tunerbrute

Hands on with the Ableton Live 9.2 Tuner [Video]

Hey, sometimes it’s the simple things. I was going to write something, but – well, it’s a tuner. Watch the film, from Ableton Liveschool. And I have to say, Ableton has found a way to make this Device more interesting than previous Max for Live efforts. It even has a histogram. Perhaps the most newsworthy element here – a sign of the times – is that the resurgence of analog synthesizers has meant that tuning outboard hardware is now again an application for tuners. You’ll see in the video here an example with the classic MOOG Minimoog, but see the …

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Live 9.2 Answers Your Warp, Automation, Tuner, and Pad Wishes

It’s nice to get what you ask for. More than any recent release I can recall, Ableton Live 9.2 feels like it’s ticking off a task list of user requests. The software enters (a very stable, in my experience) public beta this week. There’s nothing earth-shaking, but I know CDM has enough Ableton users that this will matter. To get there, though, be forewarned: Ableton is dropping support for some older Mac and Windows operating systems. (10.6 and earlier / Vista and earlier, respectively.) If you make the cut, though, you’ll likely find some welcome changes in this free update …

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ceephax2

Live Insanity: Ceephax Acid Crew [Video]

I had the craziest dream. Super vivid, and it just kept going. Seriously, like it seemed to last a decade. Instead of playing electronic music live on gear that made sounds, so you could keep track of what you were doing with physical buttons and switches and things, all the boys and girls were using laptops. But that wasn’t the weird part: what was strange was, people were just putting whole tracks on those computers. I know what you’re thinking – so they were DJing, right? But no! They were just playing tracks one after another all the same tempo. …

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oscillot_modules

How OSCiLLOT is the Smartest Way to Put a Modular in Ableton

Racks and knob-encrusted modules and wires tangling together to make sound – this is a perfectly lovely thing. But the computer sitting in front of you, the one you probably turn to when it comes time to record and produce, is also capable of vast sonic powers. Why force a choice between the two, when that machine can let you explore the frontiers of sound, too? The recent announcement of OSCiLLOT brought open-ended patching to Ableton Live users. But it’s only getting started. Today, we get to see it evolve, learn to use it to make the sounds we imagine, …

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pocketjam

A Cheesy Pocket Techno Jam with Tiny Cheap Gear

Not just a little small and a little inexpensive. A lot little. Malaventura, aka Fernando Garcia Tamajon, sends this wonderful “cheesy pocket techno jam” (spotted via Instagram). The ingredients: a PO-14 from teenage engineering, a monotron Delay from Korg and a talking translator by an unknown brand bought in a fleamarketn Works for me. There’s something about things being small, self-contained, simple … that can be inspiring. For all those years of people derisively calling things “toys,” sometimes toys are exactly what we need. I love that mystery gear, too.

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livehomealone

Home Alone Remixed Live on Ableton, Launchpad; Mega APC Mashup

Home Alone (Ableton Live Remix) from Keenan Gaynor on Vimeo. It’s the holidays, a time for family, and to ponder when controller mappings meet one-shot clip triggering, cable TV, weird child neglect, and brutal violence against slapstick criminals. Yes, of course – it’s the time-honored tradition of Ableton Live and Home Alone. There’s the 2010 original remix on Launchpad. But, unlike the Home Alone movie, the sequel’s even better. Last year, Keenan Gaynor quietly updated the remix on a Novation Launchpad Mini. And clearly he’s picked up some better techniques in Live. (Pro mode, anyway!) So, even though the original …

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touchAble-Device-Template-2

touchAble 3 Controls Ableton Via Wire, Mimics Live Devices on iPad [Gallery]

Let’s get straight to it: there are two big problems with controlling Ableton Live from an iPad. One, relying on WiFi means risking disaster if a connection is unstable for some reason (OS updates, wireless interference, gremlins and demonic possession, whatever causes that). Two, you invariably wind up with remote controls for some things you need, but not others. It’s like having a remote control for a TV with half the buttons missing. You wind up going back to the mouse just because you can’t work out any way to turn such-and-such knob. touchAble 3 fixes both problems. There’s loads …

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unrender: Finding Space Between Gallery and Club [Videos]

There is a well-known divide between visuals as they exist in experimental media and live performance and media in the art world. Transitory electronic media fails to fit the traditional mold of value. Digital media is too ephemeral, too temporary. Light on walls can’t be collected; improvised visual performance is something that fades away. With unrender, we want to embrace just those gaps between worlds, walking along the fractures. We are looking to find the expressive potential of electronic audiovisual media as distinct from what came before. And most importantly, we want to make sure there’s space for all these …

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Get Your Ableton Grids in Order, Free, with Launchsync

In live electronic music, the endless free expanse of the computer screen tends to run up against the limited ability of your brain to tell just which freakin’ track am I on, anyway? In the studio, it can be annoying. Live onstage, it can be train wreck-inducing. Ableton Live’s Session View has for years exacerbated this problem. You can limit your options to eight (or even four) tracks. But that doesn’t always work. You might need more than eight tracks for particular routings of audio or MIDI. And unless you use Device Racks and chains, you’ll also need extra tracks …

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This Virtuoso Ableton Push Performance Comes Full of Tips for Controllerists

Jesse Abayomi, Ableton Product Specialist, is one heck of a virtuoso Push player. And you can learn something from him, too. Performance technology doesn’t always add to performance, it’s true. But when the machine and human are in sync, it’s beautiful. People can develop their musical chops and machine control chops at once – improve on their musical practice and technique. And when that happens, the quality of performances actually gets better. I’ve seen a funny thing as Push has crept into performances. Just as with the spread of custom controllers in the past, access to more playing technique has …

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