pt1

1GB Free Music Mixed by Function Will Take Your Brain to Berghain

Techno right now has a problem. It’s kind of a nice problem to have. There’s some music that’s just terrifically well-produced in the spotlight, so much so that it’s tough to say no to it. It’s a bit like having the number to a Chinese takeout place and knowing every time they deliver it’s going to be delicious. Yeah, tonight you should really cook a nice, heal– oh, come on, though, sesame chicken. What I mean is nicely summed up by the latest mix from Function. This is about as perfect a snapshot you’ll find of a particular mode in …

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noah

Sophisticated Rhythms: 2 Mixes, 2 Approaches, For Your Listening Pleasure

Mixes have become another essential reflex of this age of overabundance, a way of navigating in material form the rhythms that come our way. I turn this weekend to mixes by two close friends. Matt Earp, aka Kid Kameleon (top), has been a CDM contributor in the past; his background spans music and technology and a wide breadth and depth of knowledge in those areas. Noah Pred is simply one of the finest DJs and producers I know, the ever-tasteful mind behind the massively underrated but prescient label Thoughtless Music. Each mix is singular in purpose, full of the sort …

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brolin

Romance Again: Intimate, Personal Music for the First Warmth of Spring

Who’s ready for some springtime romance? Show of hands? Thought so. Here in northern Europe, at least, we’re at that inflection point as spring first crawls its way out of winter, tiny buds on the trees and ice/rain mixes giving way to faintly warm sunbeams. This is music that matches that mood. And it’s music that finds a voice, that can sing – not just in beautiful vocals (and the likes of Brolin certainly suffices in his latest work), but in music that is crafted from some intimate place. These are productions that are immediate and intensely personal in the …

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Nina_Kraviz

Go Record Digging with Nina Kraviz, Finding Emotion in DJing and Production

Nina Kraviz appears in a film from vinyl store The Record Loft. It’s short, but she’s strikingly economical and insightful in talking about what it means to mix records, find records, and make records. The Siberian-born PhD dental doctor-turned-DJ/producer is especially noteworthy at the beginning of 2015. Last month, she helmed edition number 50 of the legendary DJ-Kicks series – the gold standard of what a mix should be. What’s nice about the interview is how quickly Kraviz gets to the emotional essence of all the dimensions of her work. Feeling, and capturing a moment, is at the heart of …

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shapednoise

Hear this Now: Shapednoise Does a Doom Mix And People are Listening

In the overabundant parade of mixes, you might easily grow weary of the sound-alike monotony of predictably-popular hits inserted back to back in a party-friendly groove. This is not that. The latest from Shapednoise is a mix for FACT that follows in a mold only in that it’s as violently depressing as you’d expect if you’d been following this artist. You know, depressing in a … stimulating way. Shapednoise begins by dropping you out an airlock for a zero-gravity dance of archaic tribal rituals. And from there, things more or less descend into an angry, room-clearing procession of reverbs and …

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nilsstudio_Alexander Schneider_06

Hear Beautiful, Melancholy Christmas Mixes from Nils Frahm

Nils Frahm is a gem in music right now, a sensitive and reflective voice. And infused into everything he does is an unwavering sense of taste. If you’re feeling the weight of the endless rotation of overplayed saccarine-sweet Christmas tunes, Nils can cure what ails you. For the second year in a row, he’s released an achingly mellow mix of favorites he’s dusted off from his vinyl collection. Curl up under the crackling analog fuzz of those records and settle in. Each has obvious touchstones of piano inspiration; last year’s he described as “your mobile campfire.” We have this year’s …

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Life is short. We're going to die. Listen to good music. (CC-BY-SA) David Dennis.

For Allhallowtide, Here Are Hours of Brilliant Underground Music to Make You Feel Undead

Happy Hallowe’en, and the entry in the northern hemisphere into short days and long, dark nights – perfect for getting lost in music listening and music making. That means it’s time to start queueing sounds to pass the time, and as it happens the CDM inbox has a selection just arriving. These are mixes unafraid of shadows and adventurous sound, and — well, the best is to let you listen. Leave the cheesy horror Theremin to someone else, and let’s enjoy something that is truly and deliciously evil in music. Lower Order Ethics, aka Szilvia Lednitzky, can send chills up …

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OSTGUTMIX01-Panorama_Bar_06-Ryan_Elliott

Give Yourself a Night at Panorama Bar for Free, with Ryan Elliott

Mixes, like DJs, are everywhere. But the question of how to stand above the crowd has a simple answer: be better. Be consistent, be intelligent, paint a scene. Give humans a reason to listen to you; make algorithms, like unskilled DJs, weep. And, yes, have a soul. Ryan Elliott’s mix on Ostgut Ton is simply one of the best such mixes I’ve downloaded this year, and earns a place on some hard drive round here, stored permanently in all its lossless WAV glory, an hour and a half and gig and a half. Strip away the Panorama Bar label, and …

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snorklive

Techno Sounds Like It Could Kill You: Neil Landstrumm, Syntax Error Interview, Music

There is a mysterious and wonderful appeal to the dangerous power of music. Music can come from the harmonious sound of the spheres, yes. It can sound like a sunny summer picnic. Or – it can sound like it’s trying to kill you. Not every genre goes there, but speaking for Germany’s label Snork Enterprises, Neil Landstrumm and Syntax Error refer to that murderous quality of techno. Today’s words and sounds therefore come from Snork. The interview at top I felt had to be published on CDM just for this quote from Syntax Error, aka label boss Christian Schachta. But …

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rodhad

Dystopian Bearded Techno: Watch, Listen to Rødhåd Play and Talk Music [Listening]

The phenomenon of techno’s growth right now can’t even be confined to one corner of Berlin. Rødhåd and Dystopian Records demonstrate not only the uncontainable nature of their own particular brand of shadowy dance creations, but perhaps this folk quality of electronically-produced music generally. And if you happen to like that flavor, we have quite a lot of media for you to gobble up. Dubby, dark, and distant, it’s all as always perfectly constructed, reserved in its trajectory as it builds energy. I suppose it’s predictable that getting Berghain’s stamp of approval brought Rødhåd to an international audience, but it’s …

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