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Your unconscious meat body plays this online drum machine

I am a damp rag of exposed flesh, my limbs ill-defined blobs drifting in some undetermined direction as I float through space – wet steak in a wormhole. But then there’s a parade of translucent boxes against this surrealist-nightmare distorted planet, and a triumphant series of chime rings out. A clear pattern is articulated from the murk, a rhythm emerging from the disarray. No, no – hold on, don’t stop reading, I’m fine. I am actually describing to the best of my ability the experience of using one #$(&*ing insane browser music toy created by our friend Sam Rolfes. It’s …

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silhouettes

Dreamy music videos take you under the sea, light painting in air

Floating Points – Silhouettes (official video) from floating points on Vimeo. Two videos for us today transport us to other imagined worlds. ‘Silhouettes’ from Floating Points is already lush and fantastic, synths crooning atop buttery strings and vocals, cinematic extravagance for a new generation. It’s sexy stuff. And for the video, Barcelona-based experimental filmmakers Pablo Barquín, Junior Martínez, Nathan Grimes, and Anna Diaz Ortuño make some optical fireworks in the form of some seriously sophisticated light painting. At one point in the video the camera pulls back on the rig, and you see that, while the process goes digital, it …

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dreams

Watch a Dreamy, Groovy Reverie Played Live on Desktop Synths

Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making imaginative and dazzling visuals. Let’s instead just wander into his studio, virtually speaking, and let him play for us on a nice, assembled gathering of custom hardware. And drifting off on this chillout groove is a nice way to take a pause in your day…

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New Phon.o Music Video Makes Tripping Out to Cats Cool All Over Again

This shouldn’t work. A video full of lasers, mountain ranges inexplicably floating through space, and endless shots of cats should seem a cloying, annoying play for eyeballs. And yet … Can’t … take my eyes … away … somehow. (And I’m a dog person, darnit.) Thank Immo König. The solo director / motion graphics house did the visual production to the hypnotically-chilled rhythms of Phon.o in a matchup for the label 50 Weapons. König’s one-man band approach shows in a creation that’s inventive, but also tightly directed and paced. And he’s been doing this a while, in case you hadn’t …

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Wander a Garden of Light, Shape, and Sound, with ANTIVJ's THE ARK

We see audiovisuals routinely in darkened, air-conditioned room. The Ark invites viewers to wander a botanical setting, plant life bathed in hard-contrast light and shadowjo, architectural forms animated through the vegetation. Set in Mexico’s Ethnobotanical Garden of Oaxaca, multiple works from visual label ANTIVJ create an open-ended environment of image and sound. Concept & Visual design by Romain Tardy Music composed by Squeaky Lobster (we’ve heard his fine music before in Mapping Festival trailers, among other places) Project Management by Nicolas Boritch THE ARK from ANTIVJ is a visual label on Vimeo. Presented in April, ANTIVJ has just released their …

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Wander a Garden of Light, Shape, and Sound, with ANTIVJ’s THE ARK

We see audiovisuals routinely in darkened, air-conditioned room. The Ark invites viewers to wander a botanical setting, plant life bathed in hard-contrast light and shadowjo, architectural forms animated through the vegetation. Set in Mexico’s Ethnobotanical Garden of Oaxaca, multiple works from visual label ANTIVJ create an open-ended environment of image and sound. Concept & Visual design by Romain Tardy Music composed by Squeaky Lobster (we’ve heard his fine music before in Mapping Festival trailers, among other places) Project Management by Nicolas Boritch THE ARK from ANTIVJ is a visual label on Vimeo. Presented in April, ANTIVJ has just released their …

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Architectural Drum Machine: Beatcam Makes Rhythm in Space, Sight

hre We are making the first tiptoe-steps from the world of the last centuries – proscenium theater, rectangular cinema, fixed perspective – into one that’s fluid in the way digital technology can be. The techniques are simple, but you can see how our vision can be transformed in the latest work by talented West London-based visualist and effect designer Oscar González Diez. “Beatcam” fuses the camera’s point of view with the musical rhythms it accompanies, punctuating each bar with shifts in environment and architecture. Those architectural volumes, too, are transformed by layers of projection mapping, making impossible spaces. Diez supplies …

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Watch The Retro-Fabulous, Colorful Real-time Freakouts of Robotkid

Robotkid, aka Josh Randall, is the veteran former Creative Director at Harmonix who regularly infused VJ and real-time visual aesthetics into the company’s games (Beatles Rock Band, VibRibbon, etc.). Now, he’s gone to LA, where his passion for the most fantastically colorful trips of the past is feeding new visual fancies. And they’re too good not to share. Where better to start than with a full-on freak-out on Disneyland’s Space Mountain, here seeming more futuristic than ever:

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In a Holiday Greeting, Digital Animators Turn Back to Folding Paper – and Vintage HBO

Holiday Card from Shilo on Vimeo. If hearing the tune from the vintage HBO intro/bump doesn’t send a little nostalgic chill down your spine, you probably didn’t grow up in the US in the 1980s. Looking back at this old animation earlier this year, I was struck by the old way of making motion graphics. As dramatic music swells in the background, the camera pulls back, sweeping theatrically over an intricate set of the American landscape as the sun casts its final light. It’s all shot real-for-real, real models, real, physical details, all with the kind of physicality that digital …

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Motion Improv: How Visuals for Audego Album Were Made with Quartz Composer

Audego Motion Graphics Medley from jeanpoole on Vimeo. Arrange, arrange … render. Wait. Wait. Given that you can jam along with music live, why not do the same with visuals? Quartz Composer’s real-time workflows still appeal for that reason. Australia’s Sean Healy, aka Jean Poole, writes to share how he worked with QC and a variety of other tools to make the process of adding visual accompaniment to music faster and more intuitive. “It’s great for prototyping ideas and developing them quickly,” he says of Quartz Composer, “and these can be recorded in realtime too (with Syphon Recorder).” Yes, that …

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