Turning 24 Touch Displays into a Multi-Player OS: Obscura’s Steve Mason [NXNE]

15,360 x 3240 resolution on 24 interconnected touch displays: this is no iPad. Toronto-based freelancer Amanda Connon-Unda headed to Toronto’s hottest interactive conference for CDM to catch Obscura’s Steve Mason, revealing what it’s like to design a massively-multiplayer “spatial” OS. It’s been a long journey as the SF firm went from thinking big with projection mapping to rethinking touch interaction. Here’s what Amanda learned. -PK Steve Mason is brimming with enthusiasm. The VP of innovation at San Francisco’s Obscura Digital is describing the new design of their spatial operating system, before a crowd gathered at the North by Northeast Interactive …

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Turning 24 Touch Displays into a Multi-Player OS: Obscura's Steve Mason [NXNE]

15,360 x 3240 resolution on 24 interconnected touch displays: this is no iPad. Toronto-based freelancer Amanda Connon-Unda headed to Toronto’s hottest interactive conference for CDM to catch Obscura’s Steve Mason, revealing what it’s like to design a massively-multiplayer “spatial” OS. It’s been a long journey as the SF firm went from thinking big with projection mapping to rethinking touch interaction. Here’s what Amanda learned. -PK Steve Mason is brimming with enthusiasm. The VP of innovation at San Francisco’s Obscura Digital is describing the new design of their spatial operating system, before a crowd gathered at the North by Northeast Interactive …

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Begone, Mouse: The Latest Upcoming Ableton Live Touch Controllers [Gallery]

The “live” in Ableton Live suggests making musical decisions in real time – not slowly with painstaking editing, stopping and editing and drawing, but as you listen and work. But while the onscreen interface is built around the mouse, and the precision of the mouse, focusing on those settings in performance, DJing, or studio work really wants something else. So, you have two choices. One is to use external physical control, like a conventional MIDI controller or the just-released Ableton Push. And that works very well for many people. Or, you can use a touchscreen. The advantages of the screen …

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Convertible PCs Could Transform Windows Music Software, But Many Models Won’t Stick

What if your computer could do what tablets do – without having to kludge together multiple devices? That question probably doesn’t keep ordinary people up at night. But with music makers unusually ravenous users of touch software, they might just be at the vanguard of new convergences of creative computing. Picture this scenario. Your computer behaves the way it always has – with the usual complement of software and the same comfortable form factor and editing tools. You have the precision of the keyboard and pointer. Then, when you need it, that computer can also be a tablet. You pick …

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Acer Hopes Music Making Will Propel Touch Tablets, Ultrabooks; Report from Taipei

Earlier this month, I had the pleasure of traveling to Taipei, Taiwan for Computex, where Acer was promoting its latest touch hardware. Normally, I’d ask whether there was reason for musicians and DJs to care. But this time, the computer maker is hoping the passion around music will be a factor that woos users to their newest machine. Let’s get one thing straight: the PC market itself isn’t going anywhere. In the final quarter of last year, PC makers shipped hundreds of millions of units. (That includes Apple – and it’s another reason Apple may not want to get out …

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Imagine a Musical Interface, Mirror it on Your iPad: Max + Mira

I heard David Zicarelli once describe Max as a blank sheet of paper – a canvas on which you can imagine any musical creation. Until now, though, there’s been no way to touch those creations directly – other than with a mouse. Mira is a lovely solution to that idea. As users “patch,” visually creating tools in Max, objects that impact user interface interaction (knobs, faders, buttons, musical keyboards and the like) are visible both on your computer screen and on your iPad. You even can add images, new objects for multitouch and motion, text, and images. And you can …

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Windows Touch and Music, Demonstrated with Surface and Reaktor

Big and healthy as the iOS ecosystem is, touch capabilities on Windows PCs means a whole, vast library of other tools becomes possible – without having to carry a laptop and a tablet. Having wandered the floors of Computex in Taipei, that isn’t just a feature you’ll see in a few models. Imagine if only a few laptops had trackpads, and everything else required you to use the cursor keys. Based on the lineups from makers like Taiwan’s Acer and Asus – and what Intel and Microsoft are pushing for the platform (including HP, Sony, Toshiba, and Lenovo) – touch …

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Touch Ableton Live: LiveControl 2 Brings Finger Controls to iPad; Griid Discontinued

Hidden beneath a detailed interface, there’s a lot that a computer might do. Amidst a growing variety of touch tools, musicians are surfing those capabilities with custom cockpits, fingers dancing across glowing rectangles. Production and performance tool Ableton Live is really designed around mice and keyboards. For touch controls, that means turning to remote controls – and for now, a tablet (most often iPad). Developer Liine was an early adopter of the notion. Their classic, minimal Griid and Griid Pro were elegant and simple – but they’ve also failed to keep pace with ongoing controller evolution. They just can’t control …

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As Touch and Laptops Converge, Finally Potential for Music Making? [Prelude]

“Where are my touch laptops?” It’s becoming the “where are my flying cars?” of the laptop music age. And so it is that I’m here in Taipei, Taiwan, having spent today hanging out with Acer as they talk about what they’re doing with touch on their computers (laptops and tablets). The touch laptops are here in force – not a couple of netbooks or tablet PC oddities, but with the full-blown force of the PC industry behind them. The question now is whether we actually want them. 2012 was a little early to ask that question for the music audience; …

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Arpeggionome for iPhone Makes Amazing Patterns in Arrays of Pulsing Circles [App, Music]

Out today, Arpeggionome is the iPhone follow-up to an iPad grid instrument, making lovely, elegant cascades of notes from a screen full of circles. The work of San Francisco-based electrical engineer Alexander Randon, it’s especially nice to see not just the app itself, but the music the developer makes with his own tool. Watch the video, and you’ll get a feel for how he makes his creation musically expressive. Evidently inspired by both the Tenori-On and the community of monome apps, Arpeggionome has a number of features that set it apart from other tools. It’s tough to find iPhone apps …

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