acidmachine

Kill Some Time Making Acid in a Browser, And Other Fun Tricks

Error 303, anyone? Computation is everywhere – phones, tablets, watches (apparently), and yes, browsers in all of those places. And that computational power can be harnessed to completely distract you from doing real work in the office — um, I mean, make music. “Acid Machine Beta” is a rather fun implementation of two synths and a drum machine, all running in your browser. The “Randomize” function alone should hook you for a bit. Beyond that, you get a decent complement of synth and percussion controls that could make a reasonable little groove. (Recording isn’t directly possible, but you could route …

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arduivis

Add a Physical Knob to Your Max Patch with Arduino: Video Tutorials

Patching on a computer involves plugging something into something else virtually. In this video tutorial, you can extend that by adding a physical knob to control your custom creations, for Max/MSP (and Max for Live). It’s just a quick tip, but I know this gets asked a lot. (Greetings, students – happy spring semester to you!) And there’s something really fun about seeing a knob in the real world controlling something. Bonus points for using a toilet paper roll as a custom “housing.” It’s also nice seeing this accomplished in the all-new Max 7. And this is just the start, …

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modularbrainwash

Add Visuals to Ableton Live with One Device, and Other Neat Tricks

Isotonik Showcase – Part ONE from Isotonik Studios on Vimeo. Music software can treat devices as melodic instruments, as percussion, as audio effects… so why not visuals, too? Of course, there’s no substitute for a dedicated visual artist / VJ in a set, but Brainwash HD at least gives you the tools to integrate performance visuals as an element of a set in Ableton Live. It’s the visual equivalent of the sound modules we’ve been looking at lately. And Brainwash is just one of a number of clever little Max for Live modules from Isotonik Studios, as seen in the …

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modular

OSCiLLOT is a $99 Virtual Modular Rig for Ableton Live – No Cables Needed

The renaissance in modular synthesis has sent a strong message. Open-ended sound design, made by connecting sonic capabilities, can inspire musicians’ imagination. Now, part of the joy of racks of modular gear is the chance to feel these connections in your hand – plugging cables, turning knobs. But that doesn’t mean that the required hardware is always the most convenient or accessible way to work. Why not have the same sorts of powers in your laptop, too? And why not work in an environment that is itself already modular? And why not choose between using just software or connecting your …

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microdrum

Robert Henke’s Free MicroDrum Will Take You Back to the 80s

Cue Huey Lewis and the News singing “Back in Time,” because we’re going back to the 80s. And where we’re going, we don’t need … stereo. Robert Henke (who has of late mostly shed the Monolake moniker) has a brilliant new Max for Live drum machine that borrows some of the limitations of vintage 80s drum machines. There’s a particular nod to drum machine pioneer Roger Linn (credited as such). But this isn’t just 80s nostalgia. MicroDrum’s restrictions, sound, and use of ideas from that hardware can bring new creative possibilities. Features: Zoom in on samples to 10 ms and …

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This iPad app (touchAble 3) just got a lot more powerful and usable, too. It now follows whatever you're doing with your hardware. So you can actually play, rather than squint at your gear and get confused.

Wish Granted: Ableton Live Control The Way You Wanted It

You want to improvise with Ableton Live. You want to reach out and turn a knob, and know what it’ll do. You want to be able to grab controls that have something to do with clips that are playing. Yeah, so Merry Christmas to us. Permit me being a little excited, as I am immensely grateful to the developers. It’s a rare case where you say “wow, I wish that this –” and then suddenly get what you asked for nearly before finishing the sentence. Just last month, we saw a way to get grids in order using LaunchSync, a …

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max7collage

DIY Tool Max 7 Arrives; Here Are The Best New Features

Being “software about nothing” isn’t easy. Max has for years been a favored choice of musicians and artists wanting to make their own tools for their work. But it’s been on a journey over more recent years to make that environment ever more accessible to a wider audience of people. The aim: for beginners and advanced users alike, work faster, producing tools that work better. Okay, those are easy goals to set – a bit like all of us declaring we’re going to “get in better shape” in a few weeks from now on New Year’s Eve. But Max 7 …

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Get Your Ableton Grids in Order, Free, with Launchsync

In live electronic music, the endless free expanse of the computer screen tends to run up against the limited ability of your brain to tell just which freakin’ track am I on, anyway? In the studio, it can be annoying. Live onstage, it can be train wreck-inducing. Ableton Live’s Session View has for years exacerbated this problem. You can limit your options to eight (or even four) tracks. But that doesn’t always work. You might need more than eight tracks for particular routings of audio or MIDI. And unless you use Device Racks and chains, you’ll also need extra tracks …

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Novation’s LaunchControl XL Has the Faders and Knobs You Need for Ableton, MIDI [Obsessive Review]

Sometimes, you just want to grab a fader. Maybe it’s not about elaborate custom parameter assignment, or clip launching, or playing an in-tune Phrygian scale on a colored, light-up grid as you solo on a bowed marimba sample. You know, you just want to fade a track. There are surprisingly few controllers out there tailored to this application. So, that makes the new LaunchControl XL from Novation a potential stand-out. It’s just faders and pots: 8 faders, with three knobs each. Each column also gets two triggers; these are switchable when used with Ableton Live to control mute, solo, and …

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meeblippush

Learn to Jam with Just One Synth Voice: MeeBlip + Ableton Push vs. Gustavo Bravetti [Video]

Ableton Live and Ableton Push afford new ways of working, allowing you to put loads of parameters beneath your fingertips. Of course, the means of doing that may not be immediately obvious, behind the dance between grid, encoders, and automation envelopes. Leave it to Montevideo-born, virtuoso dance music maestro Gustavo Bravetti to show us how it’s done. Gustavo pairs the MeeBlip SE, the enhanced “digital freak” original version of our synth, with Live and Push. To connect the hardware with automation of the external synth, he uses a Max for Live patch for the MeeBlip (which you’re free to download …

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