Grab a free secret sauce channel strip for Ableton DJ and live sets

The beautiful thing about software is that it’s flexible. You can reconfigure an entire live rig on the fly. But it’s still necessary to channel that flexibility into consistency, especially playing live. Reuse the stuff you need most so it’s always there. And train your hands and muscle memory so you can play fluidly. Savages – the Chicago/Dallas duo of Ted “TJ” Pallas and Alexandra Hartman – have shared their go-to channel strip full of all their favorite tools. And while they were at it, they recreated a unique EQ. EQ differently PLAYdifferently’s Model 1 mixer takes a different approach …


Here’s what you’ll get out of Ableton Live 9.7, available today

Ableton Live 9.7 – the final stable download – is available today. (A public beta was released over the summer.) It’s got a host of improvements for the latest Push hardware, but there are advantages for everyone.


If you use NI stuff, get Native Access and Maschine updates

A public service announcement: if you use Native Instruments software, you should probably check out Native Access if you haven’t already. There’s a good chance it could make your life easier, and keep you up to date with software like the Maschine update that dropped last week. Here’s the deal: NI software has in the past been scattered across a set of manual support downloads and two tools, one called Service Center and one called Komplete Downloader. And odds are pretty good you’ve head a headache with one of those tools at one time or another. A new piece of …

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Serato’s Ableton Link sync could change how you DJ

Quick! Name one good reason to use a computer running DJ software instead of just toting along some USB sticks to play on a CDJ! Well – one answer is, maybe your DJ set involves more than just mixing two decks. And with Ableton Link support, Serato is the first DJ software to open up to easy, peer-to-peer sync. It could change how you play.

Erasure playing live onstage on the Mac.  (CC-BY-SA) Andrew Hurley.

Apple’s relationship with pro music needs some mending

What happens when a key relationship in music technology turns a bit sour? There’s no mistaking the music world’s preference for Apple products. But there are some specific causes for concern in the way Apple is handling its desktop operating system and its relationship with pro musicians. First, let me be clear. I’ve covered Apple and music for a long time. I’ve met some of the people handling these products; some of them I’ve known fairly well in a professional capacity. I have tremendous respect for the company, its products, and its management. I’ve been a regular contributor to Macworld …

The overview screen, for navigating - some overtones of both Kai's software from the 90s and the better stuff from Apple (Sculpture).

Substance is a new software approach to every kind of bass

There are those desserts that are subtle. And then there are the ones that are layered chocolate and peanut butter and cream that you drench in still more chocolate sauce, but in a way that holds together. You know – layering. Substance, a new soft synth from Output, is all about layering. It’s about making enormous bass things out of other already pretty-large bass things. And it represents a nice latest chapter in what the boutique software developer has been doing with sound design


Here’s the story of how the Mac and Atari found their voice

There’s something magical about the moments in history when computers were able to speak (and sing) like a human. That’s certainly true of Bell’s famous “Daisy Bell” performance (the real-life moment echoed in 2001). But it’s also true of the Mac, which first spoke to uproarious applause.


Jamming standard: Ableton is opening Link to everyone, starting today

Ableton Link is coming to desktops, and going completely open source. And that means the best tool for wireless sync and jamming is about to get a lot more popular. On iOS and for Ableton Live users, Ableton Link is already a revelation. It allows any number of different apps to sync up with one another without fuss. That includes two more machines running Ableton Live, of course. But it could also be two apps on an iPad, or an iPhone and an iPad, or an iPad and a copy of Ableton Live. It completely changes live jamming: instead of …


Roland and Serato made a monster DJ controller that does everything

What do you get when you combine Roland and Serato? Well, a little bit of everything, it turns out. The flagship DJ-808 is a monster mixer controller sampler step sequencer audio interface drum machine vocoder. (Whew!) Some of its functionality is provided in the hardware itself; some is a control interface to Serato software on a computer. But together, you get a device that is perhaps the most ambitious all-in-one DJ gizmo yet.

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Maschine Jam is new hardware built around live performance

These days, various combinations of faders and touch sensors and grids of pads and buttons and encoders and knobs appear with cyclic regularity. We’re past the point of inventing the automobile – we’re down to tuning particular cars for particular tasks. But what do you want to use if you’re really playing live? Maschine Jam is a combination of software and hardware that focuses on that scenario. We’ve met with the team that built it at Native Instruments and have our own unit in now to test, so here are some first impressions.