(CC-BY) Flavio Ensiki.

Stems for DJs and More: Here’s How A New Format Will Work

The most important thing to know about Stems, a new multitrack specification for audio, is that it’s simple by design. That simplicity means that it could really take off as a way of sharing music with multiple tracks, for DJing or live-remix applications. Stems won’t solve every problem of file exchange and sharing. It’s not a multichannel spatialization format. It’s not a sophisticated project format for storing metadata. I say that, because after we covered Stems at the beginning of this week, I found my inbox flooded with every use case for every file format imaginable, and complaints that Stems …

I tried this test once, took a lunch break, came back and tried again. Totally different results. Mainly, it taught me that I mostly don't want to listen to this music, and The Killers are a victim of the Loudness Wars.

This is the Only Thing You Need to Know About “Hifi” Tidal Streaming

So, in case you haven’t heard yet, there’s a new “hifi” streaming service called Tidal. Don’t waste your time watching the weird press event with Madonna and Daft Punk, congratulating themselves like they’re at the Grammies. Don’t let yourself be mesmerized by the desaturated music video in which Jay Z’s friends all get together to drink champagne and talk about “making a stand.” Don’t worry about the European startup that made the tech, or sweat the pricing. Don’t even hand over your credit card in order to start a free trial. No, the only thing you need to do is …


Radiohead King of Limbs in 24-bit FLAC; How to Listen Lossless on Any OS, Device

Why shouldn’t a digital download be better, not worse, than a CD release? Sit in a studio as most of your favorite albums are recorded, mixed, and mastered, and odds are the digital material is being recorded at higher bit depths and sample rates. And while the perceptual record is more mixed, there’s also no question that, in terms of data, lossy compression schemes like MP3 do demand some loss in audio information. (Lossless schemes like FLAC, by contrast, use less data but do so without sacrificing sound information.) All of this means that it’s news that you can get …


Fission: Lossless at Last

Sure, between applications as full-featured as Bias Peak and Apple’s own Soundtrack not to mention freeware like Audacity, Mac users are a bit spoilt for choice when it comes to audio editors. But for those like myself who long for the simplicity and elegance of the long gone SoundEdit, Rogue Amoeba may just have the answer. Fission is the first (and currently only) OS X audio editor to support lossless editing of MP3 and AAC audio. The software has a super simple interface which provides an accurate dual-waveform view and a handful of editing commands that let you split, cut, …