octaveone

Watch Octave One demonstrate their elaborate, hands-on live rig

We value the new and the young a lot in electronic music. But developing musicianship requires time, patience, and practice. So to see where electronic musicianship might be able to go, it helps to look to the people who have invested years. And that’s why it’s worth repeated visits to Lenny and Lawrence Burden, aka Octave One (also aka Random Noise Generation). Not only are they brothers who have grown up together, and can literally complete each other’s sentences, but they’ve been building the technique of how they play since their first 1989 release. Before we get to that live …

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skinnerbox4up

Inside Skinnerbox’s live sets, including a song they play backwards

“xobrenniks era ew olleh.” Skinnerbox, the duo of Olaf Hilgenfeld and Iftah Gabbai, are now so comfortable in their roles of playing live that they’re playing backwards to spice things up. (It seems there was some effort involved here – like, learning a song backwards in order that they had composed it the way they desired when reversed. I just find it oddly enchanting watching things defy gravity and roll across cymbals.) Playing with other people can feel like a mind meld. There’s a special discipline to working things out alone, to be sure. But it’s when you play with …

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meeblip_triode_beautyshot

The great sounds you’re making remind us why we make MeeBlip

Getting in the zone is a beautiful thing – that feeling when music seems to almost play itself, when it really feels new. Just like you do a lot of preparation and practice as a musician to get there, when you make instruments, you’re endlessly learning how to make help people find that zone. And that’s ultimately why I feel lucky to be involved in making instruments as well as making music – with CDM generally, and with our own toes in the water, MeeBlip. Now, as it happens, people are making amazing things with the MeeBlip (alongside the other …

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triode_browser

Your Web browser now makes your MeeBlip synth more powerful, free

Open a tab, design a new sound. Now you can, with a free Web editor for the MeeBlip. And it shows just how powerful the browser can be for musicians. Watch: And if you own a MeeBlip (triode or anode), give it a try yourself (just remember to plug in a MIDI interface and set up the channel and port first): https://editor.meeblip.com/ Don’t own a MeeBlip? We can fix that for you: https://meeblip.com/ Why a browser? Well, the software is available instantly, from anywhere with an Internet connection and a copy of Chrome or Opera. It’s also instantly updated, as …

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17036706_10213085478678175_2130612374_o

Modstep iPad sequencer is now packed with drum kits, MIDI templates

There are apps, and then there are apps with a studio soul. Modstep feels like it uniquely qualifies as the latter. If you’ve just got your iPad, it’s built with lots of interoperability with other apps in mind. And then combine it with hardware, and out of the box, it makes all that outboard gear more useful. What does it do, and what it’s about? I could try to explain, but really six-year-old Maja does a much better job. (That’s how she won the Modstep video production contest.) She loves her 909 and her 303 and enjoys this more than …

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maschineupdate

This video show you how Maschine maps to external MIDI gear

There are some questions about just how Maschine 2.6 works with MIDI gear after our story yesterday. Well, the fine folks at ADSR tutorials have gone and made a really clear, step-by-step walkthrough – and they even chose our very own fire engine-red MeeBlip triode to use as a demo. (That’s an easy choice, as the parameter assignments are pretty straightforward.) Have a look: Integrating MIDI brings a number of benefits: 1. Control gear right from your Maschine hardware, if you choose. 2. Easily record and playback automation and performance states. 3. Add randomization, draw in automation, and more. 4. …

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monotrondelay_big

Spaceship Delay is an insane free plug-in inspired by hardware

Spaceship Delay is a free modeling plug-in for Mac and Windows with some wild effects. And it’s made possible partly thanks to the openness of hardware from KORG (and us). The plug-in itself you shouldn’t miss, and if you’re interested in how it’s made, there’s a story there, too. First, the plug-in — it’s really cool, and really out there, not so much a tame modeling effect as a crazy bundle of extreme sonic possibilities. In fact, it’s as much a multi-effects processor as it is a delay. Here it is in action, just quickly applying some of the sounds …

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rolandmeeblip

We added MeeBlip to TB-03 and TR-09 for really too much bass

You can now really have a ridiculous amount of fun playing live without a ridiculous amount of gear. That’s certainly the sense I get with Roland’s Boutique series, among other recent entries. In just a fraction of the size of the original AIRA, you can add a synth, a bassline, or a drum machine. And it’s not just Roland. In the under-$500 category, there’s loads of desktop gear from Korg, Waldorf, MFB, Novation, and Arturia, plus even compact modular/semi-modulars like the Make Noise O-Coast and Moog Mother-32. It’s all affordable, and all really easy to port around. What I like …

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triodeblack

MeeBlip couldn’t wait for Black Friday, so it’s Red November

The MeeBlip project reaches some important milestones this year – and we get to say thanks, and celebrate with a sale. And, really, why do that for one day called “Black Friday” or “Cyber Monday” or “Arbitrary Discount Saturday Dusk Hour”? Let’s just do it for the whole rest of the month. MeeBlip quietly turned six years old this month. That’s special in that it marks a collaboration between CDM and creator James Grahame (Blipsonic). But it also means we’ve managed to build a line of end user synthesizers that are free and open source. This isn’t a kit, it …

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triode_top

MeeBlip users are posting lots of great sounds of our new triode synth

Little. Red. Different. Better. We got into the synthesizer business because we weren’t satisfied with just writing about synths. We wanted to spread a little synth love into the world, too. And wow, have our MeeBlip users responded – flooding the Internets with videos of the new synth. It’s great to see how they’re responding to the instrument – designer James Grahame and I have our own view of it, but now we get to see the user perspective. Maybe that bright red color helped. And yes, the key here is, behind this small number of knobs are a large …

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