Mad Zach Has Tips on Finger Drumming, Production, and His Free Live Pack

All those pads – it took virtuoso finger drummer Mad Zach to take advantage of them. Mad Zach’s five free Drum Racks accompany today’s release of Ableton Live 9.2. Since he, frankly, makes most of us look bad with his agile use of the Push hardware, I wanted CDM to talk to him more about what he’s doing. He joins us to share some tips for live performance, production, DJing, and more. 64 Pad Lab by Mad Zach


As Two Moogerfoogers Are Discontinued, A Musical Ode

Two terrific Moogerfoogers have reached the end of their run. But that’s an excuse for more music, which sounds good to me. 2007’s FreqBox takes input signals and modulates an internal oscillator; the 2009 MIDI Murf is an animated filter sequencer. They’re both pretty great boxes, though now even before delving into modular, there are a lot more choices now than perhaps just those few short years ago. Koma Elektronik’s FT-201 runs further with the idea of sequencer-plus-filter. I can’t think of anything quite like the FreqBox, actually – I’d love to see Moog find a way to make a …


Production, Beyond the Track: Mad Zach on Collaboration, Combining Tech and Technique [Interview]

“Producer”: in electronic music, this used to mean some person who makes tracks. Today, some special electronic musicians go way beyond that role. They’re combining skills partly because it means diversifying income, but also out of a real love for doing a variety of stuff. They’re holed up in the studio making music, sure – but they’re also finding collaborative ways of doing that, often online, and sharing skills and sounds as they develop them. It’s a more open, connected approach to electronic musical practice. And Mad Zach is a great example. He’s a producer and DJ, but he’s also …


Watch A Charming Video with Hands On Gear, From France’s 20syl, And More

20syl – Kodama (official music video) from 20syl on Vimeo. In a love affair with musical instruments, French producer 20syl teams up with director Mathieu le Dude for a gorgeous music video. As the bass-heavy track shuffles along amiably, hands on musical instruments and other objects reveal the instrumentation – a young hipster’s guide to the electronic orchestra, if you will. 20syl is the producer name of turnablist and sometimes-rapper and graphic artist and music maker Sylvain Richard of Nantes, well-known in his France but getting greater international exposure with this video. He co-directs the film here, applying his graphical …


Learn How Pantha Du Prince Combines Acoustic Instruments with Ableton Live, In C

Before triggering clips and samples on the computer, Pantha du Prince and The Bell Laboratory “trigger” the musicians. Yes, before there were machine clips, there were human patterns, and in performing Terry Riley’s legendary classical new music composition “In C,” the ensemble has to do just that. In a beautiful chorus of chiming tones, that orchestra is augmented with digital embellishment. The result makes for a live performance that expands the role of the computer into a large-scale instrumental ensemble, venturing into territory perhaps not as often associated with Ableton Live as genres like dance music are. But Ableton has …


Pushing the Guitar, Sound Further, with Moog Minifooger, Eventide H9 Stompboxes [Videos]

Yes, it’s a good time to be in love with synths and drum machines. But for all the hype around those instruments lately, adventurous guitar effects are also seeing a new renaissance. While guitarists have always had a lovely palette of oddball stompboxes and grungy distortion and effects, they’ve lately been seeing more affordable, more accessible tools for sound design that had been more associated with synths. And, of course, wherever you see the word “guitarists,” any instrumentalists who need stomp form factor will also benefit – bass guitar, electric violin, experimental accordion, whatever. Say the name “Moog,” and most …


Minifooger, Affordable Analog For Your Feet: Details, Photos, Video

I don’t know about you, but I’ve never witnessed a hotcake sale. I can’t say how “selling like hotcakes” goes down. Now we’re seeing more details of the affordable analog stompboxes from Moog. Looking like the ideal stomp effects for both musicians on a budget and the guitarist/bass player, these Minifoogers should sell as fast as hotc– well, as Minifoogers. What they have in common: Analog signal path, with “true bypass” (so when they’re off, they’re off) Aluminum enclosures Optional battery power Single expression pedal input for hands-free control (badly missing on many other nice analog effects) Control voltage input, …


Leaked: Moog Minifooger Stompboxes, $139-199 [Uninformed Analysis]

American retailer Sweetwater leaked news of Maschine Studio yesterday; today, it’s pocket-sized, affordable versions of Moog effects that seems to be out of the bag. Yes, it’s a rumor, non-official, unconfirmed, yadda yadda – but this one’s hard not to believe at face value, it makes so much sense. The units, many of which appear to be intended for combination with an expression pedal: Delay, US$199: bucket-brigade analog delay. Tremolo, $179: Tremolo pedal with sub. Boost, $139: Both volume pedal and “boost” functions, each with either a more Moog-like voltage-coltrolled amplifier or a classic-sounding operational transconductance amplifier for overdrive. Drive, …


New Instruments with Electricity: Kalimba + Ring Mod, Continuum + Kyma [Videos]

Combining even a couple of pieces of equipment can yield a kind of new, hybrid instrument. Our friend Chris Stack shares the latest in his fantastic series, that haven for exploring strange, new sounds, seeking out new life and new electronic civilizations. Above: “Kevin Spears explores new soundscapes playing his kalimba through a Moog MF-102 Ring Modulator.” Below, featuring Sally Sparks: “A quick look at the Haken Continuum and Kyma sound engine.” Enjoy, and have a great weekend, y’all.


The Future’s Sonic History, And 14-Year-Old Dreams: In The Studio with Matthew Dear [Video]

A Studio Visit with Matthew Dear presented by AIAIAI and Ghostly International from Ghostly International on Vimeo. What does the future sound like? For musicians using technology, that question can resonate on two levels. It can be an attraction to imagined futuristic worlds, and the connection of synths and gadgets to that world. And, even each time we sit down to make music, it can be a dream of our own future self – if not the rockstar, that future self who has finished this track that right now is just an idea or a feeling. In a film that’s …