There are updates, and then there are updates. There are the updates that give you a bunch of new functionality – marketing tends to love these. And then there are the ones that just make a big slog through feature requests. Maschine “2.4.5” is not an exciting sounding update. But wow, does it ever add a long list of improvements users wanted.
Native Instruments keeps adding to Reaktor Blocks, the patch-and-play toolkit they’ve built atop Reaktor. And… it’s turning into kind of an awesome product in its own right. Reaktor Blocks 1.2 adds a bunch of the sort of stuff I think you or I would add to it were we in charge of the product. It’s suddenly got drums. It’s got a new sequencer that you can power with Maschine. It’s connecting via MIDI and CV to outboard gear and analog modular. In short, it’s something you actually want to play with.
Ableton’s Link, a collaborative jamming platform that lets you sync without wires, without “masters” or “slaves”, and without a whole lot of pain, continues to grow. It’s just shown up in Native Instruments’ iMaschine, as well as Novation’s Blocs Wave. Blocs Wave is notable because it’s pretty new, but seeing Ableton Link in an NI product is itself a breakthrough. NI could have just declared this “not invented here,” but they didn’t. And now the message from users to Ableton is clear: bring this platform to the desktop, so we can use it with everything.
Master turntablist Shiftee has posted a sharp routine. It’s a clever product placement for Razer’s laptops, but – well, it’s more than that. It’s an ad for laptops in general, at a time when DJing has increasingly come to mean “showing up with a couple of USB sticks.” And it’s sort of an ad for being DJ Shiftee. So, we asked Mr. Shiftee to show us what was going on.
Last November, I went armed with some LOM label microphones to the Netherlands to find out what sounds you could discover in a space research facility. That exploration produced a lot of sounds, and one way to play with them was to transform them into percussion. Now you can download the drum kit I made for your own use, or to create your own instruments.
We know an iPad can augment a music setup. But the question for many is, can it replace a computer? Arturia’s iSpark isn’t shy about what it accomplishes. It really looks a whole lot like the company’s drum machine on desktop, only remade for iPad. And it even works with the dedicated SparkLE controller – meaning you now can go pad controller + iPad as you could controller + computer. It also comes with Ableton Link, for easy syncing and jamming with other apps, other iPads/iPhones, and Ableton Live (in any combination).
iMaschine, the iOS drum machine, is back in a new version. Now in mini, pocket-able form, you get arrangement and live play features from the desktop edition. For iPhone 6s/6s Plus owners, it also responds to 3D touch. I always keep sketchpads around – literal sketchpads, of the pencil and paper variety. So when software is described as a “sketchpad,” I take that seriously.
You’ve watched in awe as artists dazzle on hardware like Ableton Push, Maschine, and the MPC. But maybe your fingers just haven’t been as nimble, haven’t been as quick. Now, that might change. In a love child of Guitar Hero and a drum lesson, Melodics is here to save your pad-drumming chops.
Reaktor Blocks Love Eurorack from listentoaheartbeat on Vimeo. Sorry, couldn’t resist. Can you combine computer software with analog hardware? Can you route control signal from computer software to hardware? Can you combine something accessible with a grid (like a drum machine) with more advanced, open-ended machines with wires? Yes, yes, and yes. Does all modular synthesis stuff sound like indecipherable noodling? Do you have to make a religious decision between analog and digital, hardware and computer? Do all modular setups have to be sprawling rigs that eat up all your money and home? No, no, and no. Make what you …
Any trip, anywhere can turn into a creative opportunity – if you pack the right stuff. So if you’re hitting the road this summer, here are some thoughts. Adam John Williams is a media artist and maker and musician and lots of other things. But even among that rarified breed, he’s somewhat unusual. The man brings Olympic effort to hack days – one of the organizers behind Music Tech Fest and a prolific performer and inventor. As a participant at our hacklab at CTM Festival, he was applying painful shocks to himself in time with Ableton Live – and that’s …