spaceinvaders

This Hack Could Make Maschine Stand Alone; Here’s How It’s Going

shaduzLabs – maschinIO from Mickael Le Goff on Vimeo. Ever thought you’d play Space Invaders on your Maschine? You might. It’s rough days for people who like standalone drum machine gear. Native Instruments’ Maschine is great in combination with software, but it turns into a brick when disconnected from a computer. The mighty Akai has followed suit, replacing their vaunted MPC with more accessories for your computer or iPad. This stuff is the dream of marketers: you get all-in-one hardware/software solutions. But when you want to cut the cord from your computer or go beyond the stock functionality, it’s another …

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LK Gives Your iPad or Android Tablet Easy Control of Ableton Live [Gallery, Hands on]

Ableton Live is happily running on your laptop. It’s not yet running on your iPad or tablet, or optimized in any way for touch. And that’s left a window wide open for touch controllers. Now, the question is, is there room for yet another control app? touchAble retains the crown for all-around control of Ableton Live; there’s very little this app doesn’t do, from replicating Live devices to MIDI editing to custom templates. But the relaunched LK, released today, has a few reasons for consideration, as an alternative or complement to other solutions. First, if you’re an Android user, LK’s …

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Akai artist Needlz set up this MPC+computer rig with Renaissance ... in a hotel room (to get out of the house). No, no standalone MPC hardware at the moment, but 1.8's software features might help you forget that.

MPC 1.8 Update Expands How You Play; Inside Look with the Developers

“MPC” these days is a name on a lot of Akai stuff, down to even various MIDI controllers that happen to have pads. But to die-hard MPC users, “MPC” means a way of working. So, workflow is vitally important. And MPC users who cut their teeth on Akai’s dedicated hardware have been waiting to see the software/controller combination really come into its own. Native Instruments’ rival Maschine got to the software game first, but now it’s a question of how the MPC can again set itself apart. That makes any software updates a big deal. You’d be forgiven for assuming …

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tomcat

Akai Analog Drum Machine, Revision 2 – And a Four-Voice Wolf Synth?

It seems Akai is staying in the analog synth business. Following the Rhythm Wolf – introduced quietly at Messe (literally, it couldn’t make sound), and then getting a mixed review here on CDM – they have both a second drum machine and a four-voice synth. Availability has leaked as July – which means again, we may not know how these actually sound until they ship. Let’s look at what we know. (Bookmark this page, as I will simply update information here as it comes in.) First up, the Tom Cat. It’s definitely a second take on the Rhythm Wolf – …

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microdrum

Robert Henke’s Free MicroDrum Will Take You Back to the 80s

Cue Huey Lewis and the News singing “Back in Time,” because we’re going back to the 80s. And where we’re going, we don’t need … stereo. Robert Henke (who has of late mostly shed the Monolake moniker) has a brilliant new Max for Live drum machine that borrows some of the limitations of vintage 80s drum machines. There’s a particular nod to drum machine pioneer Roger Linn (credited as such). But this isn’t just 80s nostalgia. MicroDrum’s restrictions, sound, and use of ideas from that hardware can bring new creative possibilities. Features: Zoom in on samples to 10 ms and …

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Groovy, Moody Songs, Flea Market Sound Design Finds: Meet Sofia Kourtesis

Half Greek, half Peruvian, born in Lima but raised between Germany and New York, Sofia Kourtesis is a fresh, emerging voice. Her music interweaves shadows and introspection with smart grooves – seductive melancholy. Her mixes, too, cross similar territory, aided by her broad knowledge of music as a globe-trotting DJ and booker. So, it’s a perfect start to our week this week, with some listening and a peek inside a studio. This is what’s so exciting about being in music now: we get to hear those new artists find original paths. Apart from being a sci-fi movie addict and teenage …

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MPCRenaissance_angle2_1200x750

MPC Software 1.7: Direct Looping, Better Mixer, Track Automation, Proper Export, and Hybrid Synth

Let’s get one thing straight: now that Akai has made the jump from hardware to hybrid hardware/software, the hardware they make is very, very good. The MPC Studio is slim and messenger bag-friendly, when Native Instruments’ Maschine is big and luggable. The MPC Renaissance is more of a “throw it in your station wagon” affair, but it feels fantastic – the pads are brilliant. The downside has been software. But Akai is making headway there. I’m not convinced the changes are going to make anyone switch, but I can imagine what Akai is delivering here should make existing users very …

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It's an MPC you can take with you to the laundromat.

Hands-on with Akai’s new iMPC Pro for iPad: Mobile Beat Production

MPC-style editing – on the go. iMPC Pro samples other apps, and iTunes, and a big library of sounds, and then makes those sounds easy to play from your fingers (or special accessory hardware).

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M-Audio’s Trigger Finger Pro, in Videos: Think Three Devices in One

M-Audio’s first Trigger Finger might be the most ubiquitous controller in laptop music. Pads, faders, knobs. It was almost a stupidly simple equation, but it caught on. The Trigger Finger Pro is something different. It takes on three roles: 1. It’s a controller for included software. If you want hands-on control of software right away, M-Audio has bundled tools that integrate directly with the controller: there’s Arsenal, a kind of drum sampler-style tool M-Audio calls a “production hub,” AIR Drums, a dedicated drum module, and Hybrid 3, a very lovely synth, plus loads of sample content. But what sets Trigger …

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20syl-kodama

Watch A Charming Video with Hands On Gear, From France’s 20syl, And More

20syl – Kodama (official music video) from 20syl on Vimeo. In a love affair with musical instruments, French producer 20syl teams up with director Mathieu le Dude for a gorgeous music video. As the bass-heavy track shuffles along amiably, hands on musical instruments and other objects reveal the instrumentation – a young hipster’s guide to the electronic orchestra, if you will. 20syl is the producer name of turnablist and sometimes-rapper and graphic artist and music maker Sylvain Richard of Nantes, well-known in his France but getting greater international exposure with this video. He co-directs the film here, applying his graphical …

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