Part Sculpture, Part Sound: New Work by Tristan Perich, Lesley Flanigan [Videos, Listening]

From top: Tristan Perich’s new piano with 1-bit masterpiece, Lesley Flanigan surrounded by her creations. All images courtesy the artists. Sound may be invisible, setting the air around us aquiver with little visible evidence. But the objects that make sound are physical, and no electronic music is virtual. Composer/musician/sound artists Lesley Flanigan and Tristan Perich continue to explore that material substance of sound, calling attention to the stuff of the media in its purest form. Lesley’s work focuses on the basic technique of amplification; Tristan’s on digital electronics in their rawest sense, 1-bit songs of microcontrollers in chorus. The two …

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Not Just Mapping, Reshaping: VVOX on Projection for Personalizing Architecture, Space

dd:OUTPOST _ Personalized Environment from volvoxlabs on Vimeo. Light on its own can be a powerful medium for transforming a space. When that light is formed into an image, the customization is as fluid as pixels on a display. So, there’s a reason we hear terms like “responsive architecture” or even “interactive architecture.” We may see environments become as changing as the computer before our eyes. The question is, how, exactly? VolvoxLabs, a Brooklyn-based design house specializing in visual effects and projection design, showed one vision of how this might work, for Digital Dumbo (in partnership with Bing). The ingredients, …

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Stirring Solo Vocal + Ableton Push: Thomas Piper, Live at Webster Hall

If the computer can do one thing, it is to vastly expand what a single musician can do live. Whether you rise to that challenge has everything to do with who you are as an individual musician. It’s about the person as much as the machine. Thomas Piper, Jr. is at his absolute best in a soulful, no-holds-barred, energetic performance New York’s famed Webster Hall. (His son Zion, by the way, is also terrifically talented.) Here, his vocal is front and center far more than the computer, but the digital instrument also supports what he’s doing. At the Kompakt pop-up …

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Dancing Nomads and Afro Futurism: Fhloston Paradigm Chasing Rainbows Video, from King Britt

Chasing Rainbows (Festival Edit) – Fhloston Paradigm from King Britt on Vimeo. Fhloston Paradigm is King Britt’s project from last year on Kode9’s Hyperdub label, dripping with all-analog sound and sci-fi afro futurism. And now it has the music video to match. It could well inspire you to get up and dance, survivalist style. The project grows out of King’s drool-worthy studio – a compact balance of Roland DR110, Korg Mono/Poly, Korg MS20, Roland JX3P, Moog Sonic 6 and SQ10 sequencer. King’s touring now, with the live debut of Fhloston Paradigm slated for October 26th at the Mountain Oasis Festival …

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Windsor Hum Gets Its Own Synth, in Latest Ableton Pack; Read About Mysterious Humming

Residents of Windsor, Ontario widely report hearing a humming sound – one no one has been able to identify, but at least some claim to have recorded. And now, for the first time, you can get that hum as a synth for Ableton Live (or any other environment, via the audio files). It’s the latest creation of AfroDJMac, the crazy-prolific producer and Live pack maker who has remarkably turned just 21 last week – happy belated birthday, sir. The resulting synth, novelty aside, sounds spooky and lovely:

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Deconstructed Dance Floor: EVOL’s Strange Experiments with Light, Sound, and Acid

For all the years of “classical” electronic music performance from academia, the experience of entering a club or dance music program can be awfully avant garde and surreal. There’s a barrage of sensory input – flashing lights, strange, repetitive sounds. The Spanish/British duo Roc JimĂ©nez de Cisneros and Stephen Sharp, aka EVOL, have taken that feeling to its extreme. And the results are weird, wonderful fun. (The two play Berlin Thursday night at N.K. on a diverse program including Chris Douglas and Bill Kouligas; N.K. is one of Europe’s most consistent venues for electronic experimentalism, and somehow will keep feeding …

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Gorgeous Beats from Philly’s NO SIR E, Ode to monome Love [Live Set, Sounds]

Faptronica? Trapmetal? Glitchfap? Fapdance? Genre labels make a fun muddle of things for Philadelphia’s NO SIR E. But his music is perfect for this time of the Northern Hemisphere’s summer, that feeling of diving out of a sweltering heat into the water. It’s refreshing, with the dirty, muddy bits in the bottom you’d want to stick your toes into. And then it glitches in satisfying distortion, a motorboat or jetski racing across the smoo… I’m sorry. It’s hard to write in the summer. (Or … well, you can Google what “fap” means, but that’s a bit less … musical in …

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Take That, Pong: Table Tennis, Reimagined as Augmented Audiovisual Games

pingtime from videogram on Vimeo. The tables have turned. Forty years after Pong aped table tennis on Atari, we’re watching computers transforming the original game. The table tennis in Pingtime vibrates and warps with sound and projection in an “augmented” experience of the game. The project is immortalized by Bucharest’s Videogram – but we see lots of familiar folks and tools in the credits: Train to shift your focus in an augmented world with this media-challenged table tennis game. Pingtime takes a look into how realtime generated computer responses are affecting reaction time in fast gameplay situations. Sergiu Doroftei _concept, …

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Germany to Detroit: Good Listening from DJ Koze, Juan Atkins [Mixes, Release, Reading]

Switch off that negative talk: vibrations between musical scenes continue to resonate and grow. Here we have two artists, each somehow evergreen and still blossoming, making the link from past to future feel secure. And speaking of good vibrations, I can think of no better way to get the summer vibes going this weekend than warming up with this warm up and mix. So, we turn to Detroit’s Juan Atkins and Hamburg’s DJ Koze to set us straight. They demonstrate that channels between Germany and Detroit remain open and live, that maybe the best days of cross-pollination are ahead, not …

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Four Tet Walks Through His Unique Live Rig for Red Bull Music Academy [Video]

Playing with laptops can become performative in conventional ways, just by adding instruments – voice, guitar, live drums, ukelele, or whatever it is you play. But it becomes more mysterious in the hybrid performance media that emerge from “playing” the arrangement directly, manipulating the larger bits of a track in the form of stems and samples. That can be really boring – the “press play” approach – or it can begin to embody an artist’s musical imagination. They can improvise with the composition. You’ll want to make sure you don’t tune out early in this video with Four Tet, shot …

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