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Watch Space Dimension Controller tear up his live set

Jack Hamill, aka Space Dimension Controller, is another of those stand-out live electronic instrumental performers, able to involve lots of improvisation while still maintaining control and composure. No press play sets here – this is all perfectly conducted live performance. Note that that still doesn’t necessarily mean playing absolutely everything – it’s more about this hybrid of controlling elements from a compositional sense, maintaining some balance between what’s pre-composed and what’s made on the fly. Resident Advisor shot a lovely extended film with him: In the rig, Maschine Jam controls Ableton Live (and is handy for just such integration). I …

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taperig

Here’s what a cassette tape rig could look like

With cassette labels making a comeback, there’s the question – how do you play the things? And the answers have gotten more creative than ever, with liberal use of effects, DIY tape loops, hacked hardware, and other techniques. Hainbach, who I featured in our tape music round-up earlier this week, wrote with more details of his rig. Have a look: Mixer/control: Koma Elektronik Field Kit Player 1: Siemens portable cassette player, modded by Dutch music hacker/builder Gijs Gieskes. (Here’s another tape mod idea from him!) Player 2: (umodded) Marantz PMD 222. Recording: Fostex X-28 four track Effects: Strymon Timeline effects …

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How to ditch the computer and use Octatrack for backing tracks

Elektron’s Octatrack has been around since 2010, with Digitakt about to make its launch. But it remains a bedrock of a lot of live rigs. And there’s something that’s still special about it. It’s a sampler, yes, but with eight tracks and a built-in sequencer. It’s got a deep effects section and loads of I/O. In other words, it’s a digital box that assumes a lot of the collection of functions that are the reason to lug along a laptop. It does that job of playing tracks, sequences, and effects in an improvisatory way – whether closer to live playing …

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figurekorg

Get simple cheap mobile music making tips in these videos

Backpack-friendly rigs on the cheap are yours – if you know how to put them together. Fortunately, we’ve got some expert help. For starters… fancy tools? No. Sync? Who needs it. Just a Korg Kaossilator and the Propellerhead Figure app are part of a little jam here from our friend Jakob Haq.

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gustavomystery

Watch Ableton Push Tame Elektrons Live, Hear Music from Uruguay

Gustavo Bravetti is indeed a man of mystery. The Uruguay-born artist is a live virtuoso of dance music, pulling out all the stops. And in his latest feat, he tackles a trio of Elektron black boxes. Fortunately, it’s not all mysterious. The Ableton Push-controlled, Max for Live-based tool that gives him these octopus-like powers over the gear will soon be coming to you. First, let’s watch. Even if this isn’t your own musical idiom, you have to concede it’s a nice rig, nicely played. And it’s a pleasure to premiere here on CDM: The secret sauce is something called Performer. …

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bladestage

Inside The Glitch Mob’s Crazy Rockstar Live Electronic Rig

Press play? More like bang drums hit stuff finger warp touchpad go crazy. The Glitch Mob are one of America’s leading festival electronic acts. (And members like EdiT have IDM, not just EDM, credits to their name – so they were “glitching” before it was cool, in other words.) But while that circuit is in a frenzy of one-upmanship when it comes to spectacle, there’s some real playing behind this act. And that distances them from artists that put on a big show visually but have shied away from anything risky in the set – like actually playing the parts, …

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Watch a Dreamy, Groovy Reverie Played Live on Desktop Synths

Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making imaginative and dazzling visuals. Let’s instead just wander into his studio, virtually speaking, and let him play for us on a nice, assembled gathering of custom hardware. And drifting off on this chillout groove is a nice way to take a pause in your day…

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Live Insanity: Ceephax Acid Crew [Video]

I had the craziest dream. Super vivid, and it just kept going. Seriously, like it seemed to last a decade. Instead of playing electronic music live on gear that made sounds, so you could keep track of what you were doing with physical buttons and switches and things, all the boys and girls were using laptops. But that wasn’t the weird part: what was strange was, people were just putting whole tracks on those computers. I know what you’re thinking – so they were DJing, right? But no! They were just playing tracks one after another all the same tempo. …

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Apple’s MainStage Auto Sampler Turns Your Hardware into Software

Hidden in last month’s update to Logic and MainStage is a feature a lot of sampler lovers have been missing. You need the latest MainStage to access it, but it allows you to easily create sampled software versions of external instruments. Italian developer Redmatica had a host of technologies for transforming hardware instruments into software samples, all built around Apple’s EXS24 sampler. Anyone who’s ever built samples of hardware knows the process can be fairly time-consuming: you trigger notes one at a time, record audio from them, and map that audio to the keyboard. Redmatica’s tools made all of that …

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Why BeatStep Pro Could Become the Heart of Your Live Rig

The original Arturia BeatStep already looked good. Start with a compact drum pad controller, add some encoders for more control, then add a step sequencer that can control MIDI and analog gear. But the problem is, the execution of the sequencer idea is complex. It turns out you need even simple sequencers to do a lot. And so the original BeatStep, while still an amazing buy for a hundred bucks, was a little disappointing. It was just hard to actually sequence on the thing. You could get one sequence going, but that’s not enough for really playing, and simple rhythmic …

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