Scratching Live Video Input: Ms. Pinky + Max for Live

Scratch Yourself Stupid from digital funfair on Vimeo. Can you do exciting things with video inside Ableton Live using Max for Live? Yes, you can. It’s just a proof of concept/demo, not really a polished performance, but Digital Funfair has revealed with his Max for Live work how you might scratch incoming video and not just audio. Using a webcam input, he’s able to keep a buffer of incoming video and scratch that with the vinyl. He promises to share this lovely work with fellow Max for Live owners. There’s more: at bottom, he takes the Buffer Shuffler concept from …

READ MORE →

Ms. Pinky + Max for Live = Scratch Anything in Ableton

Ms. Pinky Revised from Mastah Lee on Vimeo. What should DJing in Ableton Live look like? How could conventional vinyl cueing and scratching be integrated with the Live environment? Serato and Ableton gave us one possible answer to that question last week with The Bridge. Their solution: use your Serato DJ set normally, and simply sync the transport of Ableton Live when the two run simultaneously. That solution could be ideal for some users, but it falls short of what many expected, which was the ability to scratch audio elements from Live as though they were on vinyl. Scratching Live …

READ MORE →

Meet the Digital Vinyl Systems That Predated N2IT’s Patent

It’s something we take for granted now, but not so long ago, the only way to scratch and cue records was with analog vinyl. Now, of course, simulating those behaviors using digital records on turntables connected to computers is commonplace. But that hasn’t stopped the question of who owns the technology from spawning legal disputes. Most recently, a suit brought by patent claimants N2IT against M-Audio was dismissed. You can read the history from the time N2IT, a two-person company, launched their first commercial digital DJing (for BeOS, no less) back in the late 90s. In patents, “first” is everything. …

READ MORE →

Vinyl + Ableton: Ms. Pinky and Max for Live Working Now

Photo (CC) Brendan Dawes. It’s round, it’s mechanically-resistant, it’s tangible, it supports multi-touch and gestures. Yep – it’s the turntable, and outdoing it would mean reinventing the wheel, literally. And so it is that more than a few Ableton fans have wondered how they might work vinyl into their software axe of choice. Ableton and digital vinyl vendor Serato have announced they’re doing “something,” and then announced at the beginning of October that an announcement would be announced on January 14, 2010 at NAMM. Oh, and they said it will “unleash your creativity,” which sounds good. (It’s better than, say, …

READ MORE →

Vinyl Scratch Animation: Turntable-Controlled, Interactive Cel Animation with Ms. Pinky

Jack Lykins sends us a really amazing video he assembled using Ms. Pinky, the vinyl control system, and its included Maxi-Patch Max/MSP/Jitter patch to control animation interactively. We’ve seen vinyl triggering and controlling video, of course – as on the Serato VIDEO-SL, previously reviewed here. But there’s something about Jack’s style of “narrative” animation on the turntable that’s really compelling. Hope to see more of this setup. Previously: Hands-on Review: Serato’s VIDEO-SL for Visual Vinyl Turntablism

READ MORE →

Deckadance Ships, with Extensive MIDI Controller, Vinyl Timecode, VST Support

Deckadance, from the makers of FL “Fruity Loops” Studio, is now shipping. No word on the Mac version in development, but Windows, at least, is shipping now. We’re excited to try it out for all the reasons we were when we first saw it, and now we have some additional details to flesh in:

READ MORE →

Image-Line Deckadance: The DJ App/Plug-in To End All DJ Apps ?

The creators of Fruity Loops aka FL Studio (Image Line software) have just announced a new DJ application called DeckaDance, and this thing looks like the answers to our prayers. We here at CDM love applications that don’t tie you into a specific controller/hardware/control vinyl solution. DeckaDance seems to have everything we’ve ever wanted in a DJ application, and not only does it support several different types of control vinyl, it actually has a learn mode to adapt itself to new types! Add the fact that it’s a VST host capable of hosting both effects AND instruments, and is capable …

READ MORE →

Plattabass, DIY Hybrid Bass – Turntable, Coming Soon

Winning the award this month for “Most Insane Project Mockup”, I give you the Plattabass. It’s a bass. It’s a record player. It has magnetic sensors embedded in the neck. And yes, that is a crossfader. Even crazier: Mobius (Ray Belden) plans to actually build this thing. We’ll be watching. Proposed specs, courtesy Ray: 2 assignable cross faders, an extreme pitch control that goes to zero RMP, a thumb worn magnet that triggers a sensor inlaid in the back of the neck Three control knobs, and 2 TRS stereo outputs Fender P bass neck, Basslines 1/4 pound pickups, and Fender …

READ MORE →

Ars Technica DJ Software Review Round-Up, But Where’s djDecks?

The mighty Ars Technica regularly takes on technically-intense reviews of processors and operating systems, but this time they’ve turned their attentions to something else altogether: DJ software. Dave Girard helms the review, with an exhaustive look at both basic DJ virtual decks (Disco, FutureDecks Lite, DJ1800) and full-featured software (VirtualDJ, Traktor DJ Studio from Native Instruments, and MixVibes Pro). (Thanks for the tip, Ryan Pollack!) DJ Software for Windows and Mac OS X [Ars Technica] The DJ apps get the full Ars Technica treatment, down to helpful figures explaining how DJing works for the uninitiated. Traktor DJ wins handily on …

READ MORE →