Bitwig Studio 1.1 Adds Lots of Details; Can It Escape Ableton’s Shadow?

Bitwig Studio has been quietly plugging along in development, adding loads of engineering improvements under the hood. Version 1.1 is the largest update yet. Here’s the summary of the update: Minus the marketing speak, the exhaustive changelog (here, for Mac): It’s an impressively long list of enhancements in quantity, though most of the changes are fixes and enhanced hardware and plug-in compatibility. For instance, you can side-chain VSTs, and there are new options for routing multiband effects and multi-channel plug-ins. The big enhancements: More routing for audio and MIDI VST multi-out sidechain support and multi-channel effect hosts Updated …


Audiobus 2: Chain, Multi-Channel, Presets, and More in iOS Audio Routing Tool

It’s been a long, strange, mobile trip. Part of the appeal of iOS apps for music when they first arrived was doing just one thing at a time. But what if you want that focus on music making – and still have multiple tools working at once? Audiobus was the app that popularized the notion of interconnecting apps on mobile, patching together effects and instruments and mixers and production tools. And now, more than ever, the idea of a device like an iPad as an all-in-one studio is starting to seem pretty reasonable. Apple’s latest iPad Air delivers on the …


A Symphony of Speakers, Carried By a Crowd, as Choir “Of Sleeping Birds” [Android+Geolocation]

Orchestras generally sit in place, safely contained in a hall. Speakers are arranged in twos, fours, and sixes in fixed positions. Audiences sit and listen, and players play. In “Of Sleeping Birds,” those boundaries are all erased. In “Of Sleeping Birds,” dubbed “a geo-locative multi-speaker symphony,” mobile speakers held by participants form a chorus of sound. Location is everything: it spreads the music through a city, and, with the aid of GPS satellites, determines the music that the speakers play. That same mobility also gets an audience on their feet, participating in the performance. All of this aside, the work …