Serato DJ 1.9.3 1600x630

Serato’s Ableton Link sync could change how you DJ

Quick! Name one good reason to use a computer running DJ software instead of just toting along some USB sticks to play on a CDJ! Well – one answer is, maybe your DJ set involves more than just mixing two decks. And with Ableton Link support, Serato is the first DJ software to open up to easy, peer-to-peer sync. It could change how you play.

Erasure playing live onstage on the Mac.  (CC-BY-SA) Andrew Hurley.

Apple’s relationship with pro music needs some mending

What happens when a key relationship in music technology turns a bit sour? There’s no mistaking the music world’s preference for Apple products. But there are some specific causes for concern in the way Apple is handling its desktop operating system and its relationship with pro musicians. First, let me be clear. I’ve covered Apple and music for a long time. I’ve met some of the people handling these products; some of them I’ve known fairly well in a professional capacity. I have tremendous respect for the company, its products, and its management. I’ve been a regular contributor to Macworld …


Here’s the story of how the Mac and Atari found their voice

There’s something magical about the moments in history when computers were able to speak (and sing) like a human. That’s certainly true of Bell’s famous “Daisy Bell” performance (the real-life moment echoed in 2001). But it’s also true of the Mac, which first spoke to uproarious applause.


Jamming standard: Ableton is opening Link to everyone, starting today

Ableton Link is coming to desktops, and going completely open source. And that means the best tool for wireless sync and jamming is about to get a lot more popular. On iOS and for Ableton Live users, Ableton Link is already a revelation. It allows any number of different apps to sync up with one another without fuss. That includes two more machines running Ableton Live, of course. But it could also be two apps on an iPad, or an iPhone and an iPad, or an iPad and a copy of Ableton Live. It completely changes live jamming: instead of …


Percussa want you to make modular music with cubes, blank knobs

Modular synthesis is everywhere – but there aren’t a lot of new ideas apart from using patch cables to connect them, a concept that dates from the early 1960s and telephone switchboards. Percussa are an outlier – an odd one, to be sure. Their blank, RGB light-up cubes (“AudioCubes”) connect wirelessly, and control associated software. To their credit, while plenty of “tangible” interfaces made the rounds as experiments and research projects, they went as far as commercializing the product. And that’s no mean feat. Anyone with some basic engineering knowledge can snap something into a Eurorack case and be part …


Rent-to-own Serum means Kanye doesn’t have to pirate it

Somewhere – tonight, even – some unknown producer is going to make some brilliant new track using software. (Seriously, this is the world we live in.) And when they do, odds are they might well turn to a popular synth like breakout-hit Serum. The problem is this: someone getting started in producing is probably unwilling or unable to shell out US$189 for a single software instrument. So that individual is likely to pirate the software.


Isadora 2.5, new chapter for creativity server, 3D shaders

In the landscape of live visual tools, Isadora is something special. Despite being known mostly in certain circles – its name itself is a nod to the world of dance (Isadora Duncan) – it’s uniquely adept in those worlds. When it comes to mixing live visuals and interactivity with modern dance and theater, for instance, Isadora (now on both Mac and Windows) is essential. Why Isadora I always had special admiration for Isadora, and its creator, Mark Coniglio. In fact, his was one of the first computer performance tools I ever saw – his original project, called Interactor. I was …


Form is an all-new hybrid sample synthesizer

Native Instruments has been a pioneer in making tools like Reaktor that employ unique synthesis techniques. But more recently, that power has found its way to self-contained instruments. Tucked into the release announcement of Komplete 11 comes some very big news for lovers of creative sound design and synthesis. It’s a new instrument called Form. It’s powered by Reaktor, but it’s been built from the ground up, according to NI. And it lets you drag and drop sounds to manipulate them into playable instruments.


Komplete 11 has all the latest NI goodies, and a new synth

It’s that time of year again – time for a new update to Komplete, the suite of software from Native Instruments. But Komplete 11 is a bit special, in that powerful Reaktor-powered additions meet some especially nice tools for producers.


Ableton Live 9.7 in beta, with slicing and beatmaking news

Ableton Live 9.7 is right now in public beta – just days after the latest 9.6 release went final. Most of the functionality announced so far is related to Push and beat making; 9.7 brings features that let you play, record, and slice more easily from Ableton’s hardware. But that shouldn’t mean you should despair if you’re not a Push user; as with each Push release so far, there are parallel improvements in the software itself.