touchAble 3 Controls Ableton Via Wire, Mimics Live Devices on iPad [Gallery]

Let’s get straight to it: there are two big problems with controlling Ableton Live from an iPad. One, relying on WiFi means risking disaster if a connection is unstable for some reason (OS updates, wireless interference, gremlins and demonic possession, whatever causes that). Two, you invariably wind up with remote controls for some things you need, but not others. It’s like having a remote control for a TV with half the buttons missing. You wind up going back to the mouse just because you can’t work out any way to turn such-and-such knob. touchAble 3 fixes both problems. There’s loads …


An iPad Controller for Ableton That’s Gesture-Friendly, Free: Conductr, Now with X/Y [Gallery]

Ableton Live’s iPad-augmented control can take some forms. There are apps that do everything, replicating the mouse so that you can go directly to touch for every single task and avoid your computer completely (Touchable, for instance). There are specialized controllers, which focus on a few tasks or a particular device or Max patch. And then there’s Conductr, and it’s something a bit different. First, as of June, it’s free – or freemium, anyway. The free version is limited to four tracks and eleven scenes, but it’s enough to give you a taste. And with user modules, it’s easily a …


This iPad App Turns Elektron’s Analog Rytm Into a Hyper Drum Machine

It samples. It slices. It mangles. It generates. It mutates. It’s like what happens when a drum machine is invaded by nanobots, and they start improving everything. Let me explain. Take your favorite iPad samplers. Now, imagine they’re the basis of samples in an analog Elektron drum machine – colourful slicing interface and all. Then imagine this same iPad app does what Elektron themselves seemed unable to do: making an easy, logical way of transferring samples. And then, imagine that this app also can spawn new rhythms for you. It’s as if you took everything powerful about the Elektron Analog …


Video: A Heart-Breaking Solo with Autoharp and iPad, by Jekka

The iPad as folk instrument – alongside an earlier iteration, the Autoharp. In a heartbreakingly lovely video, Jekka of Moscow goes acoustic with Samplr.

It's an MPC you can take with you to the laundromat.

Hands-on with Akai’s new iMPC Pro for iPad: Mobile Beat Production

MPC-style editing – on the go. iMPC Pro samples other apps, and iTunes, and a big library of sounds, and then makes those sounds easy to play from your fingers (or special accessory hardware).


A New Lab Opens Music Making to People with Learning Disabilities

Let’s face it: the initial audience for the first version of music tech is often the developers. That impulse to build something for yourself is a perfectly reasonable one. But music technology is constantly producing new ways of creating music, and that means it has to learn quickly. Unlike, say, a guitar, it can’t build on centuries of experience. And if the industry and music technology community are to consider how to reach more people, why not go beyond just average markets? Why not open up music making to people who have been left out? If music making is an …


The Most Complete iPad Control of Traktor Yet: One Lemur Template Does Nearly Everything

You can now run Traktor on the iPad, but with a fraction of the power of the desktop Traktor. Or you can map Traktor’s capabilities to hardware controllers – just expect to make some choices, and spread out some controllers. A new Lemur template for iPad does something different: it controls nearly everything from custom pages on Apple’s tablet. Platters, pitch control, beat jumping, hot cue manipulation, remix decks – it’s all there. There are massive touch platters that turn your iPad into a kind of scratch deck. You can edit your cues directly in painstaking detail. You even get …


Roger Linn’s Linnstrument Could Finally Make Grids Expressive for Music [Hands On]

Roger Linn is largely to blame for the fact that so many instruments have grids of pads on them. He was the first to use custom touch-sensitive drum pads on drum machines as we now know them, and the rectangular arrays of pads – first on the Linn9000, but particularly on Akai’s break-out hit, the 4×4 MPC60 – became an iconic and popular interface. But now, he has a design that might change the way you think about grids. The problem is, input methods for digital instruments are still famously limited. Our computers themselves can produce astounding ranges of sound, …


Watch Flappy Bird Make Ambient Music, Billiard Balls Bounce, in Lemur Hacks

If Brian Eno were scoring the dreams of a gaming addiction, it might go something like this. Yes, we already told you previously that Lemur 5 adding a canvas object would mean anything could be a controller. It makes the iPad controller app as much a blank, well, canvas, as your Web browser window, more or less. But with relatively scant documentation, Lemur 5 assumed a lot of its users. I mean, it seems like you’d almost need some ingenious coder/hacker to turn this into something completely ridiculous, right? Okay, that didn’t take long. Someone going by the name “saveas909” …


Let your iPad Look Like Anything, Sequence Anything, with Lemur 5

Even before the world had seen the iPad, the promise of Lemur was a touchable interface that could become anything – a Star Trek-like world in which you could touch fluid controls directly to make live music and visuals. The reality, though, was more limited. Users were limited to a library of widgets. That included useful controls, like knobs, faders, and even more far-out physics-enabled X/Y pads, buct widgets, nonetheless. A major update to Lemur this week blows that wide open, in two ways. First, it overhauls how sequencing works, with both tighter timing and new objects, ideal for use …