This Virtuoso Ableton Push Performance Comes Full of Tips for Controllerists

Jesse Abayomi, Ableton Product Specialist, is one heck of a virtuoso Push player. And you can learn something from him, too. Performance technology doesn’t always add to performance, it’s true. But when the machine and human are in sync, it’s beautiful. People can develop their musical chops and machine control chops at once – improve on their musical practice and technique. And when that happens, the quality of performances actually gets better. I’ve seen a funny thing as Push has crept into performances. Just as with the spread of custom controllers in the past, access to more playing technique has …

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Electric Psychedelic: Dengue Dengue Dengue Talk Peru, Cumbia, Playing Live, Visuals

From the early days of techno and electro, dance rhythms in electronic music have been woven together from international sources. The machinery of the groove has evolved from the threads contributed by a global tribe, absorbing sounds and forms, driven by the energies they find on the dance floor. That image of solitary music making is a myth – what you’re hearing is a sound made by connections between people, across the normal constraints of geography. And now, the technologies developed in Berlin and elsewhere take on new life in the hands of a new generation of musicians, and their …

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Yeah, so put them together, and then, you know, stuff.

Midular are the Free MIDI Modules Every Ableton Live Setup Needs

Forget fancy effects or sophisticated plug-ins – day-in, day-out, it’s those simple MIDI modules you wind up using again and again and again and again. It’s like having a bucket of paperclips on your desk. It doesn’t have to be exciting. It’s the simple stuff that gets used. So, one of my favorite demos from the jam-packed sessions at MIDI Hack Day in Stockholm in May was unquestionably Midular. The idea was simple: make some basic modules that do stuff to notes and control events, then combine them in useful ways. It deserved an ovation. And now, you can get …

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Grab Free Drum Kits for Ableton Live and Other Tools: Vintage, Vinyl, Synth, Pine Cone

Sometimes, it takes just that one set of sounds to unfreeze your creativity and get a song started. And that’s why freebies are sometimes such fun: they’re even a bit more odd, a handful of offbeat sounds that just begs to be turned into … something. The folks at Puremagnetik have been posting some gems to their Tumblr account. This just in: “Wicked Kits” is a collection of five drum kits pre-configured for Ableton Live. (As with any Live kit, there are raw samples you can use in any tool you like – Renoise, MPC, whatever.) The emphasis here is …

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Sonic Imaginings, Assembled Live: Max Cooper’s Sound World, in Mixes and Images

Entering Max Cooper’s sonic world is always a delight. And in a new mix, we hear it pieced together as he imagines his own sonic connections, constructed live. In turns, the Belfast-born, London-based artist can be cinematic and moody, chilled-out and groovy, or angular and glitchy. But everything remains in definition, each sound there for a reason and in sharp relief, able to corner and take you anywhere, on-road or off. It makes sense, then, that when we last caught up with Dr. Cooper – yes, he has a PhD in computational biology, too – he was adding extra dimensions …

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All Live, Nonstop, for 24 Hours: How Krautok Berlin Ticks [Listening, Gallery]

Six-hour, eight-hour DJ sets? Okay. How about a 24-hour live set? How about not one artist, but six, or thirty-two, or more? Sometimes it’s techno; sometimes it goes ambient. There’s singing, there’s dancing – just no DJing. That’s the kind of too-much-is-not-enough attitude that has gripped Krautok, a wild 24-hour live jam held together only by a spaghetti mess of cables and a single clock source. (Previously: vintage MPC. This year, something a bit more scientific. More on that in the moment.) Over the years, the likes of Dasha Rush, Ed DMX, Housemeister, Eric D Clark, Electric Indigo, Khan of …

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unrender 2: Visuals as Live Medium, in Installations and Performances, in Berlin [CDM presents]

Electronic and digital visuals are expanding in their expressive potential, as live and real-time instruments, performances, and interactive installations. But the venues and contexts for that work remain understood in terms of narrow, older categories: the gallery and video art, the club and “VJing” – and now, increasingly, via commercial patrons (search engines, trade shows). What happens when clubland and art-land, the design world and the music scene can encounter one another in open spaces? unrender is one humble way we get to try to answer that. Hosted and co-curated as a collaboration of CDM with Lehrter Siebzehn, we work …

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In Sync, Spare, Beautiful Audiovisual Duet of R. Lippok + D. Delcourt [Mapping Festival, Ableton]

R. Lippok + D. Delcourt – Raster Noton Showcase, Mapping Festival 2013, Geneva from Dimitri Delcourt on Vimeo. Minimalism for its own sake isn’t terribly meaningful. But economical sound and geometries can become a medium for beautiful moments, if artists truly focus on form and relationship. It’s doubly true when combining music and visual elements, and that leads to some gorgeous intersections of the aural and optical in the work here. Robert Lippok, the Berlin-born Raster-Noton artist, and Dimitri Delcourt, the Swiss designer and live visualist, collaborated in one of my favorite performances of last year’s Mapping Festival in Geneva, …

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unrender: Celebrating Visual Expression as Something Live; Online and in Berlin Friday

There’s not a word yet for visuals as event. We know it when we see it. And we know it in other media. With music, there’s no question when something becomes performative, when the human element is something you can’t subtract. But in electronic visuals, in light and image, the awareness of what is emerging in the medium seems latent. The narrow view of VJing and club visuals is dated. And disconnecting those media from generative and interactive work misses an explosive and dynamic new craft. Whether it’s clever work with optical analog and overhead projectors, or a delicately-constructed piece …

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TouchAble 2 Puts Ableton Live Beneath Your Fingers: Gallery, Video Tutorials

Ableton still doesn’t make an iOS app for Live. The software seems to lend itself to direct touch interfaces, emphasizing live performance and improvisation and real-time workflows. But there’s little reason for the developer to make one themselves: there are just too many superb third-party solutions, and they continue to dazzle. TouchAble 2, available now, goes further than any app has before. If hardware controllers or the mouse or computer keyboard act as narrow windows into what Live can do, the latest TouchAble just seems to do … everything. Short of Live running on a touchscreen directly, TouchAble brings what …

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