Pop, glam, death, and definitely not techno: Pop-Kultur Round-up

The problem with festivals isn’t that we’re lacking for choice. But in the fast food court of summer festivities, the offerings tend to be arrayed in hard-edged silos. Here’s the dance music one, and it’ll be a rave. Here’s the rock one, and it’s just going to be about guitars. Here’s the experimental one, and everything is likely to be a big long drone in some cavernous distorted reverb. This one is only for J.S. Bach. And so on… Pop-Kultur’s name alone implies a different frame around music. It’s experimental, but it’s also pop. It’s death metal, glam rock, pogo. …


7 Ways SONAR+D is Asking Bigger Questions About Music Tech

Lineup Sónar+D 2015 from Sónar on Vimeo. There’s nothing inherently wrong with asking the same questions repeatedly. Cyclical inquiries are necessary in any practice. And over time, you refine answers. But this year’s SONAR+D program promises something different. SONAR+D is the younger, digital discourse alongside Barcelona’s massive electronic music festival. SONAR itself deserves a lot of credit for helping create the template a lot of digital music and media festivals follow today. And as that has since blurred into a parade of headliners, SONAR+D added a lot of dimension. There were good talks, hacklabs, workshops, and a showcase of makers. …


Staying Mobile, Imperfect; Music and Talk from Robert Lippok, To Rococo Rot

It’s festival season, a time for pre-packaged artists, album-perfect live sets, pristine digital worlds that sometimes literally come from the folks at Google. And there’s nothing wrong with that. But maybe now is a good time to look to the other avenue – to keeping things rough and loud, flawed, live in the sense that has mistakes. Robert Lippok, the always-busy, long-working Berlin-based artist, can celebrate both that messiness and obsessive control. As a soloist, he’s been a staple on Raster Noton; he’s also known for being one third of To Rococo Rot. 2014 is bringing new things from both …