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Reaktor adds Ableton Link, for software patches or hardware modular

Native Instruments’ Reaktor is the latest tool to add Ableton Link support – and as before, each time you add a new tool, Link gets way more useful. Ableton Link is already opening up jams in DIY software, including Max/MSP, Max for Live, and Pure Data. Reaktor joining the party means not only will DIY patchers reap the benefits, but anyone exploring Reaktor Blocks or fun toys they downloaded from the User Library or anything else can have fun, too. And this essentially brings Link into the virtual modular world. Reaktor Blocks is fun to use for just about anyone, …

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Eowave made a complete synth voice for Eurorack module

The brief: take up a nice little slot in Eurorack, pack a whole synth voice, but still provide enough patching to stay interesting. That’s the new Domino Eurorack module from the folks at Eowave. So, you get a saw/square oscillator, ladder-style filter, decay envelope, and VCA. It’s vanilla stuff, but well executed. And most importantly, they’ve nicely balanced the controls and patch points, so you have something that’s accessible and versatile. Frankly, I think it solves a lot of problems for people. Rather than piece together everything you need one module at a time, this gives you the sorts of …

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Kastle is a 65€ micro modular that’s the size of three AA batteries

It runs on three AA batteries. It’s not really much bigger than those three AA batteries. And yet somehow, it’s a modular. You can use it like a synth, or even plug it into other gear. It’s the Kastle, from Bastl Instruments, those wizards from Brno, Czech. And at 65€ (79€ fully assembled), it’s going to sell like hotcakes. (Makes me hungry for hotcakes, even.)

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Electronic music pioneer Don Buchla has died

We all have a short time on this planet, and some of us are lucky enough to get to work on tools that people use to make music. You can count on your fingers the number of people who had the kind of influence that Don Buchla had on electronic music in the last century. And this week, at age 79, he’s left us.

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Percussa want you to make modular music with cubes, blank knobs

Modular synthesis is everywhere – but there aren’t a lot of new ideas apart from using patch cables to connect them, a concept that dates from the early 1960s and telephone switchboards. Percussa are an outlier – an odd one, to be sure. Their blank, RGB light-up cubes (“AudioCubes”) connect wirelessly, and control associated software. To their credit, while plenty of “tangible” interfaces made the rounds as experiments and research projects, they went as far as commercializing the product. And that’s no mean feat. Anyone with some basic engineering knowledge can snap something into a Eurorack case and be part …

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BlokDust is an amazing graphical sound tool in your browser

Just when you think you’ve tired of browser toys, of novel graphical modular sound thing-a-ma-jigs, then — this comes along. It’s called Blokdust. It’s beautiful. And … it’s surprisingly deep. Not only might you get sucked into playing with it, but thanks to some simply but powerful blocks and custom sample loading, you might even make a track with it. And for nerds, this is all fully free and open source and hipster-JavaScript-coder compliant if you want to toy with the stuff under the hood.

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Watch a perfect explanation of modular physical modeling

Eventually, even the most impassioned synth lover gets bored of mixing oscillators together. You need a little spice in your sound life. You need Karplus-Strong synthesis. Commonly associated with physical modeling strings, Karplus-Strong can also be thought of as a flexible feedback system of delayed, filtered noise. Okay, that’s a lot more abstract than imagining fake strings, but I say that for a reason – because it’s a system with lots of component parts, you can use it to create a wide palette of sounds. Some might sound like strings. Some might sound more artificial. Some might sound like percussion. …

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This Eurorack module was coded wrong – and you’ll like it

It’s called the Circuit-Bent Digital Waveguide™ 扰动数字波导. Or the DU™ DU-KRPLS. And straight out of the “that’s not a bug, it’s a feature” files, it’s got intentionally wrong code in it. But that’s a good thing.

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A Richard Devine soundscape from a crazy modular nest

Richard Devine’s Vimeo account is something special. It’s certainly partly theater – there’s something entirely alien about seeing a nest of gear, tangled in cables and blinking, as if modules have achieved sentience and starting interconnecting themselves. But behind that facade of nerdy chaos is some real thought about how to make sounds by creating unexpected combinations of signal processors. It’s something I’ve been discussing with a lot of people lately – this interplay between stability and instability, automaton and entropy.

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This amp and FX pack shows what you can do with Reason

In music software, you have things that are modular, and things that aren’t. Modular environments like Reaktor and Max/MSP let you build things from scratch with essentially unlimited flexibility. DAWs tend to lock you into fairly rigid options for how you combine different instruments, effects, and other tools. Well, Reason sits somewhere in between. Every virtual synth, effect, and signal tool can be patched into another in a single, integrated environment – even as it still remains a production tool with a timeline and mixer (or mixers). In a great example of why that’s cool, hard-core Reason expert Marco Raaphorst …

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