A Dreamy Video, Remix with Loscil, and Other Christina Vantzou Gems

You know that feeling, on a hot day, of someone running an ice cube down the back of your neck? Or perhaps, going deeper, the dream of plunging into a frozen lake? That visceral, primeval emotion, that chill that prickles the hairs on your head – that might start to describe the eerily-lovely wonderlands of Christina Vantzou. Brussels-base artist Vantzou was the visual imagination behind The Dead Texan (with Stars of the Lid’s Adam Wiltzie), releasing an epic audiovisual masterpiece that paired cinematic ambience with video realizations. Vantzou has continued as a composer, with two records on Kranky Records (easy …

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Blood and Electronics: Don’t Miss the Stunning New Lusine Arterial Video

The new music video for Lusine, like the track itself, is almost sickeningly stomach-turning, it’s so beautiful. Director Christophe Thockler has made an epic opus. The last time we caught up with Thockler, he had set 36,000 photos of melting ice to the chilling music of Ben Neill and Mimi Goese. This time around, we’ve gone from ice to the titular blood. And that’s lots of blood – enough to attract vampires from a couple of cities away. 5 litters of blood rush through some 15 kg of components salvaged from TVs, phones, and computers, waste turned into what the …

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Dancer to Score to Animation: Coding, Decoding, and Recoding in a Choreography Lab

When it comes to dance technology, it isn’t enough to team dazzling engineers with dancers. Making digital technology meaningful to those steeped in the craft of dance means artists getting their hands dirty. Dance has a history in experimental exploration, from Merce Cunningham’s pioneering work with the LifeForms software (directly in his choreography) to digital dance hybrids created by the likes of Troika Ranch (Dawn Stoppiello/Mark Coniglio). The Motion Bank and Frankfurt, Germany could be the scene for dance tech’s next act. Choreographer William Forsythe launched a four-year project in Frankfurt am Main to collect data using Microsoft’s Kinect. The …

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Mood Ring: Put on an iRing, Wave Your Hands in front of iPhone, iPad for 3D Control [$25]

Talk to the hand, iPhone. Wave-your-hands 3D motion has seen various dedicated accessories – most recently, in the Hot Hand USB wireless and Leap Motion. Even Steinberg are in on the act. But this is definitely a new take. IK Multimedia have a plastic “iRing” you wear on your finger that gives you control of your iPhone, iPad, or iPod touch. The system uses the internal, front-facing camera on your iOS device to track the position of your hand. The dots on the rings are a marker that the camera follows through space. There are actually markers on both sides, …

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Not Just Mapping, Reshaping: VVOX on Projection for Personalizing Architecture, Space

dd:OUTPOST _ Personalized Environment from volvoxlabs on Vimeo. Light on its own can be a powerful medium for transforming a space. When that light is formed into an image, the customization is as fluid as pixels on a display. So, there’s a reason we hear terms like “responsive architecture” or even “interactive architecture.” We may see environments become as changing as the computer before our eyes. The question is, how, exactly? VolvoxLabs, a Brooklyn-based design house specializing in visual effects and projection design, showed one vision of how this might work, for Digital Dumbo (in partnership with Bing). The ingredients, …

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Responsive Kinect Dancing Goes Hip-Hop [Video, Tips]

Body mapping and dance/visual fusions are still explored only in fits and starts, compared to the extent of live music and visual performance in other media. So, it’s encouraging to see this latest experiment from dancer Christian Mio Loclair. Working with Microsoft’s Kinect, the slowly-undulating tendrils of visuals behind him create visual counterpoint for headstands and hip-hop dance techniques. Far from running up against latency, here there’s a sense of visuals that answer the moves with a slow sigh, creating a kind of living architectural space behind him. The tools: ofxOpenNI and ofxCV work with OpenFrameworks to analyze imagery from …

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Beeple Beauties: New Free Video Clip Pack is Here, Creative Commons with Project Files

resolume pack one. from beeple on Vimeo. Beeple is one of the stars of visualist culture, and his packs of motion graphics represent best of the breed. So, download these. Get inspired by them. And by all means, if you use them, use that Creative Commons license to share some of your own original content to give back and to modify/remix these into something new, if you can! (Alternatively, watch and memorize these so you’ll spot them when they make appearances in live sets.) Thanks to Mike Winkelmann for sharing his latest. And as always, he not only puts these …

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leap

Move Over, Kinect: Early Gestural Musical Demos for Leap Motion Look Terrific

Microsoft’s Kinect has proven a compelling proof of concept for gestural control of music. But it could be just the beginning of mass-market gestural sensing technologies. The Leap Motion, like Kinect, promises to be affordable gear. Unlike the Kinect, the hardware is even more unobtrusive, and gestural control is more precise and responsive. Given the latency limitations of Kinect, that’s a huge deal for music. And better expression could inspire new musical ideas. We’ve spoken many times before about the limitations of touchless control – Theremins are spectacular but not the easiest instruments to play, and waving your hands in …

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Futuristic Lava Lamp: Projection Ripples and Oozes via Industrial Aluminum, Balls and Bubbles

The lava lamp has entered a whole new age, courtesy multiple projection processes, and a special kind of industrial aluminum with the fanciful name “bubblesheet.” New work by Austrian-born, London-based Roland Lindner and Diane Karner aka decollage.tv ripples and oozes, transporting us to a world from some psychedelic, molten-plasma corner of the galaxy. Set to upcoming Dominik Eulberg music, it’s viscous goo from another dimension. Roland describes the work to CDM: It’s a projection inception. Visuals projected onto a wavy sheet of industrial Aluminium (“Bubblesheets”), filmed and then again (digitally) projected onto 3D metaballs and bubbles. The final textures are …

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PONK: Touchless Air Hockey, with Kinect + Flash, Groovy '80s Neon Graphics

Enough gimmick. Let’s get down to serious business, the stuff that illuminates our life and gives us a deeper sense of humanity. Yes, I mean air hockey. Yes, I’m dead serious. (Hey, I’m a fan.) In a brilliant – and brilliantly-colored – new project, the power of computer vision reinvents a familiar tabletop game. Live-animated elements and gameplay that connects with just about everybody are a recipe for something really successful. French co-creator Jonathan Da Costa explains:

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