Dueling Grids: A Duet for monome and MPC [Live Set of the Day]

Ocelot – Beyonica (Live) from Tim Shaw on Vimeo. Let’s again step back from the world of the industry to the realm of individual musicians and how they make tools make sounds. Tim Shaw’s music is a beautiful illustration of the ways in which brain and musical imagination can be connected to fingers and sound. In his new project Ocelot, Tim pairs with Jeramy Bradfield and makes a sweet, square-based duet. Tim’s grid of squares comes from the monome and Ableton Live; Jeramy turns to the Akai MPC and effects pedals. (I assume the guitar we see gets used elsewhere …


Grids, Chips, and Blips: Handmade Music NYC, Saturday 2/5 Lab + Party, Video Samples + Listening

Galapagoose plays a Brooklyn rooftop at the monome community tour in the fall. Now he’s back to celebrate the release of new software, and meets up with artists from across the digital music-making spectrum. Handmade Music is back on the Lower East Side of Manhattan with an epic lineup spanning digital synths to monomes to interactive installations to chip music. It’s a bit like stepping into the music tech world described on the Web. (For the vast majority of you outside NYC, hoping to have good documentation of recent events edited and available shortly.) We’re moving to Saturday night and …


Hypersampling, Whatever Your Grid: Free mlrv2 Instrument, to monome and Beyond

Owing to a tradition that goes back to the first samplers and hip-hop pioneers, sampling and digital performance have become a kind of instrumental technique. You might play well, you might play poorly, but even working with samples, you can actually play. You can look at the simple design of the monome as the hardware embodiment of digital, a reflection of an array of pixels. You can see it as an extension of Roger Linn’s MPC and other drum machine concepts. It’s probably both those things. But since the monome itself makes no sound, it’s been software that has made …


monome Meets Max for Live Control, New Album

A close view of the monome 128, (CC-BY) bm.iphone monome user Myr (aka James Waterworth | site | soundcloud) has worked on a set of tools that helps make working with Max for Live in Ableton Live easier, more capable, and friendlier with the monome and other gear. It includes a variety of tools and a way of centralizing control of all your creations. It’s a must-have for Ableton and Max for Live users, of course. But it also suggests some ideas about how to combine tools and control in other environments. The M4L control collection includes a Control Hub …