Inside The Glitch Mob’s Crazy Rockstar Live Electronic Rig

Press play? More like bang drums hit stuff finger warp touchpad go crazy. The Glitch Mob are one of America’s leading festival electronic acts. (And members like EdiT have IDM, not just EDM, credits to their name – so they were “glitching” before it was cool, in other words.) But while that circuit is in a frenzy of one-upmanship when it comes to spectacle, there’s some real playing behind this act. And that distances them from artists that put on a big show visually but have shied away from anything risky in the set – like actually playing the parts, …


Numerology 4 is the Deep Modular Sequencer You Didn’t Know You Needed [Mac]

Numerology is a ray of hope, proof that there’s more than one way to build software for making music live and in the studio. Instead of locking you into yet another multitrack recorder, it’s an open canvas for combining sequencers into note-making machines. But maybe the idea of using some idiosyncratic modular step-sequencing environment just hadn’t quite won you over. Quietly working away in New Mexico, developer Jim Coker has been working away on a new Numerology to change your mind. What’s different about this fourth revision? Well, a whole lot of details, but here are the important new developments: …


MIDI Controller with Loads of Faders, Knobs, App Support: Livid DS1 on Preorder [Gallery]

The world has no shortage of MIDI controllers. There are big ones, small ones. There are, increasingly, loads of specialized controllers designed around apps. The DS1 is designed to be something different: it’s a mixing controller. And as conceived in a partnership between educational studio Dubspot and Austin, Texas boutique builder Livid Instruments, it’s meant to mix in any app. It’s a mixer for prodution, but also for DJing. With templates for a variety of tools, it’s made to be as comfortable in Traktor as in Ableton Live as in Logic. We’ve still yet to test whether it delivers on …


Bitwig Studio Arrives Today; What Can You Expect?

The long wait for the new production software Bitwig Studio has created anticipation and exasperation in equal measure – people were excited, people were impatient; some drooled over every tiny feature details, some dismissed them and said they’d wait until it shipped. But the wait is over; today is actually the day Bitwig Studio is something you can download, try out, and buy. It’s not a beta; this is it. 299€ / US$399 buys you the full download version; a demo is available. (Boxed versions cost more.) So, what can you expect on today as release day? Well, at least …


The Augmented Guitar: In Final Hours of Crowd-Funding, Watch What Guitar Wing Can Do

Like superhero armor, the sleek Guitar Wing fits over the edge of your guitar – your existing, beloved guitar – and gives it badass bonus powers. The crowd-funded accessory finally brings control for digital instruments and effects to the fingertips of guitar and bass players, without forcing them to change instruments or give up their conventional techniques. Instead, Guitar Wing, via Bluetooth connection, provides pressure-sensitive pads, faders, buttons, switches, and (if you like) three-dimensional motion control right to the instrument. USB charged, rechargeable battery-powered, and with RGB color feedback and editing options, it’s ready to go anywhere and control anything. …


A USB MIDI Controller, Designed Like a Mixer, from Dubspot + Livid: DS1 [Q&A]

We’ve got grids, more grids, and disco grids. We’ve got fake platters and big, whirling plates. We’ve got iPads and things you wave around in the air. But as controllers have embraced digital design, the number of controllers that have the logical layout of a mixer has, remarkably, diminished. And what really don’t have much of is a controller that’s truly DAW-agnostic. Integration is great, but you need hardware for people who don’t believe in One Tool as religion. It’s taken New York-based learning center Dubspot to reignite that idea, in a controller collaboration with Dave Cross and Livid Instruments. …


Goodies: Free Sounds from Prophet 12, volca beats, Moog Minitaur, and More, Ableton and Beyond

Hardware is beautiful. But until we buy that private 747 and outfit it with an in-flight lounge, for instance, portability still matters. And that means for some of us even keeping both hardware and samples. Let’s get down to it: it’s time for another installment of the CDM “goodies” series, where we point you to free downloads to keep your hard drive happy. And this time, we get some of your favorite gear in the act: Prophet 12, volca, Minitaur. (Also, most come from Austin, Texas.) Many of these are already assembled into Ableton Live kits, but if you prefer …


Scratch Anything, in a $20 Plug-in: MIDI, Turntables, and Hosts Like Ableton Meet

Turntablism is still alive, but surprisingly, turntable techniques haven’t entirely harmonized with modern DAWs. One of the first products ever covered here on CDM was Ms. Pinky, a combination of software and vinyl, which recently saw a Max for Live iteration. But Scratch Track is about the most universal, easiest way yet to drop scratching into a project. It’s a VST plug-in, compatible with OS X (10.6 or later) and Windows. It works with turntables. It works with MIDI. It works with host automation. It works with host automation and MIDI even if you don’t have a turntable. And there’s …


Bitwig Watch: Endless, Open Modulation; Grid Control; Sounds from Thavius Beck

Yes, you have our attention. LF-Ogling this one could raise an eyebrow or two. We’ve been waiting for Bitwig betas to start to look like something that’s ready to use, and for Bitwig Studio to start to set itself apart from a certain, popular live performance / clip-launching DAW that’s made a few blocks away in Berlin. (Cough.) But at last, it looks like that wait is over. Bitwig is performing tricks we haven’t really seen in this sort of tool before – and the complaints we’re hearing most from the ever-ornery Internet crowd has changed from “been there, done …


FL Studio 11: Play it with Touch and Everything and Everywhere, Live or Editing

FL Studio 11 has arrived, hot on the heels of an impressive FL Studio Mobile release. The folks at Image Line have been intensely busy, but what strikes me is that you can now play FL Studio using almost anything, on almost any device. The Mobile version works on Android and touch Windows devices, not just iOS, when most folks target only Apple. And the upgrade to FL Studio 11 is similarly flexible. There’s a clip-triggering performance mode, which already supports a range of input methods: “mouse, touch screen, typing keyboard or MIDI controller. Supports APC20/40, Launchpad, Lemur, Block, Maschine/Mikro, …