Vezér Lets You Control Anything with Timelines – Without Being Overly Hard to Use [Mac]

Take your visual app. Take a parameter. Now control it with timelines and automation – anything, anywhere. The appeal is clear for visualists, particularly with built-in options sometimes limited. Now, sequencing control – clocked to MIDI – can take on powerful new dimensions. Vezér isn’t the first app to go this direction, by any means. I’ve admired in past the insanely-powerful IanniX, for instance. But then, “insanely powerful” isn’t always what you want – particularly if that depth just drives you insane trying to do something simple. Vezér, just now entering beta, promises to be a bit simpler. And coming …

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Bhoreal: RGB Grid as Open Source Hardware – Kit or Ready-Made, Wired or Wireless

We are Bhoreal from MID New Media Design on Vimeo. Grids are suddenly everywhere – in music control, but also in visuals and art. And they’re lighting up in RGB. But Bhoreal promises to do some things other grids aren’t. Whereas the monome is a truly beautiful, handmade and rare object, its rarity – by design – means it’s hard to get. And readily-available commercial products aren’t open source, and while they fit certain needs elegantly, they’re designed to stick to those needs rather than allow easy modification. Bhoreal is this kind of blank-slate, do-anything colored grid you can turn …

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Stepping Through Music, Interactively: Drum Kits and Monomes Navigate Notes

Left to right, beginning to end, the same in a loop — there’s no reason music has to work this way once you’ve got a computer. But if you associate generative or algorithmic music with some sort of magical black box machine you switch on, an automaton spitting out notes while you sip tea and stroke your beard, think again. Here are two examples that use interactive structures as a way to make music more live, not less. One is the latest creation from the ingenious mind of monome creator Brian Crabtree (who, perhaps unexpectedly, seems to have redirected the …

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The VJ Rigs That Power Momo (for deadmau5), Eclectic Method, Live [VDMX]

What’s making performance video shows tick for the like of live visuals for deadmau5 and Eclectic Method? And once those tools are in order, how do the artists express their ideas live? Vidvox, makers of Mac live visual tool VDMX, have kicked off their own blog offering some insights into how people are actually making stuff with their software. We saw one very nice example portfolio yesterday working with VDMX. And here are two more excellent examples. First up, our friend Momo the Monster, who last guided us through his live Glitch Mob show, is now working on deadmau5. The …

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Sailing Digital Seas: Exquisite Audiovisual Etudes Made in a Free Game Engine

30 seconds or more 07 – Will I ever make it home? from Victor Morales on Vimeo. Set to the music of Norway’s Pål Asle Pettersen, Victor Morales has created surreal digital landscapes made of textures that vibrate and transform in time to sound. And he’s being quite prolific. Working primarily with Crytek’s CryENGINE game engine – now free for non-commercial use – he is producing one short film each day. He tells CDM the visual engine helps produce these rapidly: It shows how powerful these video games engines are for the creation of strong visual material in very little …

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konkreetonipad

Hands-on: Spacey Futuristic Beat Control, as Konkreet Performer for iPad Meets Reaktor

Connecting Reaktor 5.8 with Konkreet Performer from Konkreet Labs on Vimeo. Mapping control from one place (like an iPad) to another (Reaktor) is tough to describe, but easy to see. Watch as strange, spacey geometries control futuristic generative sounds and beats, and it all starts to make sense. And so, this hands-on video is a brilliant example of why we get excited about new control methods, here in the form of better OSC support in Reaktor 5.8. Konkreet Labs’ Konkreet Performer is an ideal candidate, eschewing traditional MIDI knobs for interfaces that delight and challenge the user. And it’s little …

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Chroma + Gris-Gris: Sequence Live with Anything, Then Let the Synth Run Wild [Reaktor]

Chroma and Gris-Gris are a beautiful pairing, a performance-savvy sequencer and a “monster” monosynth. If the release of the OSC implementation we dreamed of in Reaktor wasn’t enough to make you dust off NI’s modular flagship, this will surely do the trick. It’s the work of Montreal-based Reaktor guru Peter Dines, veteran CDM contributor and one of our favorite patchers anywhere, on any platform, for his eminently-practical, sonically-lovely creations. And just as the Chrome sequencer goes nicely with the Gris-Gris synth, the whole thing comes alive with Reaktor’s new OSC implementation, letting you perform sequences – alone or in public …

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reaktortemplates

Get Started with Reaktor + Reaktor Player + TouchOSC, Lemur: Open Source Templates [Exclusive]

Got a copy of Reaktor 5, perhaps via Komplete, or an instrument or effect based on Reaktor (running in Reaktor Player)? Got an iPad, and want to start touching sounds with OSC? Great! We’ve got some powerful tools and references that will make it easy to get going – and, for those who want to peek under the hood, can yield some nice tools for your own creations. Actually, maybe “un-exclusive” is the best way to describe this. In addition to official references from Native Instruments on how to use the tools, developer Clément Destephen has built templates that make …

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Reaktor - and any Reaktor Player instrument/effect - meets easier hands-on control. iPad, no brainer. Images courtesy Native Instruments, for createdigitalmusic.

Reaktor 5.8, with OSC: Now, Easily Control Reaktor-Built Sound Creations with Touch – Even in Play Mode

With any instrument, getting your hands on the sounds is essential. Reaktor is a platform for all kinds of strange and wonderful instruments and sound makers. It’s been that for Reaktor DIYers in particular, but it also powers a variety of creations used by Komplete owners and built in Reaktor Player. Today’s update to Reaktor 5.8 might easily fly under the radar. But make no mistake: improving control capabilities is potentially huge, because it makes it easier to make sound hands-on. Adding a few cool new ensembles, for instance, is nice. Being able to control Reaktor creations more easily is …

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Full-Body Music, Live: AV Kinect Performance, Complete with Beer Bottle [Video]

ETHNO TEKH | live at Enig’matik Vibrations [Melb,Aus] 2012 from Ethno Tekh on Vimeo. You’ve seen impressive tech demos and promo videos with Kinect, perhaps. But here’s a real, live performance with a crowd. (Best moment: an audience member walking in front of the camera. Breaking the flow like that oddly makes the show feel more real.) Ethno Tekh is a dubsteppy AV performance with a flow of beats and images. Now, we’ve heard all the criticisms of Kinect as musical controller – its fairly high latency and broad gestures mean it can’t quite compete with acoustic instruments or more …

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