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The Best App for Exploring Sound Just Got Better: Borderlands 2.0

It looks like a spaceship control panel, and has the futuristic sound to match. Borderlands Granular already set a high water mark for how touch could open up new possibilities in sound creation. With a new version adding live input and more control, though, its latest release may be even more significant than its first. Granular synthesis, which treats recorded sound as a fluid construction of tiny grains, needs an interface to realize its power. It’s not something that can be understood by turning a single knob. It’s defined by the sounds you put into it, by the way you …

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Angry Bees! Swarms and Flocks of Sound in a New iPad Synth

Now, your iPad can go from sweet-sounding pads to hordes of angry bees and back again, all by modeling physical behaviors of flocking. It’s called the Photophore, and it’s a “flock synthesis” instrument. You may have seen synths that produce lush sounds by combining oscillators – the eight-oscillator Swarmatron springs to mind. Well, this synth puts the “swarm” in “Swarmatron.” With up to one hundred oscillators per patch, it uses physical modeling to transform sound by simulating flocking behaviors. I’ve seen experiments that have done things like this with flocking algorithms and particle systems, but this must be the first …

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touchAble 3 Controls Ableton Via Wire, Mimics Live Devices on iPad [Gallery]

Let’s get straight to it: there are two big problems with controlling Ableton Live from an iPad. One, relying on WiFi means risking disaster if a connection is unstable for some reason (OS updates, wireless interference, gremlins and demonic possession, whatever causes that). Two, you invariably wind up with remote controls for some things you need, but not others. It’s like having a remote control for a TV with half the buttons missing. You wind up going back to the mouse just because you can’t work out any way to turn such-and-such knob. touchAble 3 fixes both problems. There’s loads …

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An iPad Controller for Ableton That’s Gesture-Friendly, Free: Conductr, Now with X/Y [Gallery]

Ableton Live’s iPad-augmented control can take some forms. There are apps that do everything, replicating the mouse so that you can go directly to touch for every single task and avoid your computer completely (Touchable, for instance). There are specialized controllers, which focus on a few tasks or a particular device or Max patch. And then there’s Conductr, and it’s something a bit different. First, as of June, it’s free – or freemium, anyway. The free version is limited to four tracks and eleven scenes, but it’s enough to give you a taste. And with user modules, it’s easily a …

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This iPad App Turns Elektron’s Analog Rytm Into a Hyper Drum Machine

It samples. It slices. It mangles. It generates. It mutates. It’s like what happens when a drum machine is invaded by nanobots, and they start improving everything. Let me explain. Take your favorite iPad samplers. Now, imagine they’re the basis of samples in an analog Elektron drum machine – colourful slicing interface and all. Then imagine this same iPad app does what Elektron themselves seemed unable to do: making an easy, logical way of transferring samples. And then, imagine that this app also can spawn new rhythms for you. It’s as if you took everything powerful about the Elektron Analog …

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Video: A Heart-Breaking Solo with Autoharp and iPad, by Jekka

The iPad as folk instrument – alongside an earlier iteration, the Autoharp. In a heartbreakingly lovely video, Jekka of Moscow goes acoustic with Samplr.

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It's an MPC you can take with you to the laundromat.

Hands-on with Akai’s new iMPC Pro for iPad: Mobile Beat Production

MPC-style editing – on the go. iMPC Pro samples other apps, and iTunes, and a big library of sounds, and then makes those sounds easy to play from your fingers (or special accessory hardware).

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A New Lab Opens Music Making to People with Learning Disabilities

Let’s face it: the initial audience for the first version of music tech is often the developers. That impulse to build something for yourself is a perfectly reasonable one. But music technology is constantly producing new ways of creating music, and that means it has to learn quickly. Unlike, say, a guitar, it can’t build on centuries of experience. And if the industry and music technology community are to consider how to reach more people, why not go beyond just average markets? Why not open up music making to people who have been left out? If music making is an …

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The Most Complete iPad Control of Traktor Yet: One Lemur Template Does Nearly Everything

You can now run Traktor on the iPad, but with a fraction of the power of the desktop Traktor. Or you can map Traktor’s capabilities to hardware controllers – just expect to make some choices, and spread out some controllers. A new Lemur template for iPad does something different: it controls nearly everything from custom pages on Apple’s tablet. Platters, pitch control, beat jumping, hot cue manipulation, remix decks – it’s all there. There are massive touch platters that turn your iPad into a kind of scratch deck. You can edit your cues directly in painstaking detail. You even get …

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Roger Linn’s Linnstrument Could Finally Make Grids Expressive for Music [Hands On]

Roger Linn is largely to blame for the fact that so many instruments have grids of pads on them. He was the first to use custom touch-sensitive drum pads on drum machines as we now know them, and the rectangular arrays of pads – first on the Linn9000, but particularly on Akai’s break-out hit, the 4×4 MPC60 – became an iconic and popular interface. But now, he has a design that might change the way you think about grids. The problem is, input methods for digital instruments are still famously limited. Our computers themselves can produce astounding ranges of sound, …

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