A piano keyboard or fretboard is set up with a particular mapping of pitch in mind. But the major advantage of any undifferentiated grid is the ability to work with scales. You can have any tuning and modes you like. A new free update to Novation’s Launchpad Pro adds that functionality to their grid controller – and that transforms how you’d use it musically. Now, Novation’s grid controller is far from the first such hardware to add the ability to map the pads to scales. Native Instruments’ Maschine (4×4) and Ableton’s Push (8×8) each have scale modes for their grids. …
Roland’s Boutique Series is … dangerous, frankly. These little sound modules (based on the Jupiter-8, Juno-106, and JX-3P) really do sound terrific and are totally adorable in person. They’re one of the things you can easily dismiss when you first see them … then fall in love with in person. The 1.10 update fixes one fatal flaw: now the whole series supports MIDI Control Change send and receive.
Time to start singing about how we’re the operator with our pocket calculator again. The ZONT Synthesizer is an upcoming handheld instrument. And it’s what one designer imagines for the synths of the future. Apart from being tiny, you can change its function by snapping cartridges in and out – Game Boy style. And whereas we think of synths now as big, clunky boxes with wires coming out of them, the ZONT can either plug into a desktop dock for connectivity or connect wirelessly. We’ve had a chat with its designer to see what’s in store.
In the march to fancy dedicated controllers and standalone hardware, something was lost – what if you just want a whole bunch of faders (and maybe some encoders with them)? German boutique maker Faderfox (the clue is in the name) seems to understand our craving. And they even appreciate our fantasy to show up at a gig, superspy style, with a metal briefcase. Wish granted: the Faderfox UC44, 16 faders and eight push encoders in a box.
Reason has cooly, quietly evolved into the thing it said it wasn’t – namely, a DAW. (Okay, we won’t call it that – let’s just say it’s one tool that lets you do all your production for a wider audience.) And it’s done it in a way that retains its Reason character. And that’s given it a uniquely dedicated core audience. How dedicated? Well, dedicated enough that they shoot their own videos showing you what’s new. And actually, the best video series demonstrating what’s changed in Reason 9 didn’t come from Propellerhead at all. Instead, it comes from YouTube user …
The Zaquencer is a gift – an insanely powerful step sequencer that turns a used Behringer BCR2000 into a completely new piece of hardware. It’s a testament to the ingenuity of the underground music tech community – and a glimpse of how gear can come back to life rather than get thrown away. And now, it’s more powerful than ever.
Reason 9 is here, updating that singular virtual rack of instruments and effects combined with song recording and arrangement. And a quick look at the features will likely have some people saying “fine, sure, but my DAW can already do that.” But – exactly. And also – can it, really? Because Reason has a of doing things in a, well, Reason-y way – one that keeps its die-hard fans uniquely loyal. And it sometimes has a way of doing things best.
There are updates, and then there are updates. There are the updates that give you a bunch of new functionality – marketing tends to love these. And then there are the ones that just make a big slog through feature requests. Maschine “2.4.5” is not an exciting sounding update. But wow, does it ever add a long list of improvements users wanted.
Native Instruments keeps adding to Reaktor Blocks, the patch-and-play toolkit they’ve built atop Reaktor. And… it’s turning into kind of an awesome product in its own right. Reaktor Blocks 1.2 adds a bunch of the sort of stuff I think you or I would add to it were we in charge of the product. It’s suddenly got drums. It’s got a new sequencer that you can power with Maschine. It’s connecting via MIDI and CV to outboard gear and analog modular. In short, it’s something you actually want to play with.
In the latest chapter of “people on the Internet doing cool things for electronic music,” here’s a creation by Polarity. It lets you rapidly trigger effects parameters via MIDI. And if you’re a Bitwig Studio enthusiast, it’s available for free.