Ninja Jamm Android-07a-Play Matrix mixed clip and drill

Ninja Tune’s remix, creation app on Android after 300k iOS downloads

Before Ableton Live, before VJ apps, the AV act Coldcut were already making their own software for remixed audiovisual performance. Now, with the Ninja Tune label they founded, Matt Black is still championing the notion of performance that goes beyond pressing play. I’ve never seen anyone pick up Ninja Jamm and not immediately fall in love with it. It’s just a tremendous amount of fun working with the built-in effects and quick access to bits and pieces of music. The likes of Amon Tobin, Bonobo, and Roots Manuva are there, with a variety of genres. There’s also Loopmasters sound content, …

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See Like a Bug on Acid: Visual Smash Ups, From Cameras, Simpsons + Family Guy, YouTube

Visual Smash Up from Parag K Mital on Vimeo. What happens when you distort a video with a video? It’s what artist and coder Parag K Mital calls a “visual smash up,” which he says “takes existing content and mashes it up to create new content.” Huh? Well, have a look above for an example with a live video feed – or below, combining Simpsons and Family Guy in unholy animated sitcom matrimony. But here, Parag explains what he’s doing to CDM:

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vjay for iPad: Users Go Hands-on and Share Results [Video]

Users are already getting their hands on vjay from Algoriddim, a VJ app for the iPad. The novelty is clear: vjay’s features aren’t so different from a typical VJ app of a few years ago, but fitting that on an ultra-compact, touchable tablet is another matter. Readers of this site responded negatively to a lot of vjay’s limitations, and I don’t think this is necessarily the last word on what the iPad as visual instrument might be. (Indeed, I hope not.) But what’s nice about these two hands-on videos is, knowing what vjay can’t do, you do get a bit …

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Choppertone, Wooden Ableton Jazz Controller, and Folk Music of the 21st Century: Video

“Folk music of the 21st Century” – radio broadcaster, jazz aficionado, and jazz-based Ableton Live instrumentalist / remix artist Nick Francis really sums up what this whole site is about. As he chops up jazz greats in Ableton, his mash-up music chops are as much musical analysis as they are performance. He walks through his controller moves in a pedagogical way, highlighting the meat of the jazz legends he puts into play. It’s a kind of digital transcription, transcribing re-imagined for Ableton’s colored blocks in place of. Of course, you’ll only be able to reflect on this once you can …

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Party Like it’s the End of the World: Eclectic Method Apocamix

Audiovisual superstars Eclectic Method hop on the apocalypse bandwagon, resulting in a rockin’ audiovisual mix that can get your Judgment Day parties started right. Although, as I keep having to correct people, this is technically the Rapture that some say will be happening this weekend, not the full blown “end of the world.” That leaves the heathens several months to party on the hellscape like there’s no tomorrow, because, shortly, there won’t be. Completely off-topic, but The Christian Science Monitor has a detailed look at the arithmetic and numerology behind these dates, in case you’re curious. (Wait a minute: you …

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Party Like it's the End of the World: Eclectic Method Apocamix

Audiovisual superstars Eclectic Method hop on the apocalypse bandwagon, resulting in a rockin’ audiovisual mix that can get your Judgment Day parties started right. Although, as I keep having to correct people, this is technically the Rapture that some say will be happening this weekend, not the full blown “end of the world.” That leaves the heathens several months to party on the hellscape like there’s no tomorrow, because, shortly, there won’t be. Completely off-topic, but The Christian Science Monitor has a detailed look at the arithmetic and numerology behind these dates, in case you’re curious. (Wait a minute: you …

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YouTube Jazz, in a New Musical Mash-Up, and Online Collaboration

Israeli funk musician and producer Kutiman, creator of the famed Thru-You, is back with an encore. Once again, he’s mixing the best performances of YouTube into a single video. Calling it a “mash-up” is perhaps unfair: this is really mix and remix. It’s no different than laying down multiple tracks in a studio, except that the players were working independently in different parts of the world. “My Favorite Color” is a jazzy, soulful number, particularly carried by those incredible vocals on the original song “Green.” The rest is really arrangement, and it works pretty darned-near perfectly. (An occasional ragged rhythmic …

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DJ Yoda is a Feel-Good Audiovisual Cut-Up Artist, Talented Turntablist

As with music, there’s not really a dominant style of live visuals or audiovisuals; it ranges from the ambient and generative to Emergency Broadcast Network-style A/V cutups. DJ Yoda is an A/V mash artist in the traditional mold, but the results are nothing if not diverting. They’re quite simply fun, and the fact that the guy is actually a sharp turntablist doesn’t hurt. Yoda is doing a 5-track EP next month and importing his style from the UK to the US, joined by some very talented vocalists and rappers. He’s also earning some pretty major exposure for the genre, with …

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Eclectic Method ACID + Vegas Visual Beatmapping, Remixing How-to

One of the things I admire about audiovisual duo Eclectic Method is the way they work with audiovisual materials, slicing and mapping visual materials as though they’re sonic loops, all within the rhythmic grid. They’re also, as visualists go, able to carry a party on their own in a way that’s truly rare. So even as I hope that the term “visualist” will come to mean far more than the audiovisual cut-up and a video translation of what VJs (and DJs) have been, there’s no less to learn from Eclectic Method. They also do things with Sony’s software that’s utterly …

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Eclectic Method: Audiovisualists Talk Streams of Perception in Babelgum Featurette

It’s striking how audiovisualism has broken into maximalist and minimalist streams, toward DJ-style cut-ups and mash-ups of video at one end of the spectrum and geometric generative animation at the other. Firmly planted in the maximalist, Emergency Broadcast Network-descended sliced-and-scratched popular culture, we have Eclectic Method. The duo does audiovisual pop-fragmentation better than anyone right now. They’ve appeared in a number of interviews, but Babelgum focuses right in on what they’re about, why those shards of mainstream politics and culture matter, and how a future generation will be able to receive multiple streams of information at once, jacked in Serial …

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