Surprise! In addition to the hit minilogue, KORG are unveiling a volca series that does FM synthesis. And KORG are even making a friendly nod to their Japanese rival with a DX7 color scheme. I got to play with the new volca FM, and – well, there’s a lot of cool things I can already share about it.
Well, f*** minimalism, apparently. We’ve seen monophonic/duophonic synths. We’ve seen new analog keyboards. What we haven’t seen is analog keyboards that seemed to be designed when an inventory of pads and knobs exploded – in your face. And that’s what the new Arturia MatrixBrute is. It looks like a fake Photoshop mockup you’d see on a forum, perhaps. But it’s real. All real. Close your eyes for a second and let your retinas recover, and let’s sort out what is actually even happening here.
There are plenty of hardware step sequencers out there. But now Arturia has a compact entry friendly to keyboardists. This isn’t about dialing up melodies with knobs. It assumes you actually know how to find melodies on some keys. Clearly building on the success of the BeatStep Pro sequencer hardware, Arturia’s Keystep is a keyboard with both step sequencer and arpeggiator modes. And Arturia has given CDM an exclusive first peek, to share with you.
Now hear this. CDM is now on Periscope, the live video service. We’ll be bringing you some quick, breaking videos around Anaheim and LA to start, including impromptu chats and demos from the NAMM show with the latest music gear. Check us out at: https://periscope.tv/cdmblogs And for more: CDM on Facebook CDM on Instagram (gear pr0n, coming right up!) CDM on Twitter Photo (CC-BY-ND) Andrew Kalat.
This could be the NAMM of modular synths in the Eurorack format. The question is, with vendors big and small crowding into this niche market, what will stand apart? Waldorf’s answer is to draw on the company’s history (hello, wavetables!), and in an announcement this week, to offer up a range of modules that fit into a keyboard. The upshot: an all-in-one solution.
This week, the eyes of the music world will look at what’s new in toys. But how about looking further, to how technology is used? Going deeper to what’s happening in live music and music making is the essence of our new series Practice Space. CDM is excited to host a living-room style gathering of musicians and performance artists in the heart of downtown LA, and we hope you’ll join us – in person and online.
Celemony’s flagship Melodyne audio editor has long been reaching past the limits of what most people imagine as pitch correction. It was clear the mission of the software was no less than seamlessly transforming audio – shaping sound as directly as you can MIDI notes. Well, now it’s gone even further. Now we’re not just talking about moving polyphonic notes around. In Melodyne 4, we’re talking reaching into the spectra of polyphonic sound material itself. It’s like playing God with a recording.
It seems the era of the affordable analog monosynth just gave way to the affordable analog polysynth. Leaked last week, KORG’s minilogue is a US$499.99 4-voice polysynth. Before you dive into our sprawling review, here’s everything you need to know in a nutshell. Keep in mind – we’ve had this synth since last week, so we’re not just copying specs here.
If you’ve been wanting to let your freak flag fly with keyboards, this may be some good news. Future Retro have teased a touchplate keyboard on their Facebook channel. It’s dubbed the FR-512, and comes equipped with both MIDI and CV out (with lots of separate patch points) – so fans of digital and modular alike may be pleased. Pitch and mod lie next to the two-octave keyboard. Oh, and it’s a sequencer/arpeggiator, too – check those controls above the keys. (Rest, accent, arpeggiator, etc.)
Electro-Harmonix have a new looper out, introduced last week in Nashville, that I suspect could be a really big hit. The winners: dual stereo operation, loads of recording space, and then easy connection via USB so a looped improv today could be the beginning of a track tomorrow. Oh, and it’s not expensive, either. When it comes to looping in live performance, most folks haven’t taken to the computer as much as the standalone looper, particularly BOSS’ LoopStation line. And that’s with good reason: you want dead-simple operation so you can focus on playing. The heart of the idea is …