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Maschine and Komplete Kontrol Updates Make Them Way More Useful

The changes are subtle. And if you’re looking for some kind of splashy way of integrating Maschine with Traktor or transforming how you play plug-ins, this isn’t it. But some point updates to two flagship Native Instruments production tools are worth applauding. They make these tools not only more useful, but give them more longevity. Maschine sounds better. Maschine and Komplete Kontrol play better together. And whereas hardware/software integration sometimes seems designed solely to lock you in to certain products, Komplete Kontrol now not only works with your host and other gear, but works even when it’s unplugged from your …

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bladestage

Inside The Glitch Mob’s Crazy Rockstar Live Electronic Rig

Press play? More like bang drums hit stuff finger warp touchpad go crazy. The Glitch Mob are one of America’s leading festival electronic acts. (And members like EdiT have IDM, not just EDM, credits to their name – so they were “glitching” before it was cool, in other words.) But while that circuit is in a frenzy of one-upmanship when it comes to spectacle, there’s some real playing behind this act. And that distances them from artists that put on a big show visually but have shied away from anything risky in the set – like actually playing the parts, …

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recuejam

The Joy of Little Boxes, and Lovely Music by Recue x Jolea

From small boxes, big sound, and enormous fun… Something has happened in the evolution of electronic music production. What was once so often a slow process has become a jam, what was carefully orchestrated on screens finds itself embodied in gear. And small and affordable “toys” can often deliver the greatest “switch-on-and-play” satisfaction. Helsinki’s Recue and Jolea first found their way to their album by playing live, so it’s fitting we start with a live set from them. Their fusion is beat-driven, left-field pop – settling into moody, experimental grooves with effortless hooks over top. It’s melancholy surfaces with sparkling …

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This Video Demonstrates How Akai’s New Keyboard Controls Everything

It’s a horse race. Two keyboards – one from Native Instruments, one from AKAI – really want to be the interface between you and every plug-in you own. And we’re getting closer to find out if either deserves your attention. You’ve heard this story before. Sure, you have powerful software on your computer screen. But when you want physical control of those instruments beyond just playing keys, you’re left either manually mapping controls or reaching for your mouse or trackpad. So, over the years various solutions have tried to solve this automagically. There was Automap, seen in Propellerhead Reason and …

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Komplete Kontrol Now Plays Nice with Plug-ins, Hosts, And More is Coming

I’ll be honest: my Komplete Kontrol keyboard has been sitting on a shelf. But I believe that’s about to change in a big way. So how did it wind up on the shelf in the first place? Yes, this is one of the nicest-looking, nicest-feeling keyboards around. And yes, it works seamlessly with Native Instruments’ own instruments and effects – particularly in that it makes it easy to dial up presets and to map parameters to the encoders and display their values. The problem is, most of us don’t live in a world where we only use Komplete. Because Komplete …

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jazzyjeff

Jazzy Jeff, Shiftee Show Us Turntable as a Musical Instrument

Serato and Native Instruments may have a fierce rivalry when it comes to tools. But at the end of the day, the leading DJ vendors exist for one reason: they’re there to support musicians. And I do mean musicians. Watching new routines from Jazzy Jeff and Shiftee, you really see the turntable emerge as a virtuoso musical instrument. They’re released as promotions for Serato (Jeff) and Native Instruments (Shiftee). And the tools are important: they’re there to allow these players to make use of their skills, to do more than just select tracks like a jukebox. But this really is …

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Traktor Kontrol D2 with Color Display is Official, Costs US$499

Native Instruments’ Traktor Kontrol D2 deck was all but revealed at WMC, but now we’re finding out more clearly how everything comes together. And we know the price: the unit is US$499 (499€ / £429), even with that nice color display. (If NI is getting their part cost down, I wonder if we might soon see a display like this on a Maschine other than the Studio – which is great, since the Studio is kinda huge.) That price is doubly impressive now that it includes TRAKTOR PRO 2. That’s an impressive deal for new users. (If you already own …

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Versus is a New Performance Controller from Faderfox, Nyma, Magda

What if one controller could pack everything you need for playing creative DJ and live sets in a single, tall, slim device? What if it had the ultra-compact design of German builders Faderfox and Glanzmann? And what if it borrowed elements from previous controllers, but grouped them in a new way you probably hadn’t seen before? We’ve just gotten the first look at Versus, a new controller collaboration built with the artist Magda, alongside Nyma (Nima Chatrsimab), a DJ/producer and technical guru with a long resume here in Berlin, and the builder Faderfox together with Glanzmann DDS. It’s a kind …

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(CC-BY) Flavio Ensiki.

Stems for DJs and More: Here’s How A New Format Will Work

The most important thing to know about Stems, a new multitrack specification for audio, is that it’s simple by design. That simplicity means that it could really take off as a way of sharing music with multiple tracks, for DJing or live-remix applications. Stems won’t solve every problem of file exchange and sharing. It’s not a multichannel spatialization format. It’s not a sophisticated project format for storing metadata. I say that, because after we covered Stems at the beginning of this week, I found my inbox flooded with every use case for every file format imaginable, and complaints that Stems …

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Can Stems Finally Make Multi-channel DJ Audio a Standard?

The path forward is clear: there’s no reason in this age of digital producing and DJing that music needs to be stereo. The need is there, but so far, not the solution. A file format announced in a press briefing at Miami’s Winter Music Conference and made public today wants to succeed where others failed. It’s called Stems, and there are a few details that make it different. It’s simple. “Stems” – the format – include four tracks. So that could be bass, drums, melody, vocal, for instance. (Or bagpipe, castrati chorus, tambourines, and banjo. But the point is, dividing …

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