Video Find: Fixing MPC 500 Pads with Tape, Bike Rubber

A two-minute break for some MPC hacking – friend of the site Servando Barreiro hacks his MPC for better performance, and demonstrates the results in a video. It’s a reminder that a little mechanical thought can improve the life of your musical gear. “So, that’s all. Goodbye.” (Other drum pad hacking tips? We’d love to hear them. I’ve been dreaming of a drum pad DIY special, in fact, including how to make custom drum pad controllers, so this is a perfect excuse to solicit some advice and guest contributors.)

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Instagrammed padKONTROL (CC-BY) Daz Heath.

Make Renoise into an MPC-Style Groovebox: Pking, padKONTROL

Music production tools like Renoise have a tremendous amount of power. But what if you could program grooves with the kind of touch-a-pad workflow offered by something like the MPC? In the latest example of users doing wild things with the powerful API in tri-platform tracker Renoise, mxb attempts to make a sort of Renoise MPC. It’s all made possible with the Korg padKONTROL drum controller. And he’s looking for testers – yes, while there may be a handful of people with this rig, you can bet many of them read CDM. mxb writes: This tool is for the (unfortunately …

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ns10m

808, SP1200, MPC, NS-10 Reborn in Miniature as Beautifully-Detailed, Tiny USB Drives [Gallery]

File these designs under “do want.” Some of your favorite gear is rendered in miniature: Roland’s TR-808, E-MU’s SP-1200 sampler, Akai’s MPC 2000XL, and (coming soon) even the Yamaha NS-10 near-field monitors. It occurs to me that someday soon, such tiny things might even work in some form as functioning music equipment. For now, you’ll have to settle for tiny classic gear that contains an 8 GB flash drive – enough to carry especially-precious samples or demos or backups. The drives are US$39.99, but contain extraordinary levels of detail and use Toshiba flash memory (not something overly generic). They work …

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dewanatron

Pictures at an Exhibition: Essential New Gear and Reflections from NAMM

Dewanatron’s Brian and Leon were on-hand with their unique inventions. Photos by Marsha Vdovin for CDM. For the lover of musical instruments and technology, southern California’s NAMM show is a giant toy shop. It’s work for many of its attendees, of course, but we know many of our readers dream of the objects that will make their next creations. And sure, inspiring lust is not our aim; on the contrary, there is some love that goes into these things. In the ideal, that’s the relationship of creator and consumer. These are things not to be bought and discarded, but kept …

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DJing, Decks, and a Grid of Samples: NI’s New Take on Traktor

What should DJing software look like, anyway? It’s just a teaser, but for once, the idea is simple, straightforward, and clear. Native Instruments have taken their DJ software, Traktor, and combined it with a grid of pads for sample triggering and loops. The upcoming hardware/software combination we expect later this spring. At the risk of stating the obvious, what’s significant about adding loop triggering to any DJ set is that you can more easily move beyond playing and mixing tracks. Even without drum machines, this kind of manipulation is part of the grand tradition of DJing, made all the more …

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teasers

Leak the Future: Traktor Controller, Loads of Synths, Livid, Akai, Casio, Nord, and Teaser Tracking

The only good teasers are Malteasers. Photo (CC-BY-SA) Ranma Tim. Guess who’s gotten really bad at keeping a lid on upcoming product announcements? The manufacturers. We’re suddenly utterly awash with teasers. Yes, it seems from intentional leaks to advance campaigns, we’re now destined to see every significant new piece of music gear before we see it, cast in shadows and partial photos and more. Apparently, the folks doing publicity think that this will cause people on the Internet to talk about them. They’re … right, in fact. And with the biggest American trade show for music gear landing next week, …

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mpcrenaissance

Akai Tries for MPC Renaissance with Controllers, New Software

Looks like an MPC. Should sound like an MPC. But for the first time, something called “MPC” that relies on your computer. Good news or bad news? We’ll know soon enough. The MPC name and MPC legend are as big as ever. But the current products? Not so much. Let’s face it: Akai could use a bit of a renaissance. Users these days put just as much stock in the MPC as a concept, and the MPC hardware still attracts users, but other products are stealing Akai’s thunder (Ableton Live, Native Instruments Maschine), and the human faces beloved by users …

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Gold Panda on Sampling; Moby on Drum Machines

Something has happened to the mystique of the musical artist, as the superstars have faded. It seems people are increasingly interested with understanding process, in understanding what’s inside the magical black boxes of sound. Jess Gitner hosted Derwin Panda, aka Gold Panda, at National Public Radio’s studios for Morning Edition. She talked to the artist about the basics of how he constructs music from samples. It’s actually quite nice to me to see a story that’s elementary enough that it could be understood by non-specialists — it’s all to easy to forget that for the vast majority of even the …

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spc_screen_slicer

Useful Music Tools for Your Android Phone, and a New Sketchpad Joins Groovebox

Despite being a musical technology enthusiast, I really do think of my Android phone first and foremost as a communications device. I imagine I’m not alone, just as I’d guess that people who want a mobile music maker may look first at the iPhone. But that raises the question, are there tools you’d install on an Android phone purely because they’re genuinely useful? What tools would you use in your music, or even refuse to be without? There are actually a surprising number of tools out there on Android for music-making, though quality can be quite variable. So here, I’ll …

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Hypersampling, Whatever Your Grid: Free mlrv2 Instrument, to monome and Beyond

Owing to a tradition that goes back to the first samplers and hip-hop pioneers, sampling and digital performance have become a kind of instrumental technique. You might play well, you might play poorly, but even working with samples, you can actually play. You can look at the simple design of the monome as the hardware embodiment of digital, a reflection of an array of pixels. You can see it as an extension of Roger Linn’s MPC and other drum machine concepts. It’s probably both those things. But since the monome itself makes no sound, it’s been software that has made …

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