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Waveform woos DAW switchers with clean UI, features, Raspberry Pi

The struggle to make an all-in-one computer production tool that’s different continues. Tracktion, a lesser-known “indie” DAW that has seen a rapid resurgence in recent builds, is now back in a new generation version dubbed Waveform. As usual, the challenge is to make something that kind of does everything, and necessarily needs to do all the things the competition does, while still being somehow different from that competition. Waveform’s answer is to build on Tracktion’s clean UI by making it yet more refined. It builds on its open workflow by adding modular mixing and enhanced “racks” for processing. And it …

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Apple announces that they’re not ready to announce new pro hardware

Apple today summoned a handful of tech reporters to a product lab, essentially to announce that … they were between announcements. Apple’s unusual PR experiment today was to mix mea culpa and product teaser, in a drawn out explanation of why their hardware wasn’t shipping. The result of this messaging technique: journalists in the room for the briefing dutifully recorded the agonizing details of how Apple sees its “pro” user base and how it prioritizes desktop functionality: The Mac Pro is getting a major do-over [Mashable] Apple pushes the reset button on the Mac Pro [TechCrunch] The Mac Pro Lives …

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Sloo is the maddest, most swarming soft synth you’ve ever heard

When was the last time you just got lost in a synthesizer? Like, when you forgot everything else you were doing and just turned knobs and forgot what hour it was? Well, if it’s been a while, you might want to try Sloo. If you want, you don’t actually need to read any more. Just know that Sloo is a thing for Reaktor from Tim Exile, and it involves a gazillion oscillators, and it will make totally mental noises. It feels like someone has just heated up a giant, hot, steaming Jacuzzi of oscillators and you’ve jumped in and dunked …

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Eventide want to change how you think about processing audio

Digital signal processing is some futuristic stuff. It may not be able literally to let you traverse space and time as relative dimensions, but it can treat time and frequency separately and mash them back together. And that’s already freaky enough. Now, Eventide – the folks you know probably for their classic hardware and reverbs – are pushing that notion right into their marketing, dubbing their approach “structural audio.” Structural audio sounds a bit like a panel presentation you went to at an Audio Engineering Society conference that sounded fascinating but completely lost you and then you went looking for …

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Komplete Kontrol adds scales and modes, cooler chords, Reaktor Blocks

If you just want a nice MIDI keyboard, frankly, you’ve got loads of options. So Native Instruments’ Komplete Kontrol S-series of keyboards has got to do more. The 1.8 release that came out yesterday takes a step in the right direction, with enhanced scale and mode support and enhanced integration with both Reaktor Blocks and Maschine. And Reaktor Blocks might be the winner here. Reaktor Blocks. This is almost an afterthought in this release, but to me, it’s the nicest feature so … the heck with it, I’m going to talk about it first. You can now control the clock …

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Now you can sync up live visuals with Ableton Link

Ableton Link has already proven itself as a way of syncing up Ableton Live, mobile apps (iOS), and various desktop apps (Reason, Traktor, Maschine, and more), in various combinations. Now, we’re seeing support for live visuals and VJing, too. Three major Mac apps have added native Ableton Link support for jamming in the last couple of weeks: CoGe, VDMX, and a new app called Mixvibes. Each of those is somewhat modular in fashion, too. Oh, and since the whole point of Ableton Link is adding synchronization over wireless networks or wired networking connections with any number of people jamming, you …

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Dispersion makes it crazy easy to get that bouncing ball delay sound

You know the sound. Bah bah bahb bh bh bhbhbbbbdddd… And you’ve heard in … some track. Somewhere. Okay, you know, words really aren’t the greatest thing for describing particular audio effects. So just listen: The “bouncing ball” delay is just one of the sounds available in Dispersion, a new thirty-dollar audio effect plug-in for the Mac. You get organic sounding delays that are all synced together to match a groove. That gives you tight choruses and stereo widening, nice crunchy-grainy delays, and other shuffles and diffusion and, you know, delay sounds. It’s an especially nice combination of very useful …

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Alien and unicorn music and a free picture-to-MIDI tool to download now

The Internet: it’s still doing crazy things with MIDI. Just in the last few days, we’ve seen MIDI musical inventions go freshly viral. And keep reading even if you’ve seen some of that, as we’ve got a little bonus for you to get in on the fun. It started with producer Aleksander Vinter, aka Savant – whose work extends to popular game scores. He created patterns like this one that double both as recognizable picture (a bird, reminiscent of vintage text art), and as compelling musical figuration. Behold: See / hear more: https://www.facebook.com/pg/SavantOfficial/about/?ref=page_internal https://www.youtube.com/user/winterpiss/featured That led YouTube star Andrew Huang …

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Offline processing in Nuendo 8.

You can compose entire interactive game scores in Nuendo 8, more

There isn’t one music production tool that fits everybody. What’s special about Steinberg’s Nuendo is that it is uniquely poised for high end production workflows. And maybe more than any other developer, Steinberg seems to be catering to the needs of A-list game scores. That says something not only about Steinberg, but about the changing face of music production. Once, there was the studio world, and “pro” releases meant the Audio Engineering Society (AES) show. You know, for people producing records. Now, odds are, you’re going to laugh when you open the statement from your label showing how much you …

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There’s a new wave editor for Mac and Windows, and it looks promising

Most hardware and software for music making has generally gotten better, but not the dedicated audio editor. This once-proud genre of music software has fallen on hard times. Tools have been acquired, discontinued, received too-few updates. Some of the better tools we’re left with look like they came from another decade. And that’s too bad. Because having a tool devoted solely to day-to-day audio chores is a really good thing. Maybe you’ve got a set of samples you want to crop and clean up to load onto your drum machine or into a software sampler. Maybe you’re sorting through a …

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