The view from Tresor.

Come on an entrancing ambient techno journey with Milena Kriegs

Somewhere in the shadowy forest between ambient and techno sounds, you’ll find the inventive world of Warsaw’s Milena Kriegs. It’s the sort of music you can get lost in, but it manages to be teeming with life rather than bleakly gloomy. And I think there’s a strong analog between Milena’s live PA sets and her recorded music – somehow, she’s working out a sense of free flow in each, a feeling that you can float along with the music.


Jamming standard: Ableton is opening Link to everyone, starting today

Ableton Link is coming to desktops, and going completely open source. And that means the best tool for wireless sync and jamming is about to get a lot more popular. On iOS and for Ableton Live users, Ableton Link is already a revelation. It allows any number of different apps to sync up with one another without fuss. That includes two more machines running Ableton Live, of course. But it could also be two apps on an iPad, or an iPhone and an iPad, or an iPad and a copy of Ableton Live. It completely changes live jamming: instead of …


Ableton Live 9.7 in beta, with slicing and beatmaking news

Ableton Live 9.7 is right now in public beta – just days after the latest 9.6 release went final. Most of the functionality announced so far is related to Push and beat making; 9.7 brings features that let you play, record, and slice more easily from Ableton’s hardware. But that shouldn’t mean you should despair if you’re not a Push user; as with each Push release so far, there are parallel improvements in the software itself.


A different breed of analog sound library for Ableton Live

Soundware is everywhere, from endless catalogs of loops to yet another pack of sampled vintage instruments. But apart from questionable quality as the market grows crowded, the other simple question is, just how should these packs be assembled? SympleSound is what happens when a sound designer decides to treat the sound pack like an instrument unto itself – not just content, but a set of tools.


This amazing video proves that live techno is always better

So, today one of the Internet’s targeted millennial marketing conglomerate – cum – music press outlets decided to ask if anyone likes live techno sets as part of a series that could be titled “We Troll The Internet to Increase Click Revenue.” I really wanted to argue with the content of the article, but – well, it’s a bit too easy. Watch: you can’t even make it past the headline. Headline: “Has Anyone Ever Actually Enjoyed a Live Techno Set?” Some voice in the back of the room from a guy named Steve: “Uh, me. Once.” And we’re done. All …


Legowelt turned Amiga floppy samples into a free drum kit

Enough with pristine, immaculate in-the-box digital production. Let’s get back to grime and dirt. Gorgeous distortion is on offer any time Legowelt is on a sound system live. So it’s great to see the same approach in a free sample pack. This is not a “Top Deep House Production Kit.” It’s samples Legowelt dragged off of old Amiga discs, cranked to be even more evil.


Link could change how you play music, even without Ableton

You’re probably so used to sync being broken that the first time you see Link, you might not believe what’s happening. Link began its life as a research project and has turned into a full-fledged product from Ableton. But unlike Push or Live, Link itself isn’t something you buy. Instead, it’ll be built into software you use, and unlock seemingly magical wireless (or wired) sync. The upshot: the electronic jam session is about to get a whole lot easier. And with a beta out today, that’s not some unknown future. It’s right now.


Ableton Push 2 meets modular; here’s how it works

Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …


Watch this: Instant Haus + Simpler in Live 9.5 = crazy breaks

Music software can make you feel good. Music software can also make you feel almost guilty. And sometimes that makes you feel good. David Abravanel takes the updated Live 9.5 Instant Haus device (in Max Essentials) for a test drive, in combination with Simpler’s new slicer mode. Somehow, no one has done a video on this yet – maybe because they don’t want you to see how easy is to make breaks. With Instant Haus’ new pattern options for breakbeat-style sequencing, it’s crazy easy. That’s also a chance to show off the extra-gritty new modeled-analog filters. And if you’re thinking …