From Apple, No Lack of Commitment to the Mac, Pros, Creation [WWDC]

Here’s a quick way to sum up the revelations in today’s Apple event: “Oh, so that’s what was keeping them.” It’s certainly true when it comes to OS X and the long-awaited Mac Pro. Critics of Apple and concerned loyal users have worried that the growing success of iOS and consumer platforms would erode support for the company’s pro users. But evidence of a strategic shift has been largely absent. Sure, Apple has added cloud features, an App Store, and iOS apps to the desktop platform – significant changes. But those are all essentially no-brainer updates, and need not conflict …

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Lego Mindstorm Robotics, One Kitchen, One Psycho Barbie: Bonaparte Music Video

BONAPARTE – 40°42’48.46 N 73°58’18.38 by JUL & MAT from JUL & MAT on Vimeo. Out of the screen, into your kitchen: digital tech can become magically alive when grown-up robotics meet child-like play. And it’s not trickery: this LEGO-powered robotic installation really is playing the parts of this song by Bonaparte. Peter Cocteau already showed the world that LEGO’s Mindstorms platform can become a fantastic drum machine, in his brilliant NXT-606. Now he’s back, with a robotic installation that “performs” the music video for German rock/electronic artist Bonaparte. Teaming up with Cocteau and French directing team Jul & Mat, …

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Logic 9 and Updated MainStage on App Store, at Cut-Rate Prices

MainStage, with its all-in-one instrument and effect rig powers, is now a la carte, and both Logic and MainStage are cheaper. A lot cheaper. Image courtesy Apple. As expected, Apple moved its Logic Pro music production tool to the App Store. And the results are mostly what you’d expect. The biggest change is the price: Logic gets slashed to US$199.99, while MainStage gets a so-low-you-might-as-well-try-it $29.99 sticker price. Wave editor Soundtrack Pro, removed from Final Cut Studio, is gone here, too. Lesser-known mastering tool WaveBurner gets the axe. Logic Pro 9 is still Logic Pro 9. Today is a minor …

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Rumors Mounting for Imminent Logic Pro X, a la Final Cut Pro X; No-Brainer Speculation

I generally avoid commenting on Apple rumors, lest I find a severed horse head atop my MacBook Pro, but this one seems simply to be obvious. Apple took a radical approach to Final Cut Pro X (and Motion), giving them full overhauls and new UIs, 64-bit support, and distribution through the online Mac App Store instead of exclusively through online distribution. It stands to reason that their current Logic Studio will get something along the lines of the same treatment. Sure enough, rumors are surfacing saying as much. (I’ve gotten at least one email, secondhand – no, Apple, no Apple …

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Video: Live Beatmaking and Musicianship on Display; Details from the Artist, Logic Sampling

Let’s be frank. Computers really don’t demand any musicianship; they’re a blank slate with which you can do anything you like, and quantization is always close at hand. But bragging rights aside, whatever anyone else may think of the results, playing musical elements live can often be more satisfying. And it’s refreshing, at a time when software seems to be bending over backwards to offer bleeding-edge technology to compensate for your lack of time and tune, to see people getting more dextrous, not less. Ukrainian-born, Toronto-based artist Andrew Andriyashev, going under the name Triple A production, sends along a video …

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More TouchOSC + Logic Hands-on, with iPad

Since I was in Texas this weekend, I missed Synthtopia picking up an iPad example, seen below (though it’s useful to have Sam’s instructions, too). Also, our friend Joe Gore details how the whole system works with iPad, including plug-in manipulation and automatic mapping of parameters for plug-in functions. I agree; it’s nicely done. iPad + Logic + TouchOSC = HOLY CRAP! [sonicgore.com] Readers do touch upon standardization or interoperability between apps. It’s a good point, and the short answer is, right now, today, OSC doesn’t provide any way to do that. Many of the necessary facilities are there, but …

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Apple Logic Speed Run: Production Timelapse

Japanese fusion “underground music unit” Human Boot Project have a clever take on the music video, one that – well, let’s face it, probably appeals only to music production nerds like us. Using the free/open source software Gawker (Mac-only screen capture, not to be confused with thegossip blog), they take an extended timelapse of their production session in Apple Logic, as arrangements and various plug-ins flash by. You get to see the track, “Xen,” assembled before your eyes. I’ll let you play “spot the plug-in” first, then have a look after the jump for what they used.

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Fun with Multiple Screens: Covering Lady Gaga on Four iPhones

It’s a simple effect, but a reminder that extending onto multiple screens — any multiple screens, really — can be a good time. Jeff Soto/iamnotrobot sends along his friends Love and Logic and Chris Perino (Drive By) covering Lady Gaga. Each of the four iPhones is one take, no cuts, and the four are synced together on playback. The only catch is, audio isn’t synced — that’s what I’d love to see next, audio coming out of four devices in a cappella fashion. Love and Logic’s Paul Canetti explains the technique: The audio is overdubbed. It’s a studio recording (done …

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64-bit Mac Audio Tools Coming; Logic Pro and Mainstage Add Support

Mac OS X Snow Leopard (10.6) represents the end of a long-running transition of the Mac operating system from 32-bit to 64-bit support. 64-bit computing offers marginal (but measurable) performance improvements, and more importantly the ability to address more RAM — a lot more RAM, currently more than is even physically available in any shipping consumer computer. By contrast, under the current Mac OS, each 32-bit application can access up to 4GB of RAM. A few tools, like Apple’s EXS24 and Native Instruments’ Kontakt samplers, can address greater memory through the use of virtual memory and memory server schemes. But …

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Apple Logic Studio 9 Review for Macworld; What Stands Out

Flex Time is likely to be the feature that will have the biggest impact on users, by making audio more malleable. Logic has been a big box of sound toys for some time, but I think what decides whether you really build a working relationship with software like Logic is whether you like editing in it. And that makes Logic Studio 9 worth a new look – and a must-upgrade for fans of the tool. Its combination of subtle tweaks to the editing interface, the ability to edit inside takes, the incredible Flex Time for squishing around audio like Play-Doh, …

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