the fly. Resident Advisor shot a lovely extended film with him: In the rig, Maschine Jam controls Ableton Live (and is handy for just such integration). I …

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How to ditch the computer and use Octatrack for backing tracks

Elektron’s Octatrack has been around since 2010, with Digitakt about to make its launch. But it remains a bedrock of a lot of live rigs. And there’s something that’s still special about it. It’s a sampler, yes, but with eight tracks and a built-in sequencer. It’s got a deep effects section and loads of I/O. In other words, it’s a digital box that assumes a lot of the collection of functions that are the reason to lug along a laptop. It does that job of playing tracks, sequences, and effects in an improvisatory way – whether closer to live playing …

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Roland does for drum pads what stompboxes did for guitar effects

Roland has a simple idea: take digital drum pad hardware, and simplify it. What you get is fun and ready little boxes you can stamp with your foot, play with your hands, or hit with a stick. Instead of one big unit with a bunch of features or a whole electronic kit, the SPD::ONE line is four different compact units with particular sets of sounds. There’s a kick, an “electro” unit, a “percussion” unit, and a “WAV” sample loader. All four also double as MIDI controllers for your computer. I think people who never even thought they wanted a drum …

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Watch Octave One demonstrate their elaborate, hands-on live rig

We value the new and the young a lot in electronic music. But developing musicianship requires time, patience, and practice. So to see where electronic musicianship might be able to go, it helps to look to the people who have invested years. And that’s why it’s worth repeated visits to Lenny and Lawrence Burden, aka Octave One (also aka Random Noise Generation). Not only are they brothers who have grown up together, and can literally complete each other’s sentences, but they’ve been building the technique of how they play since their first 1989 release. Before we get to that live …

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Inside Skinnerbox’s live sets, including a song they play backwards

“xobrenniks era ew olleh.” Skinnerbox, the duo of Olaf Hilgenfeld and Iftah Gabbai, are now so comfortable in their roles of playing live that they’re playing backwards to spice things up. (It seems there was some effort involved here – like, learning a song backwards in order that they had composed it the way they desired when reversed. I just find it oddly enchanting watching things defy gravity and roll across cymbals.) Playing with other people can feel like a mind meld. There’s a special discipline to working things out alone, to be sure. But it’s when you play with …

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How Dutch archives turned into a Lakker AV show about water

Wade in the water, indeed. Set the Irish duo Lakker loose in a Dutch film archive, and what you get is a dense, heavy experimental techno album and a live show exploring the Netherlands’ ongoing battle with the sea. It’s a 2016 album, but even if you caught it before, now we get some insight into its evolution into a live audiovisual show. Even before you get the sense of the historical narrative behind it, the music itself is evocative, dark, and rich. I actually like that we’re calling all this music “techno” now – this isn’t in the four-in-the-floor …

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The great sounds you’re making remind us why we make MeeBlip

Getting in the zone is a beautiful thing – that feeling when music seems to almost play itself, when it really feels new. Just like you do a lot of preparation and practice as a musician to get there, when you make instruments, you’re endlessly learning how to make help people find that zone. And that’s ultimately why I feel lucky to be involved in making instruments as well as making music – with CDM generally, and with our own toes in the water, MeeBlip. Now, as it happens, people are making amazing things with the MeeBlip (alongside the other …

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Photo: Bobby Collins.

Step inside the mystical sound world of Circular Ruins

Circular Ruins’ auditory landscapes are rich and strange, hypnotic rituals of loops and layers. They’re dark, but somehow un-menacing – safely resonating with whatever dangers live there. The artist speaks to us here about process, and zeitgeist, and cassette tapes. And we get to premiere the full release. We have a look round his studio and rig along the way. Circular Ruins happens to be Marijn Degenaar, who also happens to be on the design team at CDM. Oddly, friends and I have each done a double-take there, discovering his music through some other channel only to find out later …

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Demian Licht on transmitting knowledge, being a demon of the light

Demian Licht is building a portal – one connecting us to a new future, one scrapping the parts of society holding people back, one linking the world. She’s not just making techno – she’s making a statement about the future with her music and practice, one that resonates with Detroit’s pioneers and the bleeding-edge aspirations of a new generation today. Oh, and there’s some strange physical portal involved, too, one purportedly located at the geographic center of Mexico – uh, maybe. But you might want to watch that spot. So, not only did we want to hear more about Demian …

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Watch a talk explain perfectly why humans make music with technology

Why do you make music? You make music because you feel something – and you found it because you felt something. And what’s the point of music technology? It’s to put us in that space, to give us access to those feelings, and then to translate them to others. That’s the message in a TEDx video from Perth, Australia, by stellar electronic one-human performer Claudio. And she puts it perfectly, in a way that perhaps people who love music but haven’t become full-time musicians can fully understand. So she walks through her performance rig – if you’re reading this site, …

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