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Sloo is the maddest, most swarming soft synth you’ve ever heard

When was the last time you just got lost in a synthesizer? Like, when you forgot everything else you were doing and just turned knobs and forgot what hour it was? Well, if it’s been a while, you might want to try Sloo. If you want, you don’t actually need to read any more. Just know that Sloo is a thing for Reaktor from Tim Exile, and it involves a gazillion oscillators, and it will make totally mental noises. It feels like someone has just heated up a giant, hot, steaming Jacuzzi of oscillators and you’ve jumped in and dunked …

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Eventide want to change how you think about processing audio

Digital signal processing is some futuristic stuff. It may not be able literally to let you traverse space and time as relative dimensions, but it can treat time and frequency separately and mash them back together. And that’s already freaky enough. Now, Eventide – the folks you know probably for their classic hardware and reverbs – are pushing that notion right into their marketing, dubbing their approach “structural audio.” Structural audio sounds a bit like a panel presentation you went to at an Audio Engineering Society conference that sounded fascinating but completely lost you and then you went looking for …

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Komplete Kontrol adds scales and modes, cooler chords, Reaktor Blocks

If you just want a nice MIDI keyboard, frankly, you’ve got loads of options. So Native Instruments’ Komplete Kontrol S-series of keyboards has got to do more. The 1.8 release that came out yesterday takes a step in the right direction, with enhanced scale and mode support and enhanced integration with both Reaktor Blocks and Maschine. And Reaktor Blocks might be the winner here. Reaktor Blocks. This is almost an afterthought in this release, but to me, it’s the nicest feature so … the heck with it, I’m going to talk about it first. You can now control the clock …

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Now you can sync up live visuals with Ableton Link

Ableton Link has already proven itself as a way of syncing up Ableton Live, mobile apps (iOS), and various desktop apps (Reason, Traktor, Maschine, and more), in various combinations. Now, we’re seeing support for live visuals and VJing, too. Three major Mac apps have added native Ableton Link support for jamming in the last couple of weeks: CoGe, VDMX, and a new app called Mixvibes. Each of those is somewhat modular in fashion, too. Oh, and since the whole point of Ableton Link is adding synchronization over wireless networks or wired networking connections with any number of people jamming, you …

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Dispersion makes it crazy easy to get that bouncing ball delay sound

You know the sound. Bah bah bahb bh bh bhbhbbbbdddd… And you’ve heard in … some track. Somewhere. Okay, you know, words really aren’t the greatest thing for describing particular audio effects. So just listen: The “bouncing ball” delay is just one of the sounds available in Dispersion, a new thirty-dollar audio effect plug-in for the Mac. You get organic sounding delays that are all synced together to match a groove. That gives you tight choruses and stereo widening, nice crunchy-grainy delays, and other shuffles and diffusion and, you know, delay sounds. It’s an especially nice combination of very useful …

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Alien and unicorn music and a free picture-to-MIDI tool to download now

The Internet: it’s still doing crazy things with MIDI. Just in the last few days, we’ve seen MIDI musical inventions go freshly viral. And keep reading even if you’ve seen some of that, as we’ve got a little bonus for you to get in on the fun. It started with producer Aleksander Vinter, aka Savant – whose work extends to popular game scores. He created patterns like this one that double both as recognizable picture (a bird, reminiscent of vintage text art), and as compelling musical figuration. Behold: See / hear more: https://www.facebook.com/pg/SavantOfficial/about/?ref=page_internal https://www.youtube.com/user/winterpiss/featured That led YouTube star Andrew Huang …

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You can compose entire interactive game scores in Nuendo 8, more

There isn’t one music production tool that fits everybody. What’s special about Steinberg’s Nuendo is that it is uniquely poised for high end production workflows. And maybe more than any other developer, Steinberg seems to be catering to the needs of A-list game scores. That says something not only about Steinberg, but about the changing face of music production. Once, there was the studio world, and “pro” releases meant the Audio Engineering Society (AES) show. You know, for people producing records. Now, odds are, you’re going to laugh when you open the statement from your label showing how much you …

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There’s a new wave editor for Mac and Windows, and it looks promising

Most hardware and software for music making has generally gotten better, but not the dedicated audio editor. This once-proud genre of music software has fallen on hard times. Tools have been acquired, discontinued, received too-few updates. Some of the better tools we’re left with look like they came from another decade. And that’s too bad. Because having a tool devoted solely to day-to-day audio chores is a really good thing. Maybe you’ve got a set of samples you want to crop and clean up to load onto your drum machine or into a software sampler. Maybe you’re sorting through a …

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Recreate classic MP3 visualizers, free – and use them in VJ apps

It’s funny, some things you really didn’t imagine looking back on with nostalgia. And yet, there you are – reminiscing about the days of staring at your Winamp MP3 visualizer. Well, I totally missed it, but there are some free projects that let you bring back those visualizers. Better still, you can pipe them into VJ apps on both Mac and Windows. First off, MilkDrop itself is a fascinating story. I won’t dive all the way down that rabbit hole at the moment, but here’s a short version of the story. Creator Ryan Geiss was (and is) a talented electronic …

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One of the best premium audio interfaces now claims to be better

How much time do producers spend just handling one or two inputs and stereo output (plus monitoring)? My guess is — a lot. Once you’re out of the studio, that amount goes up. But generally speaking, premium interfaces have tended to assume you need more I/O – even though a lot of electronic production now occurs in the box. So part of the reason the Universal Audio Apollo Twin has been important is that it changes the value equation. It doesn’t do a whole lot of I/O – this is really about recording one thing at a time, listening, and …

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