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Watch a Hacklab Merge Science and Live Music Technology: MusicMakers

Documentary MusicMakers Hacklab at CTM Festival 2015 from CDM on Vimeo. With computers and electricity or without it, musical performance has the potential to be expressive, powerful, immediate. Making music live in front of an audience demands spontaneous commitment. What technology can allow us to is to wire up that potential to other fields in new ways. And that was the feeling that began 2015 for us, working in the collaborative MusicMakers Hacklab at CTM Festival in Berlin. Neuroscientists met specialists in breathing met instrumentalists. Think the lightning bolt in the laboratory: it’s alive.

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recuejam

The Joy of Little Boxes, and Lovely Music by Recue x Jolea

From small boxes, big sound, and enormous fun… Something has happened in the evolution of electronic music production. What was once so often a slow process has become a jam, what was carefully orchestrated on screens finds itself embodied in gear. And small and affordable “toys” can often deliver the greatest “switch-on-and-play” satisfaction. Helsinki’s Recue and Jolea first found their way to their album by playing live, so it’s fitting we start with a live set from them. Their fusion is beat-driven, left-field pop – settling into moody, experimental grooves with effortless hooks over top. It’s melancholy surfaces with sparkling …

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propack

Now littleBits Modules Play with MIDI, USB, CV: Videos

littleBits’ Synth Kit began as a lot of fun. Snap together small bare boards connected by custom magnets, and you can create basic synthesizers, or mix and match more exotic littleBits modules light light sensors. No soldering or cable connections are required. But while you could use various littleBits components, your options were comparatively limited as far as connecting to other gear. That changes today with the release of new modules for MIDI, USB, and analog Control Voltage (CV), ranging $35-40 each. There are three modules, each made in collaboration with KORG: You can also buy a US$139.95 “Synth Pro …

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Hands On MeeBlip anode, with Robert Lippok (raster noton) [Video]

When we designed MeeBlip anode, we tried to do more with less: make every knob and switch meaningful and musical. Composer/musician and artist Robert Lippok invited us into his studio as he tried out those controls. Robert is really thoughtful about his approach to sound and control in my experience working with him, and so it was nice to get his feedback on our instrument. (If you don’t know Robert’s music, he is a Berlin native, a long-time member of the label raster noton, and a former member of the band To Rococo Rot.) One by one, he demonstrates how …

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dreams

Watch a Dreamy, Groovy Reverie Played Live on Desktop Synths

Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making imaginative and dazzling visuals. Let’s instead just wander into his studio, virtually speaking, and let him play for us on a nice, assembled gathering of custom hardware. And drifting off on this chillout groove is a nice way to take a pause in your day…

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poppy_components

A Toe-Tapping, Dancing 3D-Printed Robot Plays Music

Making Music With Poppy from Pierre Rouanet on Vimeo. It can “learn” to tap its toe and bob its head. And then it can make sounds as you move its arms. It’s a robotic interface for music – a bit like playing with a very smart toy doll. To show off its interactive/interfacing abilities, the team behind Poppy used music. Poppy is a robot that can be produced with a 3D printer. All the hardware and software are fully open source. The idea – fused with cash from the EU’s European Research Council for funding science and creativity – is …

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radiothing

Put a Radio in Your Modular: Music Thing Radio Music

Once upon a time, musicians made music from the sound content pouring invisibly, inaudibly from the air. The likes of John Cage and Kalrheinz Stockhausen turned the radio into stochastic source and instrument, a means of making music in the now. And now, you can, too, in the latest Eurorack module. Whether you want a modular or not, this is one module you definitely don’t need. You don’t need to act out Cage-ian fantasies and turn your local hit FM station greatest tracks of the 80s and 90s into an experimental noise performance. Nor do you really need to understand …

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anodewithmixer

MeeBlip anode Adds Edgy Wavetables; Here’s How They Sound

We have reached a wonderful place. It’s a world where we no longer treat digital and analog as simplistically better or worse, but as techniques, as colors, a spectrum of tools for exploring sound. Or to put it another way, we now make wild noises however we want. And that’s very much how I feel about the direction we’ve gone with MeeBlip anode, combining digital waveforms with analog filtering, which is why I’m keen to share it here on CDM and not just via the MeeBlip site. The new 2.0 firmware comes with a selection of 16 wavetables, covering a …

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DSC_0108_blur

Lo-Fi SES Looks Like a Game Controller, Plays Like a Chip Instrument

What if there were a hacky, hackable handheld game platform – just for making noises? That’s what the Arduino-powered, Lo-Fi SES is all about. It’s basically a little 8-bit music toy, with a control layout borrowed from Nintendo of the past, but expandable, hackable, and open. The sound is very grungy and digital, but it all appears easy to play. The cutest touch: you expand the board with “cartridges,” add-ons that connect to the top to add functionality. “One”Final Sound Adventure” adds more sounds. “USB: A Link to the Hack” lets you program the board from your computer, using Arduino …

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meeblippush

Learn to Jam with Just One Synth Voice: MeeBlip + Ableton Push vs. Gustavo Bravetti [Video]

Ableton Live and Ableton Push afford new ways of working, allowing you to put loads of parameters beneath your fingertips. Of course, the means of doing that may not be immediately obvious, behind the dance between grid, encoders, and automation envelopes. Leave it to Montevideo-born, virtuoso dance music maestro Gustavo Bravetti to show us how it’s done. Gustavo pairs the MeeBlip SE, the enhanced “digital freak” original version of our synth, with Live and Push. To connect the hardware with automation of the external synth, he uses a Max for Live patch for the MeeBlip (which you’re free to download …

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