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Now you can put a Buchla-style modular inside Reaktor, free

There’s nothing quite like a Buchla. The “West Coast” modular that inspired the likes of Morton Subotnick and Suzanne Ciani has an approach to signal and expression that is both uniquely experimental and uniquely musical. It’s its own animal. So it’s about time we see that philosophy applied to the open patching of Reaktor. The Cloudlab 200t isn’t a Buchla clone – its creators are quick to issue a disclaimer there, and say this is all just for fun. But fun it is, with a lovely approach to patch design. Trevor Gavilan produced the design, with contributions and components from …

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These circuit-bent instruments and sounds are simply gorgeous

Mention “circuit bending” and you may think of someone making unlistenable noise on a Speak & Spell they … broke. But in the grand tradition of Reed Ghazala, circuit bending can mean instruments that have exquisitely mutated from vintage devices, resplendent in new paint and making bizarre but wonderful new sounds. I guess you can think of it as the difference between a conservatory-trained woodwind quintet and … the sound of your first-grade music class playing those plastic recorders. Ivo Ivanov is squarely in the master builder category. We can drool over his visually beautiful creations, in this gallery here. …

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Behringer to make an analog Minimoog clone for around $400

Since the classic synth has made a resurgence, the entry of low-cost remakes was pretty much a given. And no brand is perhaps more associated with cut-rate gear than Behringer. So, while the 12-voice Behringer DeepMind 12 has only just arrived on the market, the company is already teasing some kind of sub-$100 synth line a well as the $400-ish (proposed) BEHRINGER D. It’s a clone of the original 1970 Minimoog Model D, in a desktop case (no keyboard). And, well, it’s … as advertised, at least as far as what they’ve shared. And it puts an analog remake in …

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Komplete Kontrol adds scales and modes, cooler chords, Reaktor Blocks

If you just want a nice MIDI keyboard, frankly, you’ve got loads of options. So Native Instruments’ Komplete Kontrol S-series of keyboards has got to do more. The 1.8 release that came out yesterday takes a step in the right direction, with enhanced scale and mode support and enhanced integration with both Reaktor Blocks and Maschine. And Reaktor Blocks might be the winner here. Reaktor Blocks. This is almost an afterthought in this release, but to me, it’s the nicest feature so … the heck with it, I’m going to talk about it first. You can now control the clock …

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Now you can sync up live visuals with Ableton Link

Ableton Link has already proven itself as a way of syncing up Ableton Live, mobile apps (iOS), and various desktop apps (Reason, Traktor, Maschine, and more), in various combinations. Now, we’re seeing support for live visuals and VJing, too. Three major Mac apps have added native Ableton Link support for jamming in the last couple of weeks: CoGe, VDMX, and a new app called Mixvibes. Each of those is somewhat modular in fashion, too. Oh, and since the whole point of Ableton Link is adding synchronization over wireless networks or wired networking connections with any number of people jamming, you …

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This nearly 12 hour modular synth marathon is actually entertaining

You might think that rigging a giant rack of modular synths and burying them in a tangle of synth cords and then live streaming a performance jam on them for nearly twelve hours straight is self-indulgent and overkill. And you’d be right. But if you also thought it would be no fun to watch, that it’d be joyless and involve lots of noodling, you’d be very wrong. Very wrong. Like – maybe you should get about twelve hours free. That’s because the guy behind this insanity is talented synthesist Colin Benders. And not only is he an amazing musical performance, …

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System 80 is a control-for-control 808 clone in Eurorack

Wait… I don’t think I’ve ever basically said everything I needed to say in a story right in the headline before, but… yeah. This is a control-for-control 808 clone in Eurorack. And for anyone disappointed that Roland didn’t do a TR-08 Boutique Series at NAMM, here’s one that is probably exactly as analog fans would want it. You get the layout of the original 808, if a bit miniaturized and squashed, but control-for-control an image of the original. You get independent outs for each part. You get CV I/O for connecting to other modules. It’s Eurorack. It’s 60HP. It looks …

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Bitwig Studio 2 lets you modulate and control like a bandit

Bitwig gets its first blockbuster upgrade since launch, in beta now. And the first look at this software suggests it’s continuing to deliver what an enthusiast audience wants – even if some of the revolutionary promise of the tool remains over the horizon. So, first, what it isn’t: it isn’t a complete modular environment. Underneath all the goodies Bitwig offers is a set of modules that provide its functionality. Bitwig’s developers have said eventually they’ll open that up to users, not just for their own development. And that’s be exciting indeed. But forget about big ambitions for a moment. The …

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What to expect from 2017’s first wave of new music gear

Happy New Year? Not yet. In the universe of music gear, the NAMM show in California is a sort of unspoken new year’s holiday – home to the biggest wave of music tech announcements of the year. It doesn’t cover everything, as many music producer-specific makers have fled the pricey trade show booths for more focused events. But there’s still rather a lot. Here’s a look at what to expect. Year of the drum machine The monosynth has made its comeback; now it might be the drum machine’s turn. Behringer and Akai are likely to join recent product launches from …

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Forte festival - Portugal, 2016. Photo by Dina Brudi-Pascal.

Inside Orphx’s terrific live technique, mixing modular and computer

Orphx are simply enchanting – doubly so live. Veteran experimentalists and master virtuosos of live performance, their music is heavy and industrial, but endlessly imaginative and groovy. Onstage, they genuinely improvise – there’s spontaneity and interplay. And that creative energy plays out both in their imposing live schedule and in their prolific studio output. The duo, consisting of a clever matching of skills of Canada’s Rich Oddie and Christina Sealey, had a devastatingly good year in 2016. There was the masterful full-length Pitch Black Mirror. There were remixes and collaborations (like Eschaton, with Ancient Methods). And there were those face-melting …

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