Novation’s Launchpad Grid, Now in Color, for Ableton or iPad

Novation’s Launchpad has seen slimmer and smaller versions. And upcoming is a Pro version with pressure/velocity and MIDI in and out. But if you just want the grid, you can now get the base model with RGB color. It’s officially called the Launchpad mk2. No availability or pricing yet (damn you, unstable Euro), but you can sign-up for notification. The update has the same basic design as the original, but updated with styling from its Pro sibling, and RGB color behind the pads for more visual feedback. Here’s the obligatory video of the new model, which gets a very cute …

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propack

Now littleBits Modules Play with MIDI, USB, CV: Videos

littleBits’ Synth Kit began as a lot of fun. Snap together small bare boards connected by custom magnets, and you can create basic synthesizers, or mix and match more exotic littleBits modules light light sensors. No soldering or cable connections are required. But while you could use various littleBits components, your options were comparatively limited as far as connecting to other gear. That changes today with the release of new modules for MIDI, USB, and analog Control Voltage (CV), ranging $35-40 each. There are three modules, each made in collaboration with KORG: You can also buy a US$139.95 “Synth Pro …

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arduivis

Add a Physical Knob to Your Max Patch with Arduino: Video Tutorials

Patching on a computer involves plugging something into something else virtually. In this video tutorial, you can extend that by adding a physical knob to control your custom creations, for Max/MSP (and Max for Live). It’s just a quick tip, but I know this gets asked a lot. (Greetings, students – happy spring semester to you!) And there’s something really fun about seeing a knob in the real world controlling something. Bonus points for using a toilet paper roll as a custom “housing.” It’s also nice seeing this accomplished in the all-new Max 7. And this is just the start, …

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oscillot_modules

How OSCiLLOT is the Smartest Way to Put a Modular in Ableton

Racks and knob-encrusted modules and wires tangling together to make sound – this is a perfectly lovely thing. But the computer sitting in front of you, the one you probably turn to when it comes time to record and produce, is also capable of vast sonic powers. Why force a choice between the two, when that machine can let you explore the frontiers of sound, too? The recent announcement of OSCiLLOT brought open-ended patching to Ableton Live users. But it’s only getting started. Today, we get to see it evolve, learn to use it to make the sounds we imagine, …

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modular

OSCiLLOT is a $99 Virtual Modular Rig for Ableton Live – No Cables Needed

The renaissance in modular synthesis has sent a strong message. Open-ended sound design, made by connecting sonic capabilities, can inspire musicians’ imagination. Now, part of the joy of racks of modular gear is the chance to feel these connections in your hand – plugging cables, turning knobs. But that doesn’t mean that the required hardware is always the most convenient or accessible way to work. Why not have the same sorts of powers in your laptop, too? And why not work in an environment that is itself already modular? And why not choose between using just software or connecting your …

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morpheme

Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo

Morpheme excerpt [Electric Indigo & Thomas Wagensommerer] from Electric Indigo on Vimeo. Journey into “Morpheme,” a half-hour audiovisual odyssey by Electric Indigo (aka Susanne Kirchmayr) and visualist Thomas Wagensommerer. An exercise in granular extremism, it begins as a delicately crackling mist of noise, as if atoms were dancing. Just about five and a half minutes into this excerpt, someone switches on a light, and it buzzes with pounding, angrily-vibrating rhythms. Electric Indigo’s music is a regular feature here because I never cease to be amazed at the breadth of her musical output, ranging from darkly-grooving club-ready material to more idiosyncratic …

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lippokkirn3

Spatial Audio, Explained: How the 4DSOUND System Could Change How You Hear [Videos]

It was inspired by Nikolas Tesla’s radical ideas about energy in air – and site-specific opera. It breaks every notion you have of how to mix, how to set volume, and what “panning” or “stereo” means. It’s, specifically, the forest of metal columns filled with omni-directional speakers we’ve come to know as 4DSOUND. And it’s all coming to Amsterdam Dance Event in October in a big way. But what’s most important about 4DSOUND isn’t just this particular, not-inexpensive and specific installation. It’s the fact that once you start imagining sound as virtually projected into three-dimensional space, you probably won’t really …

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smwtrio2

Listen to Gerhard Behles (CEO, Ableton) and Matt Black (Ninja Tune, Coldcut) on Music and Democratization

Music in the Age of Democratization: Gerhard… by SMWBerlin Music as social medium is perhaps as profound as any connection as we can have between people. And it’s a unique pleasure to get to reflect on that with someone like Gerhard Behles or Matt Black. Yesterday, we got both at the same time. I’ll even listen to this conversation again; there’s plenty of fuel for further thought. Before apps, Gerhard Behles and Robert Henke shared their Monolake Max/MSP sequencer (by Henke – still available); back when music production offered little in real-time, they had the vision to offer Ableton Live. …

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max7

Max 7 Shows Off New Interface – And Explains What It’s For, with Mushrooms

Max 7 is the newest version of Cycling ’74 visual development to… um… erm… Well, actually, it’s really hard to explain what tools like Max, Pd, Reaktor, Plogue Bidule, and the like can do. Sure, they’re nerdy environments for making stuff. But because they’re open ended – because what they do is really up to you – just calling them a “development tool” doesn’t really say a lot. So, in a cute new video, Cycling ’74 shows off Max 7. It’s really stuff you could do with previous tools, showing visual and sonic capabilities. But if you didn’t fully grasp …

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A Week of Spatial Sound on 4DSOUND at Amsterdam Dance Event; Open Hack Lab Call

As if Amsterdam Dance Event, the electronic music mecca of Europe and the world’s largest festival of its kind, weren’t packed enough already – there’s more. Tucked inside the festival we’ve got five days of programming devoted to spatial audio, on the 4DSOUND system. As part of ADE Sound Academy, itself focusing on threads between technology, practice, and music, the event at Amsterdam’s Companietheater will explore the frontiers of new settings for music and sound. From plumbing the possibilities of the 4DSOUND’s forest of speakers to opening a discussion of immersive sound and music now and in the future, a …

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