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The $499 Softube Console 1 now looks like a great buy for producers

Softube’s Console 1 was an intriguing offering when it came out, but I suspect some people balked at the price – and simply didn’t know what it was or what it was for. Now, at five hundred bucks, the audience should be bigger. And Softube are working on making the “what is this anyway?” story clearer. So, what is it? Let’s back up. First, imagine a big mixing desk – like a big Solid State console. Now imagine what that console would look like a computer accessory. Obviously, you’d want it to be a whole heck of a lot smaller, …

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Updates make Logic more pretty, powerful; GarageBand more like Logic

Apple continues to modernize and streamlined its flagship Logic DAW. And for anyone fearing it would turn the app into GarageBand, what you’re getting is quite the opposite – Logic features added to GarageBand, and some ongoing pro-oriented improvements to Logic itself. (Don’t worry: no EDM presets or fake drummers in this article. So read on, if you’re not into that sort of thing.) GarageBand: Alchemy, mobile recording for Logic Let’s talk GarageBand first. The big news here is baking Alchemy, the synth Apple acquired, into GarageBand on iOS. That will do little to comfort Alchemy fans who previously had …

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djay Pro on iPhone is an afterhours gem – and a serious DJ, VJ tool

Could a DJ/VJ app on your phone be a serious tool? Absolutely. Not just could be – is. Algoriddim’s djay Pro is here on the iPhone, and after playing around with it, I think it’s a must-have for DJs and VJs alike. Are you going to do a serious DJ set with this? Probably not. You’re just going to use it for everything else. It’s there if you need to play a mix while a party is warming up. It’s there when you’re at a friend’s place, or at an afterhours/afterparty in the drowsy hours of the morning. It’s there …

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In-depth: Cubase 9 adds integrated Sampler Tracks, lots more

Cubase 9 is here, and Steinberg are touting improved stability and performance, and lots of user-requested features. That includes new goodies like a built-in Sample Track for manipulating audio, plus history in the mixer. At last, all the Cubase releases are synced – Elements, Artist, and Pro all hit Cubase 9 at once. (Steinberg says it’s the first time that’s happened.) But this is also intended to be a clean break. 32-bit plug-in support is out – 64-bit only. There’s also meant to be improved compatibility as a result, and a scanner tool will hunt out plug-ins you’ve got that …

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Here are the best new features in Ableton Live 9.5 [Videos]

The new Push hardware may have been the big, new shiny from Ableton this week. But for Live users, the software changes in 9.5 may have the greatest impact on day-to-day music-making life. Live 9.5 has arrived as a free upgrade for Live 9 users. The biggest change is the new Simpler, but some other additions and changes are significant, too. Here’s a look at what’s new and how to take advantage of some of 9.5’s less-obvious capabilities.

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Eventide just unveiled an insanely massive bundle of plug-ins

Eventide’s effects over the past four decades have had an enormous reputation – the marketing folks aren’t exaggerating with words like “mainstays” and “classics.” Now, imagine getting basically everything – past, present, and some new stuff – in a bundle of 17 plug-ins for an intro price of US$699. (That price drops to as little as $399 or $199 if you own some Eventide software.) Eventide have done just that with today’s Anthology X. It’s just huge, it covers a lot, and just a fraction of it could make it worth the cost of admission.

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A powerful version of the Studio One DAW is now free

The very fact that a tool is called a “digital audio workstation” rather than “music making software” tells you something. Historically, these have been tools that do a lot of things in a fairly complex interface. And so a lot of DAWs seem to be counting how many windows and views and tools they can provide. PreSonus’ Studio One is among a handful of tools that has bucked the trend, putting everything in a streamlined single window view. The notion is to provide the multitude of features producers demand, but keeping everything close at hand and operating quickly. And now, …

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UAD’s EMT Plate is Basically Magic; Watch Videos Explain

Say what you want about what’s real or what’s authentic. The beauty of digital sometimes is that it lets us do things that would otherwise be impossible – or at least far out of our reach. I don’t know about you, but I certainly can’t my hands on an EMT 140 plate reverb. Practical, though, it ain’t: sure, you can covet “analog” gear, but this thing is a physical plate reverberation that’s the size of a car. You know “room” reverbs? This is a reverb that’s the size of a room. It weight 600 pounds. (Not figuratively. I mean it …

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Back to Back Mixing on Traktor S8 is a Pleasure; Also, Techno!

This is, first and foremost, a plea for the pleasures of back-to-back DJing and mixing (for podcasts and the like) the same way. The controller, being the S8 but also any related hardware, plays a supporting role, not the other way round. But like so much else in the world of electronic music technology, solo too often trumps ensemble. So let’s talk about gear – and why I was surprised to like something as huge as the S8 more than I thought I would. I finally convinced my techno-making musical partner Nerk to lug the S8 out of the offices …

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Here’s How RX4 Can Save Your Bacon By Fixing Sound – Even on Hit TV

It’s sometimes tough to write about audio tools precisely because they tend to bundle together a lot of features. So let’s step back and consider why they tend to do all of those things. With audio repair, it’s a pretty easy explanation. From your perspective, your sound is $#*$#ed up. You want to get it un-$#*(&ed up. Of course, in reality, there are tons of variables. The context can change: You might be repairing sound from a recording of instruments. You might be fixing dialog. You might know what you’re doing – even on big-budget TV and film, recordings can …

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